Thomas Weelkes' madrigal transposed down for men's voices and sung by the dwsChorale Originally published in Balletts and Madrigals, to Five Voyces, 1598. Hark, all ye lovely saints above Diana hath agreed with Love, His fiery weapon to remove. F...  moreThomas Weelkes' madrigal transposed down for men's voices and sung by the dwsChorale Originally published in Balletts and Madrigals, to Five Voyces, 1598. Hark, all ye lovely saints above Diana hath agreed with Love, His fiery weapon to remove. Fa la la. Do you not see How they agree? Then cease fair ladies; why weep ye? Fa la la. See, see, your mistress bids you cease, and welcome Love, with love's increase, Diana hath procured your peace. Fa la la. Cupid hath sworn His bow forlorn To break and burn, ere ladies mourn. Fa la la.  less

PRO VOCAL VOX – STAIRWAY TO PARADISE [2014/12] [Maestro: Dionísio Vila Maior] George Gershwin B. G. de Sylva Arthur Francis Ar: Donald Moore

Setting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar. Performed by the composer. Thrice the brinded cat hath mew'd Thrice and once the hedgepig whin'd Harper cries: 'Tis Time, 'tis Time. ...  moreSetting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar. Performed by the composer. Thrice the brinded cat hath mew'd Thrice and once the hedgepig whin'd Harper cries: 'Tis Time, 'tis Time. Round about the cauldron go; In the poison'd entrails throw. Toad, that under cold stone Days and nights hast thirty one Swelter'd venom sleeping got, Boil thou first i' the charmed pot. Double, double toil and trouble; Fire burn and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and howlet's wing, For a charm of powerful trouble, Like a hellbroth boil and bubble. Double, double toil and trouble; Fire burn and cauldron bubble. Scale of dragon, tooth of wolf, Witch's mummy, maw and gulf Of the ravin'd saltsea shark, ...    less

Setting by William Walton of the poem by Phineas Fletcher "Drop slow tears", transposed for men's voices and sung by the one-man choir dwsChorale

The Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form he...  moreThe Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form here), in Dorian mode. The music is the same as the piece "My love is far from here", but with the original words by my father  

Night and Day by Cole Porter, arranged by andrew Carter - transposed for male voice choir and performed by David W Solomons as the dwsChorale The original score for SATB is at https://www.sheetmusicplus.com/title/3622555?aff_id=175705

Hari Bouriquet (Gee up little donkey) Second version - with tentative translation in the video itself This is a satirical madrigal mocking the Catholics of the Timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this ...  moreHari Bouriquet (Gee up little donkey) Second version - with tentative translation in the video itself This is a satirical madrigal mocking the Catholics of the Timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this hard to believe since he was a good Catholic, but maybe someone has further information?)... The original is partly in Renaissance French of the court and partly in a dialect of that period. Performed by the dwsChorale (a one-man choir)  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.  

This canon by Mozart was originally written for 5 sopranos in canon. I have arranged it for altos and performed it as the dwsChorale (multitracking). The words are Kyrie eleison - (Lord have mercy) Christe eleison - (Christ have mercy) Kyrie eleis...  moreThis canon by Mozart was originally written for 5 sopranos in canon. I have arranged it for altos and performed it as the dwsChorale (multitracking). The words are Kyrie eleison - (Lord have mercy) Christe eleison - (Christ have mercy) Kyrie eleison - (Lord have mercy)  

This is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_a...  moreThis is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_alle_psallite_in_d_dorian.html 13th century festival song in Latin based on the word "Alleluia" (Halleluya) arranged, translated and performed by David W Solomons (dwsChorale), with accompanying images of musicians and dancers across the world