score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  morescore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

score (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  morescore (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

The "Santa Maria" choir is founded on November 21st, 1993, and arises from a group of singers linked with the Parish of Santa Maria de la Estrella (Coria del Río) who decide to set up a Polyphonic choir. These young people toget...  moreThe "Santa Maria" choir is founded on November 21st, 1993, and arises from a group of singers linked with the Parish of Santa Maria de la Estrella (Coria del Río) who decide to set up a Polyphonic choir. These young people together with some pupils of the newly created Conservatory of Coria (1991), begin to take part in numerous religious acts where they interpret authors' plays like To. Lotti, W.A. Mozart, J.A. García, J.S. Bach, G.F. Haendel, and so on. In 1995 the young Sergio Asián takes charge of the choir direction leading it to offering its first concert in June 1996. In the following years, from 1997 to 2000, the choir focuses its training on PLAAYS of the Middle Age and the Rennaisance managing to get an instrumental group that is added tO its name: “Instrumental Chamber and Chapel Santa María choir” The popularity of the choir causes its increasing in members from 18 to 35 in a few years, forcing the group to change their musical style so that it leAves the inst...    less

score video of FIRE AND ICE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Robert Frost (1874-1963). Audio recording by Matt Curtis (Choral Tracks). Published in December 1920 in Harper's Magazine and again in 1923 in his Pulitzer ...  morescore video of FIRE AND ICE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Robert Frost (1874-1963). Audio recording by Matt Curtis (Choral Tracks). Published in December 1920 in Harper's Magazine and again in 1923 in his Pulitzer Prize-winning book New Hampshire, "Fire and Ice" is one of Robert Frost's most popular poems. Some hAve asserted that the poem is a compression of Dante's Inferno. In an anecdote he recounted in 1960, prominent astronomer Harlow Shapley claimed to hAve inspired Fire and Ice in an encounter with Frost a year before the poem was published. Frost asked Shapley how the world will end, and Shapley responded that either the sun will explode and incinerate the Earth, or the Earth will somehow escape this fate only to end up slowly freezing in deep space. Sheet music for FIRE AND ICE is available from J.W. Pepper: https://www.jwpepper.com/11129789.item For more information visit www.gregbartholomew.com/fireindex.html #Choralmusic #choir #RobertFrost  less

This is the same recording, but with some sculpture photographs I took several years ago. Details are given at the end of the video. I've uploaded this to complement choirPlace's posting of the original video (with the score) on Facebook earlier today....  moreThis is the same recording, but with some sculpture photographs I took several years ago. Details are given at the end of the video. I've uploaded this to complement choirPlace's posting of the original video (with the score) on Facebook earlier today. Thank you choirPlace for sharing my music!  

http://igg.me/at/stpeterssingers Ave Maria; Now the green blade riseth; Lord I hAve loved thy habitation composed by and conducted by Dr Simon Lindley and sung by St Peter's Singers of Leeds on the occasion of the composer conducts concert at York Minster in 2008.

A Traditional Nigerian Piece name Patewo

Stella Kamarakórus & Capo di tutti i Capi Kamarakórus

指揮Conductor：連芳貝Tracy Lien 薩克斯風Sax：李昆峰 We tried a new style of music, featuring the combination of sacred music with saxophone improvisation. This part including 5 songs from different times： 1.Gregorian chant【Ave Maria】 2.Giovanni Croce【O Vos Omne...  more指揮Conductor：連芳貝Tracy Lien 薩克斯風Sax：李昆峰 We tried a new style of music, featuring the combination of sacred music with saxophone improvisation. This part including 5 songs from different times： 1.Gregorian chant【Ave Maria】 2.Giovanni Croce【O Vos Omnes】 3.Jacques Arcadelt【Ave Maria】 4.G. P. da Palestrina【Adoramus te】 5.Morten Lauridsen【O Magnum Mysterium】