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video:
Hoc est enim corpus meum (new French version) for choir
Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir.
It is a meditation on the meaning of transubstantiation.
Hoc est enim corpus meum
L'éternité du monde... moreOriginal poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir.
It is a meditation on the meaning of transubstantiation.
Hoc est enim corpus meum
L'éternité du monde repose dans ma main
la peine lourde d'amour, de rédemption est un soupir dans ma main
O mon Christ Seigneur de l'infini petit pour mon confort, là dans ma main
Humilité d'amour qui repose là si bas,
Blanc, plein de confiance et soin dans ma main
Là dans ma main repose mon Dieu.
Hoc est enim corpus meum.
[English original]
Hoc est enim corpus meum
The world's eternity lies here within my hand.
The weight of pain, of love, redemption is a sigh upon my hand,
My Christ, Lord of the infinite,
small to my comfort in my hand.
Humility of Love that tender here lies low.
White, trusting, full of care within my hand.
So, in my hand lies God.
Hoc est enim corpus meum. less
video:
Kállai kettős. Doble danza de Kalló
Kodály Zoltán
Andrés Aciar dirige al
Grabación realizada en cassette
1987
Piano Susana Awad y Gustavo Aciar
Versión para piano a 4 manos: Carlos Andrés Aciar
Sonido original: Cassette.
video:
Colloque Sentimental - Paul Verlaine - English version for three altos a cappella
Colloque Sentimental
English version by S N Solomons after the poem by Paul Verlaine
music for three altos a cappella, composed and performed by
David W Solomons
Colloque Sentimental - (translation by S N Solomons after Paul Verlaine)
In the age-... moreColloque Sentimental
English version by S N Solomons after the poem by Paul Verlaine
music for three altos a cappella, composed and performed by
David W Solomons
Colloque Sentimental - (translation by S N Solomons after Paul Verlaine)
In the age-old park, treading the icy grass
Two lone forms ere a while went past.
Their eyes are dead, their lips are soft and moist,
Almost inaudible their voice.
In the cold lonely park, pacing the grass,
Twin lonely spectres have evoked the past.
"Dost thou recall our ecstasy of old?"
"Why would you think I should recall?"
"And at my name does thy heart pulse and grow?
And in thy dreams seest thou my soul?" "No!"
"Those lovely days of unheard bliss and free ...
We fused our lips as one!" "Ah, that might be."
"How blue the heavens and our hope how high!"
"Hope has fled vanquished to the sombre sky."
And so they wandered in the unkempt grass,
And night alone heard all the words that passed. less
video:
Libera Me - Anthony Sylvestre - ECU Chorale & Orchestra
Featuring the East Central University Chorale (Oklahoma) conducted by Dr. Steven Walker.
Version for choir & full orchestra, looking for its world premiere !!
Composed and orchestrated by Anthony Sylvestre.
Digital sheet music available on the website... moreFeaturing the East Central University Chorale (Oklahoma) conducted by Dr. Steven Walker.
Version for choir & full orchestra, looking for its world premiere !!
Composed and orchestrated by Anthony Sylvestre.
Digital sheet music available on the website ASTURIA MUSIC : https://www.asturiamusic.com.
♫ Facebook : https://www.facebook.com/anthonysylvestre.composer
♫ Subscribe for more : https://www.youtube.com/c/AnthonySylvestreComposer
video:
Deliver Us (from "The Prince of Egypt") Spanish version CSMC Choir
Coro del Conservatorio Superior de Música de Canarias
Deliver Us (LIbéranos). S.L. Schwartz (1948) /Hans Zimmer (1957)
(Tema inicial de la película El príncipe de Egipto, 1998)
(arr. Yónatan Sánchez)
Cristina Ramos Pérez, soprano, Yocheved (madre de... moreCoro del Conservatorio Superior de Música de Canarias
Deliver Us (LIbéranos). S.L. Schwartz (1948) /Hans Zimmer (1957)
(Tema inicial de la película El príncipe de Egipto, 1998)
(arr. Yónatan Sánchez)
Cristina Ramos Pérez, soprano, Yocheved (madre de Moisés)
Alicia Ramos Pérez, soprano, Miriam (hermana de Moisés)
Moisés Rodríguez González, trompeta
Cristian Suárez Guerra, flauta
Gabinete Literario de Las Palmas de Gran Canaria.
(ww.csmc.es) @CSM_Canarias
video:
Haneirot halalu (a Piece for Chanukah - Version for Men's Chorus)
Haneirot halalu (a Piece for Chanukah - Version for Men's Chorus)
for Tenor Solo, TTBB Chorus unaccompanied
Music by
Stanley M. Hoffman
(b. 1959)
Traditional Hebrew Words
Performed by
The Golden Gate Men’s Chorus
Conducted by
Joseph Piazza
... moreHaneirot halalu (a Piece for Chanukah - Version for Men's Chorus)
for Tenor Solo, TTBB Chorus unaccompanied
Music by
Stanley M. Hoffman
(b. 1959)
Traditional Hebrew Words
Performed by
The Golden Gate Men’s Chorus
Conducted by
Joseph Piazza
Sheet Music
Words: Public Domain.
Music and English Translation:
© Copyright 2000 by Ione Press, Inc,
a division of ECS Publishing Group. www.ecspublishing.com
All rights reserved.
Recording
© Copyright 2019 by The Golden Gate Men’s Chorus.All rights reserved. Used by permission of Joseph Piazza.
Images
By the Composer.
Choral Conductors:
to purchase copies of this score,
The Catalog Number is 7688,
And the distributor is Canticle Distributing.
www.canticledistributing.com less
blog:
Why do we stop singing when we grow up?
[this is a version of a post which first appeared on my blog From the Front of the Choir]
The average age of people who attend the choirs and workshops that I run must be around 50. I would say that about a third of any group is of retirement ag...
blog:
How much do you charge?
[this is a version of a post which first appeared on my blog From the Front of the Choir]
I was collecting money at a workshop recently (something I nearly always forget as I always get so carried away with the singing!) and somebody mention...
blog:
I may not know much about music, but I know what I like!
[A version of this article first appeared as a post on my blog From the Front of the Choir]
Somebody asked me the other day if I do workshops on songs from the musicals. I don't like musical theatre, so the answer was a resounding “No&rdquo...