Sydney Vocal Project is a contemporary Chamber Choir from Sydney Australia. This video is their latest demo featuring some of their favourite song snippits. We currently have two cyberspace (s?) Our new one is www.sydneyvocalproject.wordpress.com and our ...  moreSydney Vocal Project is a contemporary Chamber Choir from Sydney Australia. This video is their latest demo featuring some of their favourite song snippits. We currently have two cyberspace (s?) Our new one is www.sydneyvocalproject.wordpress.com and our soon to be phased out cyber home is www.tsvp.org  

Chamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes...  moreChamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB Choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less

Voices of Concinnity vocal Chamber ensemble, based in Connecticut. Book us today.

"Lollipop" by Julius Dixon and Beverly Ross, arr. Deke Sharon. Recorded live on Friday, March 16, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Gir...  more"Lollipop" by Julius Dixon and Beverly Ross, arr. Deke Sharon. Recorded live on Friday, March 16, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl Choir of South Florida. Artistic Director: Wallis Peterson.  

he world premiere of "Forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far an...  morehe world premiere of "Forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far and smoothly breathe calm vision light - ajar and free, this vision gift that's deep as dust, and hard as feather leaves; sweet nectar light of lust and color brilliance; this stroke of sight's delivery."​​ ​ Program notes: As I was searching for text for a new composition in 2019, I stumbled upon a long-time friend’s poetry book and devoured it. Emanual Wolff’s MooNlight HoWling spoke to me in its dark corners, surrealist takes on reality and visceral accounts of battles with mental illness and the struggle of existence therein. Forgiveness especially so; the first stanza of which painted an image of loss, of regret, and of reconciliation. My composition then took on a programmatic aspect – coming ...    less

Te Deum Chamber Choir www.te-deum.org Matthew Christopher Shepard, conductor Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nico...  moreTe Deum Chamber Choir www.te-deum.org Matthew Christopher Shepard, conductor Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: Joanna Ehlers, Abby Helt, Nanette Kraus, Ann Lewis, Hilary Morton, Michaela Schenkel, Rosie Smith Tenors: Tom Assel, Josh Donaldson, Micah Horton, Jeff Jasperson, Colin Riley, Andrew Wilson Basses: Kyle Chamberlin, Andrew Cunard, Jonathan Daniel, Jon Duncan, Ken Foley, Nick Gillock Sagitaverus tu cor nostrum caritate . (You have wounded me with the arrows of your love.) I am angry at the scars that I have. I want the world to be at peace. No more violence. No more hatred. No more bloodshed. I want a place where I belong. O radiant love! O music made from never-ending love! O love undefined, without boundaries.  less

Students in the 2014 Summer Choral Intensive Choir & San Diego's leading professional Chamber Choir SACRA/PROFANA singing the world premier performance of composer Rich Campbell's "If I Can Sing, I Still Am Free." Rich Campbell (New York, NY) was the ...  moreStudents in the 2014 Summer Choral Intensive Choir & San Diego's leading professional Chamber Choir SACRA/PROFANA singing the world premier performance of composer Rich Campbell's "If I Can Sing, I Still Am Free." Rich Campbell (New York, NY) was the SACRA/PROFANA 2014 Call for Scores winner, and was present at the premier of his work in San Diego, CA.  

Announcing a new study which explores partcipation in Choirs and singing groups. This is a new research project from Canterbury Christ Church University in the UK. The study asks why people sing in Choirs and what the experience of singing has been duri...