[A version of this article first appeared as a post on my blog From the Front of the Choir]
Most singers in choirs don’t fit neatly into choral vocal ranges. Yet we try to squeeze them in to our off-the-shelf arrangements, chastising them when they can’t reach the notes.
How about thinking of your singers first and choosing arrangements that fit their voices rather than the other way round?
Singers in community and other non-professional choirs are like Goldilocks: the high notes are a strain, the low notes are too low, and the notes they like are somewhere in the middle and are “just right”.
I reckon that the majority of female singers in my choirs are in the middle of the contralto range and the majority of male singers in the middle of the baritone range. Unfortunately most published arrangements don’t include these ranges, but stick with Soprano, Alto, Tenor and Bass.
Most of the ‘tenors’ in my choir find that the tenor part goes too high and the ‘basses’ find that the bass part goes too low. They don’t feel fully comfortable in either part. It’s a similar story for the Sopranos and Altos.
I’ve had people join the choir who love being there, but end up leaving after a while because they think they can’t sing. Why is that? Because they can’t hit all the notes in their chosen part.
This is a very common situation. I often get emails from other choir leaders asking me how they should deal with the singers in their choirs who can’t hit all the notes.
Rather than trying to squeeze our singers into the straightjacket of an existing arrangement, I always advise that the singers are considered first. Each choir will have a unique set of voices and vocal ranges so you should choose your arrangements to fit those voices and not the other way round.
Celebrate what your singers can do and not what they can’t!
How can you do that? Here are five ideas:
I’m sure there are plenty of other ideas out there. Do drop by and share your ideas with us.
Chris Rowbury
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