Setting by William Walton of the poem by Phineas Fletcher "Drop slow tears", transposed for men's voices and sung by the one-man choir dwsChorale

The Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form he...  moreThe Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form here), in Dorian mode. The music is the same as the piece "My love is far from here", but with the original words by my father  

Night and Day by Cole Porter, arranged by andrew Carter - transposed for male voice choir and performed by David W Solomons as the dwsChorale The original score for SATB is at https://www.sheetmusicplus.com/title/3622555?aff_id=175705

Hari Bouriquet (Gee up little donkey) Second version - with tentative translation in the video itself This is a satirical madrigal mocking the Catholics of the Timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this ...  moreHari Bouriquet (Gee up little donkey) Second version - with tentative translation in the video itself This is a satirical madrigal mocking the Catholics of the Timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this hard to believe since he was a good Catholic, but maybe someone has further information?)... The original is partly in Renaissance French of the court and partly in a dialect of that period. Performed by the dwsChorale (a one-man choir)  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.  

This canon by Mozart was originally written for 5 sopranos in canon. I have arranged it for altos and performed it as the dwsChorale (multitracking). The words are Kyrie eleison - (Lord have mercy) Christe eleison - (Christ have mercy) Kyrie eleis...  moreThis canon by Mozart was originally written for 5 sopranos in canon. I have arranged it for altos and performed it as the dwsChorale (multitracking). The words are Kyrie eleison - (Lord have mercy) Christe eleison - (Christ have mercy) Kyrie eleison - (Lord have mercy)  

This is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_a...  moreThis is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_alle_psallite_in_d_dorian.html 13th century festival song in Latin based on the word "Alleluia" (Halleluya) arranged, translated and performed by David W Solomons (dwsChorale), with accompanying images of musicians and dancers across the world  

Lift Thine Eyes - from Mendelssohn's oratorio Elijah - transposed for ATBar, performed by the dwsChorale.

Challenging but fun three part arrangement of my old song Wine and Water (The original song can be found on youtube at: https://www.youtube.com/watch?v=_UYX_4Ape74 ) Satirical poem by G K Chesterton

The second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di ...  moreThe second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di color diversi, e un portier ch' ancor non facea motto. [I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, and a gate-keeper, who yet spake no word] Poi pinse l' uscio a la porta sacrata, dicendo: "Intrate; ma facciovi accorti che di fuor torna chi ' n dietro si guata" [Then pushed the portals Of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”] Io mi rivolsi attento al primo tuono, e ' Te Deum laudamus' mi parea udire in voce mista al dolce suono. [At the first thunder-peal I turned attentive, and _”Te Deum laudamus”_ seemed to hear In voices mingled with sweet melody.]  less