International Choir Festival InCanto Mediterraneo

Audiences at choral concerts: who are they?

  • [this is a version of a post which first appeared on my blog From the Front of the Choir]

     

    In July 2010, after ten years leading Woven Chords, we had our final concert together.

     

    Little old ladies by Arty Smokes

     

    As always, we had hoped for a full house packed with an enthusiastic audience. But we ended up with around 60 keen punters trying very hard to fill the 350-seat auditorium!

     

    As I walked through the audience before the concert started, I was very aware of the sea of grey perms that filled the seats. Our audience was full of “women of a certain age” – again!

     

    The vast majority of our audience at any concert seems to be well over 60 and mostly female. This is also reflected in the choir itself and in the workshops that I run.

     

    Sometimes the choir manage to persuade their children to come along, and almost without exception, they thoroughly enjoy themselves. So why can’t we attract a younger audience?

     

    There’s nothing wrong, of course, with having an older audience, but it would be nice to have a wide spread of ages, genders and nationalities. (This also applies to the choir and workshops: we sing songs from many different countries and cultures, and yet we attract mainly white, middle-class women singers).

     

    Is it perhaps the words “choir” or “concert” which put younger people off? (see Avoiding the ‘C’ word: choir) Do they simply have something better to do on a Saturday night? Is the make-up of our audience simply a reflection of the make-up of the choir? (see Is your audience just friends and family?) In which case, why can’t the choir attract younger people and people from different cultural and ethnic backgrounds? (see Why aren't there more mixed-age group choirs?)

     

    There is a wider question here. It’s not just about trying to get a younger audience, it’s trying to get an audience at all! The fact is that audience numbers are waning for choral concerts, and those who do come to ours tend to be already connected to the choir in some way.

     

    How do we reach more people? When we do manage to persuade people to come, they end up having a great time. But the refrain is often “That’s not at all what I expected!”.

     

    On my own blog, you can find a series on Finding an Audience starting with identifying what it is your choir has to offer. Following on from that I look at how we describe what it is we do and how to get that message out there.

     

    What’s your experience? Do you manage to get a wide mix of audience members and healthy numbers?

     

     

     

    Chris Rowbury: chrisrowbury.com

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