Scores for mixed choir (SATB) https://www.sheetmusicplus.com/title/20703236?aff_id=175705 for men's voices (ATBarB) https://www.sheetmusicplus.com/title/20703235?aff_id=175705 Based on an anonymous manuscript arrangement of this old spiritual, found ...  moreScores for mixed choir (SATB) https://www.sheetmusicplus.com/title/20703236?aff_id=175705 for men's voices (ATBarB) https://www.sheetmusicplus.com/title/20703235?aff_id=175705 Based on an anonymous manuscript arrangement of this old spiritual, found by a member of our singing group back in the 1990s. Another member of our singing group (Jill Mitchell) wrote the words for the second verse. This is my own performance (as the multitrack choir dwsChorale) 1. If there's anybody here like weepin' Mary Call upon your Jesus and he'll draw nigh If there's anybody here like weepin' Mary Call upon your Jesus and he'll draw nigh Oh glory, glory Hallelujah Glory be to my God who rules on high [traditional] 2. "They have stole away my Lord" said weepin' Mary "and I know not where they have laid him down" "Yes they've stole away my Lord" said weepin' Mary "and I know not where they have laid him down" "Oh Mary!" "Is it you Rabboni?" Jesus here is risen and dies no more. [Jill Mitchell]  less

"Can't Help Falling in Love" is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. The melody is based on "Plaisir d...  more"Can't Help Falling in Love" is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. The melody is based on "Plaisir d'amour", a popular French love song composed in 1784 by Jean-Paul-Égide Martini. This is an arrangement by William C Sveglini, performed by the dwsChorale.  

Arranged for men's voices This arrangement in D major can be sung by four men Alto Tenor Baritone and Bass (the second voice can be taken by a second alto and the third voice can be taken by a low tenor if required). This performance is sung by the a...  moreArranged for men's voices This arrangement in D major can be sung by four men Alto Tenor Baritone and Bass (the second voice can be taken by a second alto and the third voice can be taken by a low tenor if required). This performance is sung by the arranger in his multitrack one-man choir dwsChorale  

A little tongue in cheek language guide for tourists in Austria based on the experience of British poet Gavin Ewart The music was written and performed by David W Solomons The poem goes: When you drink a Qualitätswein you will never be a loser ...  moreA little tongue in cheek language guide for tourists in Austria based on the experience of British poet Gavin Ewart The music was written and performed by David W Solomons The poem goes: When you drink a Qualitätswein you will never be a loser it just means the wine is fine for the fairly choosy boozer. When the Bestattungsunternehmer takes the butcher and the baker he is not a loud proclaimer but a quiet undertaker. Brandteigschokoladecremekrapfen pronounce it you will make mistakes But nothing terrible will hapfen these are simply chocolate cakes cakes!  less

The Ukranian patriot and composer Simon Vasylaki-Vozhakivskyj (Симон Василакі-Вожаківський), who died in 1984, wrote a setting of the велика ектенія (Velika Yekteniya Great Litany). This is part of the Kyrie Eleison from the set.

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with...  moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with added percussion) by David W Solomons  

Hodie completi sunt dies Pentecostes, alleluia: hodie Spiritus Sanctus in igne discipulis apparuit, et tribuit eis charismatum dona: misit eos in universum mundum prædicare, et testificari: Qui crediderit et baptizatus fuerit, salvus erit, alleluia. ...  moreHodie completi sunt dies Pentecostes, alleluia: hodie Spiritus Sanctus in igne discipulis apparuit, et tribuit eis charismatum dona: misit eos in universum mundum prædicare, et testificari: Qui crediderit et baptizatus fuerit, salvus erit, alleluia. Today the days of Pentecost are fulfilled, alleluia: Today the Holy Spirit appeared in fire to the disciples, and gave unto them the gift of grace: He hath sent them into all the world to foretell and bear witness: that whosoever believeth and is baptized shall be saved, alleluia.  less

Scores: for two high voices https://www.sheetmusicplus.com/title/20727803?aff_id=175705 for two low voices https://www.sheetmusicplus.com/title/20727804?aff_id=175705 Poem by Jacques Prévert, non-conformist poet par excellence. The "hero" leaves his...  moreScores: for two high voices https://www.sheetmusicplus.com/title/20727803?aff_id=175705 for two low voices https://www.sheetmusicplus.com/title/20727804?aff_id=175705 Poem by Jacques Prévert, non-conformist poet par excellence. The "hero" leaves his army cap in the bird cage and goes out with the bird on his head. Army protocol is forgotten, for a while at least, he is free....  

A madrigal (Though Philomela lost her love) by the Renaissance composer Thomas Morley, followed by a 20th century re-write of the madrigal by Richard McHale in she-woop-de-wop style (with Mr Morley looking on in some confusion!), ending with the original ...  moreA madrigal (Though Philomela lost her love) by the Renaissance composer Thomas Morley, followed by a 20th century re-write of the madrigal by Richard McHale in she-woop-de-wop style (with Mr Morley looking on in some confusion!), ending with the original version again, just to round it off. The new version by Richard McHale can be downloaded free of charge at http://dwsolo.musicaneo.com/sheetmusic/sm-196252_though_philomela_she-woop-de-wop_version_for_saatb.html The original version is available at cpdl.org  less