Tuuli Live-Mitschnitt des 4. Jubiläumskonzertes des Chorus sine nomine 15. November 2011, Brucknerhaus Linz Lothar Atwell / Martin Carbow "Lift your head up high" Michaela Wandl, Alt Malte Puls, Bass Ingrid Oberkanins, Percussion Chorus sine ...  moreTuuli Live-Mitschnitt des 4. Jubiläumskonzertes des Chorus sine nomine 15. November 2011, Brucknerhaus Linz Lothar Atwell / Martin Carbow "Lift your head up high" Michaela Wandl, Alt Malte Puls, Bass Ingrid Oberkanins, Percussion Chorus sine nomine Leitung: Johannes Hiemetsberger  

Sei Lob und Preis mit Ehren, a chorus from the cantata "Lobe den Herrn meine Seele" by Philipp Heinrich Erlebach (1657-1714), based on the melody published in Johannes Kugelmann's 1540 collection. In this performance I have sung the first part of the or...  moreSei Lob und Preis mit Ehren, a chorus from the cantata "Lobe den Herrn meine Seele" by Philipp Heinrich Erlebach (1657-1714), based on the melody published in Johannes Kugelmann's 1540 collection. In this performance I have sung the first part of the original melody (as countertenor) followed by the Erlebach setting (as the dwsChorale - one-man multitrack choir). I have added trills to the dotted crotchets in the unannotated violin parts, since these seem to be appropriate, and I have also added my own bowings. (Strings and harpsichord are Garritan samples).  less

It is an old saying - which actually refers to Naples… But Rome is really worth seeing, because it's one of the most beautiful cities in the world and you can join us to sing - could you imagine anything more satisfying than this?    Yo...

Motet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet,...  moreMotet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet, violoncello Vicente Chavarria, harpsichord, Artistic Director Soloists: Amelia Tobiason, soprano Katina Mitchell, soprano Antona Yost, alto Ryan Tani, tenor Joel Nesvadba, bass From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA  less

"Komm, Jesu, komm" Johann Schelle (1648-1701) Flos Campi La Monarca Baroque Ensemble Vicente Chavarria, Artistic Director From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA

Ein kurzer Zusammenschnitt der Highlights des Konzertes.

Tuuli Live-Mitschnitt des 4. Jubiläumskonzertes des Chorus sine nomine 15. November 2011, Brucknerhaus Linz Johann Sebastian Bach Motette "Der Geist hilft unser Schwachheit auf" Chorus sine nomine Leitung: Johannes Hiemetsberger Percussion: Ingr...  moreTuuli Live-Mitschnitt des 4. Jubiläumskonzertes des Chorus sine nomine 15. November 2011, Brucknerhaus Linz Johann Sebastian Bach Motette "Der Geist hilft unser Schwachheit auf" Chorus sine nomine Leitung: Johannes Hiemetsberger Percussion: Ingrid Oberkanins  

At the piano: Dmitry Semenovsky. The lyrics of the song is a translation from Goethe's "Nur wer Die Sehnsucht kennt."

Beitrag im ORF über Die Vokalgruppe VIP beim XXIV. Internationalen Chopin Festival in Gaming im August 2008. www.vip-vokalgruppe.de

Short Motet on the text Blessed are the dead who Die in Christ, even so said the spirit for they rest from their labours, part of the Concert choir series from Spartan Press