A traditional Igbo Christmas folk music dramatized by Two fine soloists. Accompanied by the choir to depict the Christmas cheer and joy of the coming of the Son of God to Earth.
Second movement of Gjeilo's "Sunrise Mass" EnChor Chamber Choir, Lily String Quartet and Corps Bara Dance Heaven and Earth concert, October 2012
O clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most high is terrible. He is a great King over all the Earth. God is gOne up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing ... One';">moreOne;">O clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most high is terrible. He is a great King over all the Earth. God is gOne up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing praises. Sing praises to our King; sing praises. For God is the King of all the Earth. Sing ye praises every One that hath understanding. God reigneth over the heathen. God sitteth upon the thrOne of His holiness. Sing praises unto our King. Sing praises. Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was One of the altos. John Huntley - a fellow alto - recorded this performance. One';">less
Ubi Caritas - Ola Gjeilo EnChor Chamber Choir - Heaven and Earth Concert October 2012
English Translation: Heaven and Earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Lamb of God who takes away the sins of the world, have mercy on us. Taghkanic Chorale https://www.taghkanicchora... One';">moreOne;">English Translation: Heaven and Earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Lamb of God who takes away the sins of the world, have mercy on us. Taghkanic Chorale https://www.taghkanicchorale.org/ June 2020
A beautiful soul piece composed by Ikoli Harcourt Whyte written in Igbo language. A prayer to God to transform our hearts, making us more pure and holy and willing to do his will on Earth.
All The Ends Of The Earth Have Seen The Saving Power Of God! The Saving Power Of God!......My original composition .If you want to have a music sheet of this song please visit our website raysantos.weebly.com.
The time is nigh, the long awaited day is here. The Earth awaits the manifestation of the children of God. Let us therefore begin this glorious new year with a prayer bearing in mind that no matter how busy our modern lives are, God’s voice can still cu... One';">moreOne;">The time is nigh, the long awaited day is here. The Earth awaits the manifestation of the children of God. Let us therefore begin this glorious new year with a prayer bearing in mind that no matter how busy our modern lives are, God’s voice can still cut through and speak to us in a calm and tranquil way. Golden voices Choir STACC FUTO presents…. The Prayer by Ikhuoma Daniel Extracts from the last edition of the Golden Voices Choir FUTO CANZONA titled "In Praise of God's Goodness". Conducted by Nweke Gabriel C. (C.M and Music director 2019/2020 Academic Session) Female Soloist: Adiele Vivian (Soprano) Male Soloist: Anoruo Sanctus (Tenor) #Canzona12 All rights reserved. Happy New Year EveryOne One';">less
The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T... One';">moreOne;">The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitOne lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe... One';">less
Setting from Alfred Lord Tennyson's "In Memoriam" by CHH Parry sung by the dwsChorale (multitracking One-man choir) There rolls the deep where grew the tree O Earth, what changes hast thou seen! There, where the long street roars, hath been The sti... One';">moreOne;">Setting from Alfred Lord Tennyson's "In Memoriam" by CHH Parry sung by the dwsChorale (multitracking One-man choir) There rolls the deep where grew the tree O Earth, what changes hast thou seen! There, where the long street roars, hath been The stillness of the central sea The hills are shadows, and they flow From form to form, and nothing stands; They melt like mist, the solid lands Like clouds they shape themselves and go But in my spirit will I dwell And dream my dream, and hold it true; For though my lips may breathe adieu I cannot think the thing farewell One';">less
