The choir of Somerville College, Oxford David Crown (conductor) Basilica di San Marco, Milan (Italy) 27 June 2010 Website: http://www.somervillemusicsociety.com Facebook: http://www.facebook.com/somervillechoir Conductor's Website: http://www.da...  moreThe choir of Somerville College, Oxford David Crown (conductor) Basilica di San Marco, Milan (Italy) 27 June 2010 Website: http://www.somervillemusicsociety.com Facebook: http://www.facebook.com/somervillechoir Conductor's Website: http://www.david-crown.com  

Wolfgang Amadeus Mozart: Requiem (Lacrimosa and Hostias). Mendelssohn Singers conducted by Jennifer Min-Young Lee. Michael Bloss, organ. Performed at the Toronto Mendelssohn choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Chur...  moreWolfgang Amadeus Mozart: Requiem (Lacrimosa and Hostias). Mendelssohn Singers conducted by Jennifer Min-Young Lee. Michael Bloss, organ. Performed at the Toronto Mendelssohn choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

Morgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. ...  moreMorgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Performed by The Singers Matthew Culloton, Conductor Steve Swanson, Piano Video co-produced by Stanley M. Hoffman and Naomi F. Hoffman Choral Conductors: to purchase copies of this score, the distributor is Canticle Distributing. www.canticledistributing.com Catalog No. 7774 The product page includes links to obtain an optional violin part (7774A), and a full score and parts for the version with orchestral accompaniment (full score 7775, instrumental parts 7776).  less

Anthem by Adrian Batten sung by the dwsChorale - multitrack one-man choir erstwhile alto at St Michael's Cornhill When we sang this, it was mentioned (during the rehearsal of course!) that this anthem was particularly appropriate since it mentions ...  moreAnthem by Adrian Batten sung by the dwsChorale - multitrack one-man choir erstwhile alto at St Michael's Cornhill When we sang this, it was mentioned (during the rehearsal of course!) that this anthem was particularly appropriate since it mentions the new moon, and the "New Moon" pub is just around the corner from Cornhill (on Gracechurch Street)... So I thought: it's about time I brought the ideas together :-)  

Kauno mišrus choras "Saluto" Lietuvos suaugusiųjų chorų konkurse; Vadovė ir dirigentė Ramutė Štreimikytė; Šv. Kotrynos bažnyčia, Vilnius, 2013 m. gruodžio 1 d.

► Complete playlist: https://www.youtube.com/playlist?list=PLKXwvyq1q-ei686IXjKeI2OkaKuiOb5WE Open a'cappella concert, 29 January 2019, Hall of the Main Building of the Gdańsk University of Technology Performer: Academic choir of the Gdańsk University...  more► Complete playlist: https://www.youtube.com/playlist?list=PLKXwvyq1q-ei686IXjKeI2OkaKuiOb5WE Open a'cappella concert, 29 January 2019, Hall of the Main Building of the Gdańsk University of Technology Performer: Academic choir of the Gdańsk University of Technology (AChPG) Conductor: Mariusz Mróz Audio and editing: Bartłomiej 'Przymrozek' Mróz, Jan Cychnerski -------------------------------------------------- FB: https://facebook.com/achpg www: https://chor.pg.edu.pl/en  

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a descant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less

IV. 為了你無上的光榮 Propter magnam gloriam tuam 第四段只有六小節，呈現如過門似的垂直和聲，像是第五段的引言，有如橋樑般銜接至第五 段，屬於和聲式的複音織體。兩段之間不間斷地唱出，引導至下一段落。 V.感謝你 Gratias agimus tibi 由第四段戲劇性地進入此段卡農式的賦格對位音樂，由女高音開始呈現主題，接著各聲部以 主題模仿方式進入，有一字對一音的半朗誦半歌唱的演唱形式，也有一字對多音的花腔唱法 ，結尾以皮卡第三度結束在E大調，使整使...  moreIV. 為了你無上的光榮 Propter magnam gloriam tuam 第四段只有六小節，呈現如過門似的垂直和聲，像是第五段的引言，有如橋樑般銜接至第五 段，屬於和聲式的複音織體。兩段之間不間斷地唱出，引導至下一段落。 V.感謝你 Gratias agimus tibi 由第四段戲劇性地進入此段卡農式的賦格對位音樂，由女高音開始呈現主題，接著各聲部以 主題模仿方式進入，有一字對一音的半朗誦半歌唱的演唱形式，也有一字對多音的花腔唱法 ，結尾以皮卡第三度結束在E大調，使整使整段音樂高潮迭起，充滿了頌讚的力量及心意。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化中心至德堂