[this is a version of a post which first appeared on my blog From the Front of the Choir]   There are many Choir leaders whose priority is to create as perfect a rendition of a written Musical score as they can (see Music lives in flawed humans and...

Greetings to all SSAA Choirs and conductors,   Are you on the lookout for an extraordinary piece that will elevate your Choir's repertoire and leave an indelible mark on your audience? As a composer deeply passionate about choral Music, I've always...

La Asociación Musical CORO "SANTA MARÍA" de Coria del Río (Sevilla) interpreta IF Music BE THE FOOD of LOVE (D.Dickau) bajo la dirección de SERGIO ASIÁN, en el V Encuentro Coral Internacional celebrado el 22 de noviembre de 2014, en la Parroquia de San Jo...  moreLa Asociación Musical CORO "SANTA MARÍA" de Coria del Río (Sevilla) interpreta IF Music BE THE FOOD of LOVE (D.Dickau) bajo la dirección de SERGIO ASIÁN, en el V Encuentro Coral Internacional celebrado el 22 de noviembre de 2014, en la Parroquia de San José (Coria del Río). Mas información en www.corosantamaria.org  

Chamber Choir Vox Humana performs Matthew Harris' "and will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes...  moreChamber Choir Vox Humana performs Matthew Harris' "and will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no  

Have you ever wanted to stay longer in a meeting-Music festival, basking in the good vibrations of choral singing?   We can extend your Musica Eterna Roma experience from July 5-7, 2016 in Pompeii!   Meeting Music invites you to imagine thre...

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB Choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less

We have great news for you! Watch and share -> Till now you can follow us on Youtube as well on meeting Music channel   and do not forget our other social sites:   meeting Music Konrad Adenauer Str. 36 35415 Pohlhei...

BALLEILAKKA (A.R.Rahman, arranged by Ethan Sperry) From 'Sivaji: The Boss' National Youth Training Choir of Great Britain TARANG Percussion Ensemble www.nycgb.org.uk www.milapfest.com/tarang Choreography - Sheevam Pattni Music direction - Rob...  moreBALLEILAKKA (A.R.Rahman, arranged by Ethan Sperry) From 'Sivaji: The Boss' National Youth Training Choir of Great Britain TARANG Percussion Ensemble www.nycgb.org.uk www.milapfest.com/tarang Choreography - Sheevam Pattni Music direction - Robbie Jacobs Audio recording - Dave Jones / Sonus Audio Rangoli artwork - Mimo Art Director & Editor - Alexander Darby Producers - Byron McNally & Ksenia Harwood DoP - Yana Rits-Cairns & Robert Cairns 1st AD - Ty Hack Ronin Op - Ersan Beskardes Colourist - Peter Oppersdorff Drone Op - Eyyaz Chishty 2nd AD - Susheel Shivraprasad Production Assistant - Olivia Haynes Runners - Ben van Leeuwen & John Harold With special thanks to Marco Alessi A Khona Productions & Lokum Media co-production www.khonaproductions.com www.lokummedia.com  less

"Lollipop" by Julius Dixon and Beverly Ross, arr. Deke Sharon. Recorded live on Friday, March 16, 2014, at the Broward Center for the Performing Arts in fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Gir...  more"Lollipop" by Julius Dixon and Beverly Ross, arr. Deke Sharon. Recorded live on Friday, March 16, 2014, at the Broward Center for the Performing Arts in fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl Choir of South Florida. Artistic Director: Wallis Peterson.  

he world premiere of "forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far an...  morehe world premiere of "forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far and smoothly breathe calm vision light - ajar and free, this vision gift that's deep as dust, and hard as feather leaves; sweet nectar light of lust and color brilliance; this stroke of sight's delivery."​​ ​ Program notes: As I was searching for text for a new composition in 2019, I stumbled upon a long-time friend’s poetry book and devoured it. Emanual Wolff’s MooNlight HoWling spoke to me in its dark corners, surrealist takes on reality and visceral accounts of battles with mental illness and the struggle of existence therein. forgiveness especially so; the first stanza of which painted an image of loss, of regret, and of reconciliation. My composition then took on a programmatic aspect – coming ...    less