Noctis performing at their summer concert at St Michael's Without, Bath on July 2nd, 2016. Conducted by Francis Faux www.noctischoir.com

@ Çanakkale choir Festival Conductor is directing the performance of the audience when they begin to sing. Such a great moment...

Pierre Massie's original composition, "I Saw a Swete Semly Syght" . Performed by Ottawa choir, The Stairwell Carollers. The Stairwell Carollers are an cappella Ottawa choir, formed in 1977 by director Pierre Massie. A non-profit organization, they raise f...  morePierre Massie's original composition, "I Saw a Swete Semly Syght" . Performed by Ottawa choir, The Stairwell Carollers. The Stairwell Carollers are an cappella Ottawa choir, formed in 1977 by director Pierre Massie. A non-profit organization, they raise funds for local charities through concert, CD and cookbook sales.  

Live 31 maggio 2015 Mario Brunello, cello Cantoria Sine Nomine, choir Carlo Andriollo, conductor Live in Monastero di Bose

Morgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. ...  moreMorgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Performed by The Singers Matthew Culloton, Conductor Steve Swanson, Piano Video co-produced by Stanley M. Hoffman and Naomi F. Hoffman Choral Conductors: to purchase copies of this score, the distributor is Canticle Distributing. www.canticledistributing.com Catalog No. 7774 The product page includes links to obtain an optional violin part (7774A), and a full score and parts for the version with orchestral accompaniment (full score 7775, instrumental parts 7776).  less

From our 2013 Lessons and Carols Candlelight Service. We are joined by guest vocalists Holly Ruth Gale (Assistant Professor of Music, ATU) and Jeremy Hopper (student, UCA).

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often Modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a descant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less

Performance of Ligeti's "Reggel" at the 2014 Florilege Vocal de Tours Grand Prix in Tours, France.

A beautiful double choir motet sung by Voices of Concinnity on their debut album, Awaiting Golden Light, through Navona Records