Performed by VIVA Sandnes Kulturskolekor. Recorded on CD 2005. Composer Edv Grieg, lyrics by Aasmund Olavsson Vinje (1860). All photos are from the mountain massive "Rondane", taken by various photographers that you can see more of at the Norwegian To...  morePerformed by VIVA Sandnes Kulturskolekor. Recorded on CD 2005. Composer Edv Grieg, lyrics by Aasmund Olavsson Vinje (1860). All photos are from the mountain massive "Rondane", taken by various photographers that you can see more of at the Norwegian Tourist Association's homepages www.dnt.no  

‘We Need A Little Christmas’ written by Jerry Herman, vocal arrangement by Jenny Bennett, performed at our Choirs R Us Christmas Concert 2018 in Barnet on 8th December 2018 in aid of The Alzheimer’s Society. Choir Director: Jenny Bennett. For more info:...  more‘We Need A Little Christmas’ written by Jerry Herman, vocal arrangement by Jenny Bennett, performed at our Choirs R Us Christmas Concert 2018 in Barnet on 8th December 2018 in aid of The Alzheimer’s Society. Choir Director: Jenny Bennett. For more info: www.choirsrus.co.uk  

Pro Musica Chamber Choir conducted by Jan Yngwe performs Eric Whitacre's Cloudburst

Música: Harold Arlen; Letra: E. Y. Harburg Orquestração e harm. vocal a 5 vozes: Dionísio Vila Maior

Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris...  moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano). Référence : Mel Bonis. (1999). Regina Cœli. Opus 45. Éditions Fortin-Armiane (1ère édition, 1899). Paroles : Regina Cœli, laetare, alleluia, Quia quem meruisti portare, alleluia. Resurrexit, sicut dixit, alleluia. Ora pro nobis Deum, alleluia. Traduction : Reine du ciel, réjouissez-vous, alléluia, Car Celui que vous avez mérité de porter dans votre sein, alléluia. Est ressuscité, comme Il l'a dit, alléluia. Priez Dieu pour nous, alléluia.  less

#Muzaria #DarrenBartlett #dmbmusic SONG OF PEACE - Revisited 2021 In 2002 my Brother Wayne and I wrote a song for the BBC Choirboy of the year, James Eager. Last year my Nephews Jake & Oliver recorded a new vocal and we captured them in a video. Thi...  more#Muzaria #DarrenBartlett #dmbmusic SONG OF PEACE - Revisited 2021 In 2002 my Brother Wayne and I wrote a song for the BBC Choirboy of the year, James Eager. Last year my Nephews Jake & Oliver recorded a new vocal and we captured them in a video. This year I have spent several months creating a new video with some stunning winter scenes for your pleasure. I hope you enjoy this song once again this year. * Copyright Darren & Wayne Bartlett - DMBMUSIC * * Flying over the clouds footage used by kind permission of Cloud9* * All additional Footage courtesy of pexels.com & pixabay.com* www.darrenbartlett.co.uk Copyright DMB MUSIC 2000-2020 www.dmbmusic.co.uk  less

http://www.lanovasingers.co.uk A setting of William Blake's poem 'The Lamb', by contemporary composer James D'Angelo. La Nova Singers are a UK-based female vocal ensemble who perform using the Bel Canto technique. Conducted by Michelle Nova. Accompanied...  morehttp://www.lanovasingers.co.uk A setting of William Blake's poem 'The Lamb', by contemporary composer James D'Angelo. La Nova Singers are a UK-based female vocal ensemble who perform using the Bel Canto technique. Conducted by Michelle Nova. Accompanied by Celia Cologne on piano.  

De nuestro estreno de "Il Sesto Libro de Madrigali" de Monteverdi el 30 de enero de 2021, extraemos el audio de este nuevo video. Video Autor: Mikhail Nilov, www.dreamwood.pro Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/)

Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris...  moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano). Référence : Louise Filliaux-Tiger. (1914). Ballade. [Poème de Paul Fort]. BnF - réf. K. 22971 (2). Paris : Imp. H. Minot. La "Ballade" a d’abord été publiée en 1914 dans une version chant et piano, avant que 2 autres voix « d’accompagnement » soient ajoutées la même année. Le chœur y est traité de manière instrumentale à la manière de Ravel ou Debussy, et y est créateur d’ambiance. La partition est très précise quant aux intentions à donner.  less

Click here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multit...  moreClick here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 So this is a song that my jazz ensemble recently sung at competition. Jazz doesn't really fit my voice very well, but that doesn't change the fact that I'm in love with it. I also felt like this song would be the perfect opportunity to prove I don't use pitch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this with everybody you know. Like I said, no pitch correction was used (or will ever be used). This will most likely be the first and last vocal jazz piece I d...    less