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video:
O Lord look down from Heaven
O Lord, look down from heaven,
and behold from the habitation
of thy holiness
and of thy glory:
Where is Thy zeal and Thy strength,
Thy mercies towards me?
Are they restrained?
(Isaiah 63 v. 15)
Sung at Canterbury Cathedral during our Roya... moreO Lord, look down from heaven,
and behold from the habitation
of thy holiness
and of thy glory:
Where is Thy zeal and Thy strength,
Thy mercies towards me?
Are they restrained?
(Isaiah 63 v. 15)
Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How.
I (David W Solomons) was one of the altos.
John Huntley - a fellow alto - recorded this performance.
group:
Les Chœurs du Mercantour
Our association is situated in Saint-Martin-Vésubie, in the heart of the National Park of the Mercantour, in the southern Alps, north of Nice in the south-east of France, 50km from the seaside (Côte d’Azur).
Composed of about forty members, our group p... moreOur association is situated in Saint-Martin-Vésubie, in the heart of the National Park of the Mercantour, in the southern Alps, north of Nice in the south-east of France, 50km from the seaside (Côte d’Azur).
Composed of about forty members, our group presents itself either as a women’s choir, or a men’s choir or mixed choir. Our repertoire is varied and original : Renaissance, classical, traditional or more contemporary rhythms such as jazz, afro-latino, or contemporary songs.
We celebrated in 2015 the thirtieth birthday of our association which has a long experience in exchange and sharing around choir singing. We have organized several festivals, masterclasses and various exchanges and thus contributed to the promotion of our region, the «département des Alpes-Maritimes» and to the development of choral singing (see examples below).
Over the past four years, The Mercantour Choirs (Les Choeurs du Mercantour) have had a particularly rich activity and have participated in important national and internation... less
video:
He never failed me yet, Robert Ray. Coro Juvenil David Goldsmith, Tenerife
Coro Juvenil David Goldsmith
Light Music Band
Jeremías Martín, director Banda y arreglos
José Híjar Polo, director
Solistas:
Marta Bello
Jesús Mesa
Natalia Rodríguez
Concierto homenaje a los 60´
3 de julio de 1998
Auditorio Teobaldo Power
... moreCoro Juvenil David Goldsmith
Light Music Band
Jeremías Martín, director Banda y arreglos
José Híjar Polo, director
Solistas:
Marta Bello
Jesús Mesa
Natalia Rodríguez
Concierto homenaje a los 60´
3 de julio de 1998
Auditorio Teobaldo Power
La Orotava, Tenerife
video:
CLC I'll Fly Away
Canterbury Ladies Choir perform I'll Fly Away, a Spiritual, arranged by Kerry Boyle. The performance took place at Gueux Church (near to Reims) in April 2016. The soloist is Alice Martin.
video:
Water Ruminations - V. Flutes for Dancing
FLUTES FOR DANCING
It's lucky to hear the flutes for dancing
coming down the road. The ground is glowing.
The table set in the yard.
We will drink all this wine tonight
because it's Spring. It is.
It's a growing sea. We're clouds
over the sea,
o... moreFLUTES FOR DANCING
It's lucky to hear the flutes for dancing
coming down the road. The ground is glowing.
The table set in the yard.
We will drink all this wine tonight
because it's Spring. It is.
It's a growing sea. We're clouds
over the sea,
or flecks of matter
in the ocean when the ocean seems lit from within.
I know I'm drunk when I start this ocean talk.
Would you like to see the moon split
in half with one throw?
Texts by Rumi, translated by Coleman Barks
© 1995 Coleman Barks. Used by permission.
Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director.
Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling s... less
video:
Lux Aurumque
This is Eric Whitarce's " Lux Aurumque" performed by the Methodist University Chorale.
video:
Libera me
Título: Libera me
Música: Sergio Rodríguez
Solista: María José Torres Trujillo
Intérpretes: 'Ad infinitum', dirección: Sergio Rodríguez
Fotos del escultor Miguel Ángel Martín Sánchez
Fecha de grabación: 04 de julio de 2015
Grabación realizada por Ne... moreTítulo: Libera me
Música: Sergio Rodríguez
Solista: María José Torres Trujillo
Intérpretes: 'Ad infinitum', dirección: Sergio Rodríguez
Fotos del escultor Miguel Ángel Martín Sánchez
Fecha de grabación: 04 de julio de 2015
Grabación realizada por Netabora Records, Tenerife
Sala de Exposiciones del Paraninfo de la Universidad de La Laguna
Más información: http://sergiorodriguezmusic.wordpress.com
Title: Libera me
Music by Sergio Rodríguez
Soloist: María José Torres Trujillo
Performed by 'Ad infinitum', conducted by Sergio Rodríguez
Photos by sculptor Miguel Ángel Martín Sánchez
Music recorded on 04th of July of 2015 by Netabora Records, Tenerife
Sala de Exposiciones del Paraninfo de la Universidad de La Laguna.
More information: http://sergiorodriguezmusic.wordpress.com less
video:
Water Ruminations - VI. Singing
SINGING
When the soul first put on the body's shirt,
the ocean lifted up all its gifts.
When love first tasted the lips
of being human, it started singing.
Texts by Rumi, translated by Coleman Barks
© 1995 Coleman Barks. Used by permission.
... moreSINGING
When the soul first put on the body's shirt,
the ocean lifted up all its gifts.
When love first tasted the lips
of being human, it started singing.
Texts by Rumi, translated by Coleman Barks
© 1995 Coleman Barks. Used by permission.
Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director.
Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling seas, and the ocean's gifts and singing. Its images, from 800 years ago, speak to us with both vivid immediacy and transcendence.
The idea for the piece originated with the Mellon Elemental Arts Initiative, which proposed funding activities that would involve students in a... less
video:
O clap your hands
O clap your hands, all ye people;
shout unto God with the voice of triumph.
For the Lord most high is terrible.
He is a great King over all the earth.
God is gone up with a shout,
the Lord with the sound of the trumpet.
Sing ye praises to God; sing ... moreO clap your hands, all ye people;
shout unto God with the voice of triumph.
For the Lord most high is terrible.
He is a great King over all the earth.
God is gone up with a shout,
the Lord with the sound of the trumpet.
Sing ye praises to God; sing praises.
Sing praises to our King; sing praises.
For God is the King of all the earth.
Sing ye praises every one that hath understanding.
God reigneth over the heathen.
God sitteth upon the throne of His holiness.
Sing praises unto our King. Sing praises.
Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How.
I (David W Solomons) was one of the altos.
John Huntley - a fellow alto - recorded this performance.
less
video:
How beautiful upon the mountains
Anthem by John Stainer
How beautiful upon the mountains
are the feet of him that bringeth good tidings,
that publisheth peace; that publisheth salvation;
that saith unto Zion, Thy God reigneth!
(From Isiah 52:7)
Sung at Canterbury Cathedral du... moreAnthem by John Stainer
How beautiful upon the mountains
are the feet of him that bringeth good tidings,
that publisheth peace; that publisheth salvation;
that saith unto Zion, Thy God reigneth!
(From Isiah 52:7)
Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How.
I (David W Solomons) was one of the altos.
John Huntley - a fellow alto - recorded this performance.