Intervención en el acto de clausura del 25 aniversario de la Fundación de la Facultad de Educación de la Universidad de La Laguna. Pieza arreglada y creada para la 14 Edición de Fimucite, Festival Internacional de Musica de Cine de Tenerife. Adaptación d...  moreIntervención en el acto de clausura del 25 aniversario de la Fundación de la Facultad de Educación de la Universidad de La Laguna. Pieza arreglada y creada para la 14 Edición de Fimucite, Festival Internacional de Musica de Cine de Tenerife. Adaptación de Julio Chinea Pedraza  

Participação do Coro Voximix do Conservatório Regional de Castelo Branco no concerto comemorativo dos 75 anos do Conservatório de Música da Covilhã (17.06.2011), com a pianista Helena Nunes e sob a direcção de Armanda Patrício. (http://Corocrcb.blogspot.com)

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  moreThe Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    less

Eseguito a Toscolano Maderno (BS), in occasione della rassegna di Natale del 10 dicembre 2016 Corale Santa Cecilia, Dir. Gianpietro Bertella Coro Anzano, Dir. Paolo Stefan

Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde...  moreOriginal poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde repose dans ma main la peine lourde d'amour, de rédemption est un soupir dans ma main O mon Christ Seigneur de l'infini petit pour mon confort, là dans ma main Humilité d'amour qui repose là si bas, Blanc, plein de confiance et soin dans ma main Là dans ma main repose mon Dieu. Hoc est enim corpus meum. [English original] Hoc est enim corpus meum The world's eternity lies here within my hand. The weight of pain, of love, redemption is a sigh upon my hand, My Christ, Lord of the infinite, small to my comfort in my hand. Humility of Love that tender here lies low. White, trusting, full of care within my hand. So, in my hand lies God. Hoc est enim corpus meum.  less

The second of "Two poems by Thomas Moore" with me directing the Concentus Nymphae feminine choir The score is available for free at IMSLP: http://imslp.org/wiki/Two_Poems_by_Thomas_Moore_(Camacho,_João_Carlos)

This is a vocal improvisation based on classical guitar study No 10 by Fernando Sor, sung by the dwsChorale (multitracking) with a bell-like accompaniment for the guitar part.

"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ...  more"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando corpus -- Amen ORQUESTA FILARMONÍA Coro FILARMONÍA Cecilia Lavilla (Soprano) Maite Maruri (Contralto) Dir: PASCUAL OSA Ciclo de conciertos "LA MÚSICA EN LA HISTORIA" 2º concierto: EL BARROCO (1730-1750) Auditorio Centro de Arte de Alcobendas (Madrid) Grabado por Julio Menor Sonido directo de videocámara  less

“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones David Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbau...  more“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones David Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbaum: Bass Viol Peter Hallifax: Bass Viol Adam Cockerham: Vihuela, Baroque Guitar Peter Maund: Percussion Stephen Escher: Cornett, Recorder Richard Van Hessel: Alto and Tenor Sackbut, Recorder, Gittern Michael Cushing: Tenor Sackbut, Recorder Herbert W. Myers: Curtal, Shawm, Recorder Rosemary Beecher-Bryant, Joanna Dudley, Linda Price, Kristin Whitley: Sopranos Linda Allen, Betsy Levine-Proctor, Martha Rodriguez-Salazar, Jessica Winn: Altos Carl Boe, Mark Bonney, Samuel Faustine, Samuel Palmer: Tenors George Fencl, Raymond Martinez, Daniel Pickens-Jones, Ricky Torres-Cooban: Basses  less

Ave Maria, Thomas Keesecker - performed by the Choirs of the South Carolina Governor's School of the Arts and Humanities, April 2013. The piece was performed at St Peter's Basilica in Rome on March 15, 2013.