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Weep, O Mine Eyes - John Bennet (Tenor's Guide)
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat... moreWeep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
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video:
Weep, O Mine Eyes - John Bennet (Bass' Guide)
Weep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio... moreWeep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
John Saw Duh Numbuh 3 13 2016
#Aliceis90
Alice Parker's arrangement of "John Saw duh Numbah."
Congregational Church of Batavia, IL.
Sunday, 3/13/16.
group:
Motor City Blend Chorus
We are a chorus of around 100 active members formed in January of 2017 from two former, Regional championship, Sweet Adeline choruses known as Great Lakes Chorus and Spirit of Detroit. We won our first Regional competition and are preparing to compete at... moreWe are a chorus of around 100 active members formed in January of 2017 from two former, Regional championship, Sweet Adeline choruses known as Great Lakes Chorus and Spirit of Detroit. We won our first Regional competition and are preparing to compete at International contest in October. We really enjoying competing and entertaining with our bi-annual shows and occasional singouts in and around the Detroit area. Come have fun singing with us at our Tuesday night rehearsals! Check the website for more details. less
video:
BENEDICTION - John Conahan (SATB - a cappella)
BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view the complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)
video:
Haneirot halalu (a Piece for Chanukah - Version for Men's chorus)
Haneirot halalu (a Piece for Chanukah - Version for Men's chorus)
for Tenor Solo, TTBB Chorus unaccompanied
Music by
Stanley M. Hoffman
(b. 1959)
Traditional Hebrew Words
Performed by
The Golden Gate Men’s Chorus
Conducted by
Joseph Piazza
... moreHaneirot halalu (a Piece for Chanukah - Version for Men's chorus)
for Tenor Solo, TTBB Chorus unaccompanied
Music by
Stanley M. Hoffman
(b. 1959)
Traditional Hebrew Words
Performed by
The Golden Gate Men’s Chorus
Conducted by
Joseph Piazza
Sheet Music
Words: Public Domain.
Music and English Translation:
© Copyright 2000 by Ione Press, Inc,
a division of ECS Publishing Group. www.ecspublishing.com
All rights reserved.
Recording
© Copyright 2019 by The Golden Gate Men’s Chorus.All rights reserved. Used by permission of Joseph Piazza.
Images
By the Composer.
Choral Conductors:
to purchase copies of this score,
The Catalog Number is 7688,
And the distributor is Canticle Distributing.
www.canticledistributing.com less
video:
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna... moreWeep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Alto's Guide)
Weep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati... moreWeep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
group:
Peninsula Girls Chorus
Founded in January 1994, the Peninsula Girls Chorus has evolved from an organization serving just 11 girls into a 240-member premiere arts education and performance organization. The Peninsula Girls Chorus strives toward a high level of musicianship pair... moreFounded in January 1994, the Peninsula Girls Chorus has evolved from an organization serving just 11 girls into a 240-member premiere arts education and performance organization. The Peninsula Girls Chorus strives toward a high level of musicianship paired with sensitive interpretations of music from a variety of genres. In our quest to become global citizens of the 21st century, the PGC performs both locally and abroad. We provide a valuable resource to our local community through assorted outreach performances and we participate in prestigious domestic and international music festivals. In addition to musical benefits, the PGC offers opportunities for the development of leadership skills, higher-order thinking, discipline and self-esteem. We teach music, and in the process our girls learn something equally valuable—responsibility. less