The history of Manchester as seen through the eyes of local poet Audrey Vaughan, including its origins around the river Irwell, the original monastery which became Manchester Cathedral, the industrial revolution, the Peterloo Massacre, and the singing of...  moreThe history of Manchester as seen through the eyes of local poet Audrey Vaughan, including its origins around the river Irwell, the original monastery which became Manchester Cathedral, the industrial revolution, the Peterloo Massacre, and the singing of church and cathedral choirs up to the present day. Music composed by David Warin Solomons and realised by Guy Protheroe. Conductor: Zoltán Pad Tenor soloist: József Gál Treble soloist: Csongor Gyulai The boys' choir's conductor was Márton Tóth who taught the piece to the children. Orchestra and choir: Budapest Scoring More information about Manchester Magnificat, including a video of the original 1994 performance and the complete poem sequence, can be found at: http://www.dwsolo.com/serif/manchestermagnificat.html  less

http://keystoneacappella.com Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B KeyStone is back inside the car to record another of our favorite songs. Music by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager ...  morehttp://keystoneacappella.com Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B KeyStone is back inside the car to record another of our favorite songs. Music by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager This video was recorded live using a smartphone. It is unedited, has minimal mixing adjustments, and is unmastered. Check out our YouTube channel for other KeyStone in the Car videos.  

Score (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by Gavin Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed ...  moreScore (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by Gavin Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed and performed by David W Solomons  

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to the 8th "O Antiphon" for Advent

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This one is for women's voices. Images from Dunham Massey in Cheshire

The opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida, and Arac's little sister Anita has come into the theatre from her job at the strip joint next door. She has already heard her brother Arac practising that so...  moreThe opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida, and Arac's little sister Anita has come into the theatre from her job at the strip joint next door. She has already heard her brother Arac practising that song in which he gradually removes all his cumbersome armour, and she decides it is also a song for her. Arac and his fellow guardsmen stand back and watch in great amusement as she performs her version of the song for them.  

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.

Song of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson In the summerTime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerti...  moreSong of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson In the summerTime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerTime we would run and sing enjoy all that the days could bring we would laugh and winterTime would seem a very distant thing but it couldn't last and the autumn came too quickly with its wind and rain ....  

Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple senTimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple senTimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less