"Eu e Você", Brazilian folk song, arr. J. Edmund Hughes, piano accomp. Mary Ellen Loose. Recorded live on Friday, May 17, 2013, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the chamber Singers ensemble of the ...  more"Eu e Você", Brazilian folk song, arr. J. Edmund Hughes, piano accomp. Mary Ellen Loose. Recorded live on Friday, May 17, 2013, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Ah bem, berere bem, Dei a você meu coração, Outro amor en guistar, mas foi pura ilusão, Mandei arrumar uma casa linda para, com você, meu bem morar, Sou feliz porque sei que terei você, ah, Eu e você. Ah, dear, my beloved one, I gave to you my heart Other love existed, but it was pure illusion I had a beautiful house prepared for us to live in together I am happy because I know that I will have you.  less

Beatus Vir RV 597 Antonio Vivaldi (1678-1741) Coro Academia Concerto Altamiro Bernardes Madrigal Mackenzie Parcival Módolo Catedral Metropolitana de Sorocaba 15 de agosto de 2007

IV - EXORTUM EST Beatus Vir RV 597 Antonio Vivaldi (1678-1741) Coro Academia Concerto Altamiro Bernardes Madrigal Mackenzie Parcival Módolo Catedral Metropolitana de Sorocaba 15 de agosto de 2007

2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Da pacem Domine - Arvo Pärt 請賜平安 - 佩爾特 愛沙尼亞當代著名作曲家佩爾特（Arvo Pärt, 1935-），1976年起，他創造出以單一和弦支撐全曲結構的作曲手法，如教堂的單一鐘聲般，稱為「鐘」（tintinnabuli）手法，代表作為〈聖母讚主曲〉（Magnificat, 1989）。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾（J...  more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Da pacem Domine - Arvo Pärt 請賜平安 - 佩爾特 愛沙尼亞當代著名作曲家佩爾特（Arvo Pärt, 1935-），1976年起，他創造出以單一和弦支撐全曲結構的作曲手法，如教堂的單一鐘聲般，稱為「鐘」（tintinnabuli）手法，代表作為〈聖母讚主曲〉（Magnificat, 1989）。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾（Jordi Savall, 1942-）委託而作，他在女中音聲部置入葛利果聖歌素材，其餘聲部尾隨作和聲變化，安靜地呈現樂曲，佩爾特也特別將這首禱詞獻給2004年馬德里車站爆炸案的犧牲者。 Da pacem Domine, in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster. 主啊！在我們活著的每一天，請賜我們平安 因為除你以外 再沒有誰 會為我們而爭戰  

12th International chamber Choir Competition Marktoberdorf, Germany, www.modfestivals.org; June 10-15, 2011; Live recording; This is a service of Choral Festival Network www.choralfestivalnetwork.org; Competition Round 1, June 11

CANTATE DOMINO Ko Matsushita (Japan) Coro Academia Concerto Altamiro Bernardes Fabio Maciel - piano Igreja da Paz - São Paulo 21 de maio de 2011 Música da Campanha "SING FOR JAPAN" para doações: http://www.thechoirproject.org/sing4japan

Szczecin University Choir is the youngest vocal ensamble in Szczecin (Poland) estabilished in 2006. Concert group counts about 60 people, mainly students, academic teachers and friends outside college. Our repertoire has about 80 a capella works (from m...  moreSzczecin University Choir is the youngest vocal ensamble in Szczecin (Poland) estabilished in 2006. Concert group counts about 60 people, mainly students, academic teachers and friends outside college. Our repertoire has about 80 a capella works (from medieval to contemporary composers), large sacred forms by Haendel, Mozart and Mendellsohn Bartholdy and 40 carols. We have performed at several festivals and international events (Germany, France, Switzerland, Bulgaria). We are interested in a close partnership with the other choirs outside Poland (exchange tours and joint appearances)  less

The University of Santo Tomas Singers, founded in 1992, is the University’s premiere mixed choral ensemble composed of a select group of students and alumni representing the different colleges and faculties of the Pontifical and Royal University of Santo ...  moreThe University of Santo Tomas Singers, founded in 1992, is the University’s premiere mixed choral ensemble composed of a select group of students and alumni representing the different colleges and faculties of the Pontifical and Royal University of Santo Tomas – the oldest university in Asia, under the baton of its founder and conductor, Prof. Fidel Gener Calalang Jr.. The UST Singers has distinctively exhibited the outstanding musicality of the Filipinos, which has been made known through its performances and achievements. In the course of eighteen (18)years in the international choral music scene with nineteen (19) concert tours that brought them to GERMANY, POLAND, SLOVENIA, CZECH REPUBLIC, HUNGARY, MONACO, AUSTRIA, the NETHERLANDS, BELGIUM, SWITZERLAND, DENMARK, ENGLAND, WALES, SCOTLAND, SPAIN, FRANCE, ANDORRA, BULGARIA, ITALY, MEXICO, CANADA, the UNITED STATES OF AMERICA, TAIWAN, SINGAPORE, CHINA and SOUTH KOREA, the choir has achieved both national and international recognition as one of the world’s bes...    less

2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Fünf Gesänge, op. 104 - Johannes Brahms 五首歌曲，作品104 - 布拉姆斯 浪漫時期德國作曲家布拉姆斯（Johannes Brahms, 1833-97），在1863年起擔任維也納合唱團（Vienna Singakademie）指揮，開啟他寫作混聲合唱曲的興趣，重要作品有《德意志安魂曲》（Ein deutsches Requiem,...  more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Fünf Gesänge, op. 104 - Johannes Brahms 五首歌曲，作品104 - 布拉姆斯 浪漫時期德國作曲家布拉姆斯（Johannes Brahms, 1833-97），在1863年起擔任維也納合唱團（Vienna Singakademie）指揮，開啟他寫作混聲合唱曲的興趣，重要作品有《德意志安魂曲》（Ein deutsches Requiem, 1868）、《愛的華爾茲》（Liebeslieder Waltzes, 1869）等，1888年的《五首歌曲》（Fünf Gesänge, op. 104）是他無伴奏合唱代表作，已經五十五歲的布拉姆斯，挑選五段晦暗的歌詞，悲嘆青春的流逝，六聲部混聲合唱，以厚重的塊狀和弦在複雜的和聲中掙扎：第一、二樂章的歌詞均取自呂克特（Friedrich Rückert, 1788-1866）的詩〈夜哨〉（Nachtwache），第一樂章以B小調極弱的音量開始，營造出全曲陰鬱的基調，徹夜無眠的悲傷；全曲篇幅最短的第二樂章（僅21小節），明亮的降E大調，跳進音型模仿守夜者的號角聲，但安慰與歡愉是短暫的。第三樂章，F小調，歌詞作者是作曲家的好友卡爾貝克（Max Kalbeck, 1850-1921），佈滿休止符的樂句，歌者短促的呼吸就像落葉的凋零，中段轉至F大調描寫陽光灑在薔薇上的喜悅，但希望隨即幻滅，回到F小調作結。第四樂章，D小調，是全曲速度最快的樂章，跳躍的三拍子呈現凡慈（Josef Wenzig, 1807-76）詩作中，青春流逝的剎那。最著名的第五樂章，C小調，一改前四樂章的厚織度六部合唱，是簡約的四聲部，呈現凋零的淒涼，歌詞是全曲最長的葛羅特（Klaus Groth, 1819-99）三段詩詞，緩慢地將無盡愁思帶入死亡，最後轉入C大調，如得到救贖般，安靜地結束全曲。 1. Nachtwache I Leise Töne der Brust, geweckt vom Odem der Liebe, Hauchet zitternd hinaus, ob sich euch öffen' ein Ohr, Öffn' ein liebendes Herz, und wenn sich keines euch öffn...    less

XI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴...  moreXI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化局至德堂