An exert of Voices New Zealand Concert at the 9th World Choral Symposium, Argentina, August, 2011 It is a popular song about Spanish Rice Pudding

Performed by Cantari, a select ensemble of Voices: The Chapel Hill Chorus. Direction and solo by Dr. Stephen Futrell and accompaniment by Shoko Abe. Composed by Allyson Reigh. Arranged by Jennifer McMillan To learn more and support our organization...  morePerformed by Cantari, a select ensemble of Voices: The Chapel Hill Chorus. Direction and solo by Dr. Stephen Futrell and accompaniment by Shoko Abe. Composed by Allyson Reigh. Arranged by Jennifer McMillan To learn more and support our organization please visit: https://www.Voiceschapelhill.org/ https://www.gofundme.com/f/mbpp7s-fall-fundraiser?qid=e1db53c45cf81aed4ac48221fb1e41cf This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. www.NCArts.org  less

Carmina Burana - Carl Orff Stephen Sands, Conductor - http://StephenSands.net Downtown Voices and the Trinity Youth Chorus NOVUS NY St. Paul's Chapel, New York City June 16, 2019 http://DowntownVoices.net

Part of the Royal School of Church Music, RSCM Scottish Voices is a self-financing adult choir that aims to draw together some of the most accomplished and experienced church musicians in Scotland to perform six times a year in a variety of venues around ...  morePart of the Royal School of Church Music, RSCM Scottish Voices is a self-financing adult choir that aims to draw together some of the most accomplished and experienced church musicians in Scotland to perform six times a year in a variety of venues around the country, in addition to which there is an annual summer residential rehearsal weekend. The choir currently has one or two vacancies for singers in some voice parts, so if you are aged 18 or over, are resident in Scotland, have experience in church choral singing, and would like to be considered for an audition or would just like more information, please contact the administrator, whose details are on our website.  less

Ensemble quartonal: Music, When Soft Voices Die (Music by Edward C. Bairstow, Poem by Shelly) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deut...  moreEnsemble quartonal: Music, When Soft Voices Die (Music by Edward C. Bairstow, Poem by Shelly) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Preis in der erstmals ausgeschriebenen Kategorie der klassischen Ensembles gewinnen und wurde damit über die Landesgrenzen hinaus bekannt. Diese Aufnahme stammt von einem Konzert im Lübecker Dom.  

Harmonies and memories echo through the years. Sunday well spent with an alumni, raising our Voices once more in one song of praise to God.

A composer's concert with a Young talented musician, Austy (ofori Kwarteng Kingsford)

St Cecilia Mass - Charles Gounod (1818-1893) Trinity Church NYC Downtown Voices (http://DowntownVoices.net) NOVUS NY Stephen Sands, Conductor (http://StephenSands.net) Brianna J. Robinson, soprano Steven Caldicott Wilson, tenor Enrico Lagas...  moreSt Cecilia Mass - Charles Gounod (1818-1893) Trinity Church NYC Downtown Voices (http://DowntownVoices.net) NOVUS NY Stephen Sands, Conductor (http://StephenSands.net) Brianna J. Robinson, soprano Steven Caldicott Wilson, tenor Enrico Lagasca, bass Concert program with texts, notes and participants: https://drive.google.com/file/d/14jFX... (0:01) Kyrie (5:45) Gloria (14:43) Credo (27:14) offertory (31:00) Sanctus (37:15) Benedictus (40:35) Agnus Dei (45:16) Domine, salvum fac  

Formed in 2006, Palmetto Voices is comprised of musicians from all around the southeast, lead by Dr. Sonja Sepulveda. Specialized styles include; concert spiritual, jazz and renaissance music.

Anonymous catch in 4 equal Voices based on peals of bells from "The Catch Club or Merry Companions", published in 1731. I have added some lower Voices at the octave for better resonance.