This is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently po...  moreThis is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently poking fun at a corpulent farmer. The words of the carol are by Malcolm Sargent himself. Girls and boys, leave your toys. make no noise, Kneel at His crib and worship Him. At Thy shrine, Child divine, we are Thine, Our Saviour's here. "Hallelujah!" the church bells ring, "Hallelujah!" the angels sing, "Hallelujah!" from ev'rything. All must draw near. (etc)  less

We are a Choir of about 40 people, based in the City of London near St Paul’s Cathedral. 60 years after our foundation in Hanover Square, we are still making great music and continuing to attract some of the liveliest people in London. We sing most typ...  moreWe are a Choir of about 40 people, based in the City of London near St Paul’s Cathedral. 60 years after our foundation in Hanover Square, we are still making great music and continuing to attract some of the liveliest people in London. We sing most types of choral music, and have occasionally dipped our toes into both jazz and folk repertoire.  

"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16...  more"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century Ancor che col partire io mi senta morire, partir vorrei ogn'hor, ogni momento: tant'e il piacer ch'io sento de la vita ch'acquisto nel ritorno: et cosi mill'e mille volt'il giorno partir da voi vorrei: tanto son dolci gli ritorni miei. Although when I leave you it is as if I were dying, I would wish to leave you every hour, every moment, I am so very happy when life comes back to me when I return: and so I wish I could leave you many thousand times a day because my heart leaps with joy when I return.  less

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

Koro Seraphim performs Magdiwang, Magpuri! arranged by Jay-El Viteño during their 6th Anniversary Virtual Concert for a Cause last November 23, 2020 at the St. Jude Thaddeus Parish in Mansasa Dist., Tagbilaran City Conductor: Mari Aleli Antoni Music D...  moreKoro Seraphim performs Magdiwang, Magpuri! arranged by Jay-El Viteño during their 6th Anniversary Virtual Concert for a Cause last November 23, 2020 at the St. Jude Thaddeus Parish in Mansasa Dist., Tagbilaran City Conductor: Mari Aleli Antoni Music Director: Noel de la Rosa (2020) #KSaya #KSVirtualConcert #AdMajoremDeiGloriam  

Pasttime With Good Company - Henry VIII arr. Ward Swingle Performed by the Abbeydale singers on their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 翁佳芬 伴奏: 許溎芳 詞：余光中 曲：劉聖賢 〈祈禱〉這首詩的文字，簡短卻強烈、深刻，每一次讀它，每一次有不同的感動。當我碰上生活中的低潮、需要找尋倚靠與安全感之時，這首詩的字句似乎表達出我內心想說的話。在決定為〈祈禱〉這首詩譜寫旋律的當下，我嘗試使用音樂理論的曲式、對位等手法來設計整首合唱作品，最後總覺得，音樂的形式設計無法刻劃出這首詩的字裡行間所存在的情感與意涵。當我換個方式，一遍又一遍地細細朗讀這首詩，...  more2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 翁佳芬 伴奏: 許溎芳 詞：余光中 曲：劉聖賢 〈祈禱〉這首詩的文字，簡短卻強烈、深刻，每一次讀它，每一次有不同的感動。當我碰上生活中的低潮、需要找尋倚靠與安全感之時，這首詩的字句似乎表達出我內心想說的話。在決定為〈祈禱〉這首詩譜寫旋律的當下，我嘗試使用音樂理論的曲式、對位等手法來設計整首合唱作品，最後總覺得，音樂的形式設計無法刻劃出這首詩的字裡行間所存在的情感與意涵。當我換個方式，一遍又一遍地細細朗讀這首詩，很奇妙地，感動到我內心深處的旋律，有如泉湧般地浮出，終於在第三版的主旋律被記錄下來之後，頓時的意念，清楚地告訴我：「就是這個旋律」。 「吻」是這首詩的關鍵字，每一個吻代表不同的安慰與幫助。為了表現每一個吻帶來的安慰，我讓主旋律在四個聲部之間穿插，時而起、時而落，有如甘泉綿綿不斷地湧出。並且，在前後兩個大樂段裡，相同的文字、相同的旋律，卻唱出不同的節奏。文字與音樂的感動，因不同的時間而有不同的層次。 〈祈禱〉對我而言，不僅僅是宗教，也是親情、友情、愛情。當我完成這首作品時，我要感謝余光中先生，用這麼美的詩句、簡潔有力的文字，將豐沛的情感以最直接的方式記錄下來，使我在不同的時間、空間，都能被碰觸到心靈深處渴望安慰的一面。同時，我也要感謝高雄室內合唱團的指揮翁佳芬教授，以及每一位合唱團員，因為與你們一同享受合唱，才能讓我譜寫出動人的樂章。 （劉聖賢 自述） 【歌詞】 請在我髮上留下一吻， 我就不用戴虛榮的桂冠； 請在我手上留下一吻， 我就不用戴燦爛的指環。 請在我眼上輕輕地一吻， 吻乾我眼中寂寞的清淚； 請在我胸上輕輕地一吻， 吻消我胸中不平的塊壘。 在這寒星顫抖的深夜， 我多麼苦盼你的暖嘴 能蓋在我這冰冷的唇上， 使它不再唱人世的傷悲。  less