ORPHEUS vocal group founded in Lviv, Ukraine, in Autumn 2000, is a male a cappella group with eight singers. All members are professional singers and musicians, all of them graduated the Higher Musical Academy in Lviv and their diverse musical backgrounds...  moreORPHEUS vocal group founded in Lviv, Ukraine, in Autumn 2000, is a male a cappella group with eight singers. All members are professional singers and musicians, all of them graduated the Higher Musical Academy in Lviv and their diverse musical backgrounds contribute to the musical expression of the ensemble.The group is flexible in number to expend into different styLes of singing. All music are performed a cappella. The main areas of speciality are Orthodox church music (liturgical), folk and popular Ukrainian songs and some exampLes of original Ukrainian, world music as well as well-known a cappella classics. ORPHEUS also perform new songs - composed and arranged by the group members themselves, all of them featuring surprising and exciting arrangements.  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Two love Songs par Les Canterbury Voices en concert à Ris Orangis sous la direction de Kerry Boyle

I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional F...  moreI dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional French Christmas carol, "Quelle est cette odeur agréable", which John Gay also set as a boisterous drinking song in the Beggar's Opera, "Fill every glass, for wine inspires us!" In addition, the song draws inspiration from Josquin's Missa Pange Lingua. In early 2018, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "How heavy lies the heart" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. I would also like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre M...    Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Guest Soprano Ffion Perrett. Gresley Male Voice Choir, Autumn Celebrity Concert 2015

Kiss me Honey Baby par Les Canterbury Voices En concert à Ris Orangis sous la direction de Kerry Boyle

Our last song is an original carol written by the incomparable composer and arranger, Chris Hoban. Chris has written many of Show Of Hands’ big hits including, ‘Lily and the Rose’ which he wrote for Miranda Sykes and The Lost Sound. We’ve performed this t...  moreOur last song is an original carol written by the incomparable composer and arranger, Chris Hoban. Chris has written many of Show Of Hands’ big hits including, ‘Lily and the Rose’ which he wrote for Miranda Sykes and The Lost Sound. We’ve performed this together with Show Of Hands, at their 25thAnniversary concert in The Royal Albert Hall in 2017. Chris explains the background of ‘Though We Lie Underground’ for us: I first came across the stories surrounding the curious tradition of West Country miners singing carols underground when listening to a recording of Alan Lomax’s extraordinary live BBC 1957 broadcast “Sing Christmas and the Turn of the Year”, a feat of radio genius involving hundreds of performers and groups all over the country, seamLessly brought together for one scintillating hour. At one point, Lomax described how the miners of Devon and Cornwall would celebrate Christmas underground in an almost pagan fashion: they would select the largest lump of tin ore they could handle, set it up in...    Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Our performance of this Les MiserabLes classic during a charity concert at Bristol United Reformed Church, Henleaze in February 2018.

Direction artistique: Aude Fabre Direction musicale: Stéphan Nicolay Le Sacre des Saisons Spectacle autour de la symbolique des saisons, pour récitant, solistes, choeur et orchestre. Textes: Gil Florini Mise en scène: Aude Fabre Orchestration: Jea...  moreDirection artistique: Aude Fabre Direction musicale: Stéphan Nicolay Le Sacre des Saisons Spectacle autour de la symbolique des saisons, pour récitant, solistes, choeur et orchestre. Textes: Gil Florini Mise en scène: Aude Fabre Orchestration: Jean-Louis Luzignant Direction musicale: Stéphan Nicolay  

Barlow Bradford's Utah Chamber Artists perform "Sleep" by Eric Whitacre at their Autumn concert September, 2008 in Salt Lake City, Utah. Photographs by Dallas Graham from UCA's 2008 European Tour.

PlurielLes is a women's vocal ensemble based in Strasbourg, France. Directed by Cécile Bienz, this group of amateur but experienced singers is dedicated to sharing their passion for music and developing adventuresome and challenging collaborations that ga...  morePlurielLes is a women's vocal ensemble based in Strasbourg, France. Directed by Cécile Bienz, this group of amateur but experienced singers is dedicated to sharing their passion for music and developing adventuresome and challenging collaborations that gather amateurs and professional musicians. These enthusiastic young women strive to build bridges between diverse cultural backgrounds: they are dedicated to musical excellence in the performance of both folk music as well as classical choral repertoire and contemporary creation. Dirigé depuis septembre 2014 par Cécile Bienz, l’ensemble vocal féminin PlurielLes rassemble des chanteuses expérimentées désirant s’investir en amateur dans une aventure humaine et musicale exigeante. Guidé de 2000 à 2010 par Catherine Fender, puis de 2010 à juin 2014 par Jean-Philippe Billmann, cet allègre groupe de jeunes femmes jette des ponts entre Les divers milieux culturels. ElLes osent autant Les traditions populaires que Les musiques savantes et la création, rassemblent ...    Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less