This setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was...  moreThis setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was first performed in Manchester Cathedral in 1994. This psalm forms the climax of the whole cantata and provides an expression of optimism after the tragedies of the previous sections. In this “extracted” version, the tragic surroundings of the history remain in the background and the purebubbling joy of the psalm itself shines forth. Enjoy the complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of the piece and will, I hope, encourage other church choirs and concert choirs to consider including it in their repertoire.  less

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ChorSymphonica with Richard Allen Roe, conductor performing Johann Sebastian Bach's Cantata Himmelskönig, sei willkommen, BWV 182

ChorSymphonica with Richard Allen Roe, conductor performing Johann Sebastian Bach's Cantata Himmelskönig, sei willkommen, BWV 182

ChorSymphonica with Richard Allen Roe, conductor performing Johann Sebastian Bach's Cantata Nun komm, der Heiden Heiland, BWV 61

An excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. In Flanders Fields by John McCrae In Flanders fields the poppies blow Between the crosses, row on row, That mark our p...  moreAn excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. In Flanders Fields by John McCrae In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. photos courtesy of FreeFoto http://www.freefoto.com/index.jsp  less

No divisi parts – suitable for a quartet. In English (BCP 1662) Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com There's a matching Magnificat setting on the way. Watch this space!

Coral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido ...  moreCoral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido Concierto de clausura del 40 Aniversario de la Coral Reyes Bartlet Puerto de la Cruz, Iglesia de la Peña de Francia, 19 de diciembre de 2010 www.reyesbartlet.com  

A live performance of Steve Dobrogosz' Agnus Dei from his Jazz Mass. Performed by Barisons Chamber Choir.

Music: Jean-Christophe Rosaz by Maîtrise de Caen cond. Olivier Opdebeeck Editions JC Rosaz