Search
158 results found
video:
Incantation of the three witches in Shakespeare's Macbeth
Setting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar.
Performed by the composer.
Thrice the brinded cat hath mew'd
Thrice and once the hedgepig whin'd
Harper cries: 'Tis time, 'tis time.
... moreSetting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar.
Performed by the composer.
Thrice the brinded cat hath mew'd
Thrice and once the hedgepig whin'd
Harper cries: 'Tis time, 'tis time.
Round about the cauldron go;
In the poison'd entrails throw.
Toad, that under cold stone
Days and nights hast thirty one
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot.
Double, double toil and trouble;
Fire burn and cauldron bubble.
Fillet of a fenny snake,
In the cauldron boil and bake;
Eye of newt, and toe of frog,
Wool of bat, and tongue of dog,
Adder's fork, and blind-worm's sting,
Lizard's leg, and howlet's wing,
For a charm of powerful trouble,
Like a hellbroth boil and bubble.
Double, double toil and trouble;
Fire burn and cauldron bubble.
Scale of dragon, tooth of wolf,
Witch's mummy, maw and gulf
Of the ravin'd saltsea shark,
... less
video:
Music all powerful by Thomas Forbes Walmisley
Audio downloadable at
https://davidwarinsolomons.bandcamp.com/track/music-all-powerful
Part song (glee) by Thomas Forbes Walmisley
(father of Thomas Attwood Walmisley)
poem by Henry Kirke White
video:
The Lover - Before my gaze she stands - alto trio and guitar ostinato
The Lover (Before my gaze she stands) for 3 altos and guitar
This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard
as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form he... moreThe Lover (Before my gaze she stands) for 3 altos and guitar
This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard
as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form here), in Dorian mode.
The music is the same as the piece "My love is far from here", but with the original words by my father
video:
Extracts from a medley by Roger Emerson of Beatles songs
The complete 16 minute performance of this Beatles Medley can be obtained on
http://www.www.cdbaby.com/dwsChorale4
and also on iTunes
http://itunes.apple.com/us/album/love-is-all-you-need-ep/id397680321
Amazon
http://a-fwd.com/asin-com=B003G8F6GQ
a... moreThe complete 16 minute performance of this Beatles Medley can be obtained on
http://www.www.cdbaby.com/dwsChorale4
and also on iTunes
http://itunes.apple.com/us/album/love-is-all-you-need-ep/id397680321
Amazon
http://a-fwd.com/asin-com=B003G8F6GQ
and many other download distributors.
This video features just 9 short extracts from that mp3, which is duly licensed for download through Limelight.
The songs in the complete medley are
All you need is love
Sgt Pepper's lonely hearts club band
With a little help from my friends
Imagine
Here comes the sun
A Hard day's night
Ticket to ride
The long and winding road
When I'm 64
Strawberry fields
Yesterday
She loves you
All you need is love (reprise) less
video:
Hari Bouriquet (Gee up little Donkey) by Sermisy with English translation
Hari Bouriquet (Gee up little donkey)
Second version - with tentative translation in the video itself
This is a satirical madrigal mocking the Catholics of the timebased on a madrigal allegedly composed by Claudin de Sermisy....
(actually I find this ... moreHari Bouriquet (Gee up little donkey)
Second version - with tentative translation in the video itself
This is a satirical madrigal mocking the Catholics of the timebased on a madrigal allegedly composed by Claudin de Sermisy....
(actually I find this hard to believe since he was a good Catholic, but maybe someone has further information?)...
The original is partly in Renaissance French of the court and partly in a dialect of that period.
Performed by the dwsChorale (a one-man choir)
video:
Alle psallite cum luya
This is the lower version - there are 2 versions available
low version (B flat Dorian)
http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html
high version (D Dorian)
http://dwsolo.musicaneo.com/sheetmusic/sm-196219_a... moreThis is the lower version - there are 2 versions available
low version (B flat Dorian)
http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html
high version (D Dorian)
http://dwsolo.musicaneo.com/sheetmusic/sm-196219_alle_psallite_in_d_dorian.html
13th century festival song in Latin based on the word "Alleluia" (Halleluya) arranged, translated and performed by David W Solomons (dwsChorale), with accompanying images of musicians and dancers across the world
video:
Süsser die Glocken nie klingen
Traditional German carol (based on a Thuringian melody "Seht wie die Sonne dort sinket" from around 1808),
The melody moves through the parts while the other parts represent the ringing of the bells -
with a few added cheeky English cadences.
Version... moreTraditional German carol (based on a Thuringian melody "Seht wie die Sonne dort sinket" from around 1808),
The melody moves through the parts while the other parts represent the ringing of the bells -
with a few added cheeky English cadences.
Versions are also available for string quartet, wind quartet, brass quartet, flute quartet and clarinet quartet.
video:
Zither Carol transposed for men's voices
This is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently po... moreThis is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently poking fun at a corpulent farmer.
The words of the carol are by Malcolm Sargent himself.
Girls and boys, leave your toys. make no noise,
Kneel at His crib and worship Him.
At Thy shrine, Child divine, we are Thine,
Our Saviour's here.
"Hallelujah!" the church bells ring,
"Hallelujah!" the angels sing,
"Hallelujah!" from ev'rything.
All must draw near.
(etc) less
video:
Ancor che col partire (Although when I leave you)
"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16... more"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century
Ancor che col partire
io mi senta morire,
partir vorrei ogn'hor, ogni momento:
tant'e il piacer ch'io sento
de la vita ch'acquisto nel ritorno:
et cosi mill'e mille volt'il giorno
partir da voi vorrei:
tanto son dolci gli ritorni miei.
Although when I leave you
it is as if I were dying,
I would wish to leave you every hour, every moment,
I am so very happy
when life comes back to me when I return:
and so I wish I could leave you
many thousand times a day
because my heart leaps with joy when I return.
less
video:
Rejoice in the Lord Alway attributed to John Redford for one man choir
Rejoice in the Lord alway, and again I say rejoice.
Let your softness be known unto all men: the Lord is at hand.
Be careful for nothing: but in all prayer and supplication,
let your petitions be manifest unto God with giving of thanks.
and the peace ... moreRejoice in the Lord alway, and again I say rejoice.
Let your softness be known unto all men: the Lord is at hand.
Be careful for nothing: but in all prayer and supplication,
let your petitions be manifest unto God with giving of thanks.
and the peace of God, which passeth all understanding
keep your hearts and minds, through Christ Jesu
Amen.
(Words from Philippians IV. vv. 4 - 7)