"Maid in the Moor" is a setting of a medieval poem. Written, filmed and edited by Michael McGlynn and performed by Anúna. From the DVD "invocations of Ireland" and CD "Sensation". Soloist Aideen Rickard.

From the album "Revelation" by Anúna. Arranged by Michael McGynn - traditional Irish.

the Maid of Llanwellyn by Ruth Morris Gray Viking Man Choir Johansen High School

Chicago area premiere of Blessed be that Maid Marie from Acappellago December 2013 concert, Congregational Church of Batavia, 12-8-2013.

A friendly sociable Rotherham three part choir which raises money for charities both local and national. the choir has members from Rotherham, Sheffield and Barnsley. Rehearsals are held on Tuesdays 6-7.30pm at Badsley Moor Primary, Rotherham. New members...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreA friendly sociable Rotherham three part choir which raises money for charities both local and national. the choir has members from Rotherham, Sheffield and Barnsley. Rehearsals are held on Tuesdays 6-7.30pm at Badsley Moor Primary, Rotherham. New members are always welcome, with no auditions. For further details email: FriendsinHarmony@virginmedia.com  

Vitaly Filippov (tenor, a member of the choir) Recorded May 24, 2005 in the State Historical Museum (Moscow, Red Square) -------------------------------------------------------- the lyrics of the song is Thomas Moor's (1779—1852) "Those Evening B...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVitaly Filippov (tenor, a member of the choir) Recorded May 24, 2005 in the State Historical Museum (Moscow, Red Square) -------------------------------------------------------- the lyrics of the song is Thomas Moor's (1779—1852) "Those Evening Bells" translated by Russian poet Ivan Kozlov (1779—1840). Those evening bells! Those evening bells! How many a tale their music tells of youth, and home and that sweet time, When last I heard their soothing chime. Those joyous hours are past away, And many a heart that then was gay Within the tomb now darkly dwells And hears no more these evening bells. And so 'twill be when I am gone; That tuneful peal will still ring on while other bards will walk these dells, and sing your praise, sweet evening bells.  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

I Never Saw Music: Davide Riva (1989 - *) Text: Emily Dickinson (1830 - 1886) Mixed choir (SATB) | Composed for "Bormio Young Vocal Ensemble" All parts performed, recorded and mixed by Diego Ceruti I never saw a Moor I never saw the Sea Yet...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreI Never Saw Music: Davide Riva (1989 - *) Text: Emily Dickinson (1830 - 1886) Mixed choir (SATB) | Composed for "Bormio Young Vocal Ensemble" All parts performed, recorded and mixed by Diego Ceruti I never saw a Moor I never saw the Sea Yet know I how the Heather looks And what a Billow be. I never spoke with God Nor visited in Heaven Yet certain am I of the spot As if the Checks were given  

It all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley Moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in ...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreIt all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley Moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in a curious potpourri for choir and piano. the choir gets to sing "On Ilkla Moor", the Este psalter tune known to all, and also Auld Lang Syne. the second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano also gets some sly references to "Sing a song of sixpence" and "Scotland the brave". I sang it in G (ATBB) on this video, to fit my multitrack range, but mixed choir versions are also available on musicaneo: in C (SATB) (fairly high for the sopranos) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196258 and in Bflat (SATB) (fairly low for the basses) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196257  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Sheffield Chamber Choir directed by Robert Webb from a concert given at St Luke's, Lodge Moor, Sheffield on 24th September 2011 in aid of Tear Fund

Les Chœurs de l'Union européenne sont heureux de vous présenter un concert dédié aux plus belles partitions pour chœurs d'opéra. Extraits de: Carmen (G. Bizet), Der Freischütz (C. M. von Weber), Faust (C. Gounod), Les Contes d'Hoffmann (E.T.A. Offenb...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLes Chœurs de l'Union européenne sont heureux de vous présenter un concert dédié aux plus belles partitions pour chœurs d'opéra. Extraits de: Carmen (G. Bizet), Der Freischütz (C. M. von Weber), Faust (C. Gounod), Les Contes d'Hoffmann (E.T.A. Offenbach), Il Trovatore, Aida, Nabucco (G. Verdi) Choeurs de l'Union européenne, direction Dirk De Moor Ensemble Orchestral Mosan, direction Jean-Pierre Haeck Bruxelles www.EuSing.eu