Cat.No. TKM707. David Barton's arrangement SAB setting of this spiritual which is useful as a concert piece, warm-up exercise or festival piece. This is a consistent best-seller and has become a big favourite with choirs. Find out more about the piece: h...  moreCat.No. TKM707. David Barton's arrangement SAB setting of this spiritual which is useful as a concert piece, warm-up exercise or festival piece. This is a consistent best-seller and has become a big favourite with choirs. Find out more about the piece: https://www.timknightmusic.com/product-page/my-Lord-what-a-morning ABOUT THE ACCESSIBLE CHORAL LIBRARY The Accessible Choral Library series aims to provide a range of affordable, accessible and appealing sacred, secular, folk, traditional and Christmas music for the smaller choir with arrangements for SAB and Unison, with accompaniments within the scope of the pianist of moderate ability. Please follow us on Facebook for news of new releases: https://www.facebook.com/Accessible-choral-library  less

Coro Femenino del Conservatorio Superior de Música de Canarias (GC). Piano: Nauzét Mederos. Directora: Nikoleta S. Popova

Purcell's Hear my prayer o Lord transposed down a minor third for men's voices.

From John Rutter's Requiem. Performed by The Tidewater Singers, William R. Thomas, Director. April 30, 2011 at Christ Church in Cambridge, Maryland.

Negro Spiritual Harmonised and arranged by H.T. Burleigh Performed by Naomi Riemis, Ilse Van den Bossche, Astrid Thibaut, Jelle Smedts, Michael Limpens, Simon Callaerts and Stijn Dierckx of 'Universitair Koor Antwerpen' at their Christmas Concert "Pra...  moreNegro Spiritual Harmonised and arranged by H.T. Burleigh Performed by Naomi Riemis, Ilse Van den Bossche, Astrid Thibaut, Jelle Smedts, Michael Limpens, Simon Callaerts and Stijn Dierckx of 'Universitair Koor Antwerpen' at their Christmas Concert "Praise The Chord" on December 15, 2015.  

“The Wind” was commissioned by the Organization of American Kodály Educators as a result of Rich Campbell winning the Ruth Boshkoff Composition Prize. The text is from Robert Louis Stevenson’s 1885 A Child’s garden of Verses. The choir begins by emulating...  more“The Wind” was commissioned by the Organization of American Kodály Educators as a result of Rich Campbell winning the Ruth Boshkoff Composition Prize. The text is from Robert Louis Stevenson’s 1885 A Child’s garden of Verses. The choir begins by emulating the sound of the wind, and then sings directly to the wind, describing the many things the wind does while questioning just who or what the wind is. The piece, inspired by Kodály’s philosophy, develops a folk-like melody in a modern context. The rhythmic piano accompaniment keeps the piece bouncing brightly until its exciting conclusion. Premiere performance by the 2016 OAKE National Children's Choir, Elizabeth Núñez, director. The Wind by Robert Louis Stevenson I saw you toss the kites on high And blow the birds about the sky; And all around I heard you pass, Like ladies' skirts across the grass— O wind, a-blowing all day long, O wind, that sings so loud a song! I saw the different things you did, But always you yourself you hid. I felt you...    less

"Surely, He hath borne our grieves", "And with His stripes we are healed" maestro Saša Britvić, conductor Marija Kuhar Šoša, soprano Helena Lucić Šego, mezzo-soprano Dejan Vrbančič, tenor Berislav Puškarić, bass Croatian Baroque Ensemble Academic c...  more"Surely, He hath borne our grieves", "And with His stripes we are healed" maestro Saša Britvić, conductor Marija Kuhar Šoša, soprano Helena Lucić Šego, mezzo-soprano Dejan Vrbančič, tenor Berislav Puškarić, bass Croatian Baroque Ensemble Academic choir Ivan Goran Kovacic 30.12.2012. Cathedral, Zagreb  

Thomas Weelkes' madrigal transposed down for men's voices and sung by the dwsChorale Originally published in Balletts and Madrigals, to Five Voyces, 1598. Hark, all ye lovely saints above Diana hath agreed with Love, His fiery weapon to remove. F...  moreThomas Weelkes' madrigal transposed down for men's voices and sung by the dwsChorale Originally published in Balletts and Madrigals, to Five Voyces, 1598. Hark, all ye lovely saints above Diana hath agreed with Love, His fiery weapon to remove. Fa la la. Do you not see How they agree? Then cease fair ladies; why weep ye? Fa la la. See, see, your mistress bids you cease, And welcome Love, with love's increase, Diana hath procured your peace. Fa la la. Cupid hath sworn His bow forlorn To break and burn, ere ladies mourn. Fa la la.  less

O clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most high is terrible. He is a great King over all the earth. God is gone up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing ...  moreO clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most high is terrible. He is a great King over all the earth. God is gone up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing praises. Sing praises to our King; sing praises. For God is the King of all the earth. Sing ye praises every one that hath understanding. God reigneth over the heathen. God sitteth upon the throne of His holiness. Sing praises unto our King. Sing praises. Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

This beautiful finale from Haydn's creation is reanimated by the Golden Voices Choir STACC FUTO during the occasion of her 14th anniversary edition of her annual Music concert CAnZonA 14 tagged "The Golden Experience".