World premiere performance by the Volti Choir of San Francisco under the direction of Robert Geary. Do not stand at my grave and weep Music by Robert Paterson / Text by Mary Elizabeth Frye. This is one movement of a three-movement work entitled Ete...  moreWorld premiere performance by the Volti Choir of San Francisco under the direction of Robert Geary. Do not stand at my grave and weep Music by Robert Paterson / Text by Mary Elizabeth Frye. This is one movement of a three-movement work entitled Eternal Reflections, but may be performed as a stand-alone piece. For more information and to order sheet music, please visit www.robpaterson.com.  

Ottawa choir, The Stairwell Carollers, perform In Remembrance by Eleanor Daley, a Canadian composer of choral music. Words, Elizabeth Frye - from the poem "Do not stand at my grave and weep". If you love our music, a Donation would be appreciated Pleas...  moreOttawa choir, The Stairwell Carollers, perform In Remembrance by Eleanor Daley, a Canadian composer of choral music. Words, Elizabeth Frye - from the poem "Do not stand at my grave and weep". If you love our music, a Donation would be appreciated Please DoNatE to our 40th fundraising goal of $15,000 to celebrate this milestone! http://www.stairwellcarollers.com/Donate.html All Donations receive a charitable tax receipt ! The Stairwell Carollers, an a cappella group formed in 1977 by director Pierre Massie, has earned the distinction of being ranked amongst the best of Ontario choirs. The group took first place in both the 2010 and 2013 Ontario Music Festival Association provincial competition. This non-profit organization raises funds for local charities through concert, CD and cookbook sales. All Stairwell Carollers CDs benefit charities and are available on our website in both CD and MP3 formats. http://www.stairwellcarollers.com/Purchases.html Visit our blog http://www.stairwellcarollers.blog...    less

The fifth movement of my Requiem as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. "Do not stand at my grave and weep, I am not there; I Do not sleep. . ." Lacrimosa

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Two weeks ago I wrote about how individuals choose where to stand within their part (Don't stand too close to me! - finding the right place to stand in yo...

weep, O Mine Eyes - John Bennet (Tenor's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreweep, O Mine Eyes - John Bennet (Tenor's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

weep, O Mine Eyes - John Bennet (Bass' Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreweep, O Mine Eyes - John Bennet (Bass' Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

weep, O Mine Eyes - John Bennet (Sopran's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreweep, O Mine Eyes - John Bennet (Sopran's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

weep, O Mine Eyes - John Bennet (Alto's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreweep, O Mine Eyes - John Bennet (Alto's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   In most formal choirs you’re told exactly where to stand when performing. There is often a fixed set-up which varies little from concert to concert....

weep, O Mine Eyes - John Bennet (SatB's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreweep, O Mine Eyes - John Bennet (SatB's Guide) “weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less