Salvacosta's fantastic rock version of 'Let The Glory Come Down' arranged by Darren Bartlett and featured on their album True Colours. www.darrenbartlett.co.uk Copyright DMB MUSIC 2016

"Fiesta Latina" is a Medley arranged by Arbelto Brazuelo Grund, commissioned by The Blue Notes' Guys (Countertenor, Tenor, Tenor, Baritone, Bass a cappella) with songs like: Volare; El porompompero; La Isla Bonita Bamboleo; Un, dos, tres, María; Hips don...  more"Fiesta Latina" is a Medley arranged by Arbelto Brazuelo Grund, commissioned by The Blue Notes' Guys (Countertenor, Tenor, Tenor, Baritone, Bass a cappella) with songs like: Volare; El porompompero; La Isla Bonita Bamboleo; Un, dos, tres, María; Hips don't Lie; Let's Get Loud; She Bangs The Blue Notes' Guys are: Víctor Ramírez (countertenor), Daniel Miranda (tenor), René Gutiérrez (tenor), Abraham Ramos (baritone) & Alberto Brazuelo (bass). Conducted by Nikoleta Stefanova Popova This song was performed in Calella durign the Festival Internacional Canta al Mar https://www.facebook.com/thebluenotesguys?ref=br_rs  less

AGNUS DEI (SSA) by Swiss/Italian composer Ivo Antognini Sung by Matthew J. Curtis - ChoralTracks Also available for male voices

The Gate of Hell The first of three movements by composer Joseph Dillon ford for male chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale. Video recreated in honour of the composer Per me si va ne la città dolente, per me s...  moreThe Gate of Hell The first of three movements by composer Joseph Dillon ford for male chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale. Video recreated in honour of the composer Per me si va ne la città dolente, per me si va ne l'etterno dolore, Through me is the way to the sorrowful city, Through me is the way to eternal sorrow, per me si va tra la perduta gente. Through me is the way among the lost people. Giustizia mosse il mio alto fattore: fecemi la divina potestate, la somma sapienza e 'l primo amore; Justice moved my exalted maker Divine power, supreme wisdom and the first love made me dinanzi a me non fuor cose create se non etterne, e io etterno duro. Before me were no created beings Only things eternal and I continue for ever Lasciate ogne speranza, voi ch' intrate. Abandon all hope you who enter here.  less

The Israeli Vocal Octet (www.8vocal.co.il) at a 90's TV performance, singing their famous a cappella Hebrew version of Leroy Anderson's The Typewriter. Soloist: Varda Seelig. Sopran: Ronit Katz, Dvori Burstein Alt: Yael Erez, Varda Seelig Tenor: Hiram ...  moreThe Israeli Vocal Octet (www.8vocal.co.il) at a 90's TV performance, singing their famous a cappella Hebrew version of Leroy Anderson's The Typewriter. Soloist: Varda Seelig. Sopran: Ronit Katz, Dvori Burstein Alt: Yael Erez, Varda Seelig Tenor: Hiram Amir, Ron Gang Bass: Raphael Seelig, Barak Oded שמיניית ווקאל בהופעתם בתכנית של גבי גזית בשנות ה-90, בגרסה ל"מכונת הכתיבה" מאת לירוי אנדרסון. סולנית: ורדה זליג. סופרן: רונית כץ, דבורי בורשטיין אלט: יעל ארז, ורדה זליג טנור: חירם אמיר, רון גנג בס: רפאל זליג, ברק עודד  less

Since 1975, ATLANTA YOUNG SINGERS has been at the forefront of the choral art form in metro Atlanta and the U.S., thrilling audiences all over the world with innovative programming, professional performance, and exciting commissions. We nurture the incr...  more Since 1975, ATLANTA YOUNG SINGERS has been at the forefront of the choral art form in metro Atlanta and the U.S., thrilling audiences all over the world with innovative programming, professional performance, and exciting commissions. We nurture the incredible artistic abilities of children, offering excellent coeducational choral and musical training for boys and girls in grades 2-12 in a challenging learning environment that builds self-esteem, confidence, teamwork and leadership.  

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

Registrazione Live dal concerto "Festival Musicisti del mondo per il centro Italia" 28.05.2017, Siziano (PV), Chiesa di Santa Maria Assunta in Campomorto Registrazione audio live a cura di Vittorio Villa Contatti: http://ensemblevocalemousike.weeb...  moreRegistrazione Live dal concerto "Festival Musicisti del mondo per il centro Italia" 28.05.2017, Siziano (PV), Chiesa di Santa Maria Assunta in Campomorto Registrazione audio live a cura di Vittorio Villa Contatti: http://ensemblevocalemousike.weebly.com ensemblevocalemousike@gmail.com  

Coral Reyes Bartlet KV Ensamble José Híjar Polo, Maestro de Coro José María de Vicente, Director Mónica Pérez, Soprano Cristina Calvo, Alto Jorge Cordero, Tenor Augusto Brito, Bajo Iluminación: E. Zalba Sonido: L. Acuña Imagen: Video Humer ...  moreCoral Reyes Bartlet KV Ensamble José Híjar Polo, Maestro de Coro José María de Vicente, Director Mónica Pérez, Soprano Cristina Calvo, Alto Jorge Cordero, Tenor Augusto Brito, Bajo Iluminación: E. Zalba Sonido: L. Acuña Imagen: Video Humer Centro de Congresos Taoro, Puerto de la Cruz 18 de diciembre de 2011 www.reyesbartlet.com  

A cover version to one of E.L.O's greatest hits ever! worth watching!