This is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently po...  moreThis is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently poking fun at a corpulent farmer. The words of the Carol are by Malcolm Sargent himself. Girls and boys, leave your toys. make no noise, Kneel at His crib and worship Him. At Thy shrine, Child divine, we are Thine, Our Saviour's here. "Hallelujah!" the church bells ring, "Hallelujah!" the angels sing, "Hallelujah!" from ev'rything. All must draw near. (etc)  less

Viderunt Omnes by Mikołaj Zieleński, a.k.a. Nicolaus Zielenski - transposed for men's voices Viderunt omnes fines terræ salutare Dei nostri. Alleluia All the ends of the earth have seen the salvation of our God. Alleluia (The score link is for...  moreViderunt Omnes by Mikołaj Zieleński, a.k.a. Nicolaus Zielenski - transposed for men's voices Viderunt omnes fines terræ salutare Dei nostri. Alleluia All the ends of the earth have seen the salvation of our God. Alleluia (The score link is for the original SATB version)  

Purcell's Hear my prayer o Lord transposed down a minor third for men's voices.

This version of The Snow by Alice and Edward Elgar is transposed for men's voices (so the second violin becomes a viola) This men's voices version is not yet published so the link references the original SSA version

Ancient Christmas Carol from Piae Cantiones This is my arrangement for our community choir (Soprano, Alto and Bass), but transposed down a third here for me to sing. (The arrangement also has an optional piano part which I did not use for this recording)

Carol

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

Composed by William Mathias, transposed and sung by the dwsChorale (www.dwsolo.com) Nowell, nowell. Who is there that singeth so, I am here, Sir Christèmas. Welcome, my lord Sir Christèmas! Welcome to all, both more and less! Come near, come nea...  moreComposed by William Mathias, transposed and sung by the dwsChorale (www.dwsolo.com) Nowell, nowell. Who is there that singeth so, I am here, Sir Christèmas. Welcome, my lord Sir Christèmas! Welcome to all, both more and less! Come near, come near, come near, Nowell, nowell. Dieu vous garde, beaux sieurs, Tidings I you bring: A maid hath borne a child full young, Which causeth you to sing: Nowell, nowell. Christ is now born of a pure maid, Born of a pure maid; In an ox-stall he is laid, Wherefore sing we at a-brayde: Nowell, nowell. Buvez bien, buvez bien Par toute la compagnie. Make good cheer and be right merry, And sing with us now joyfully Nowell, nowell  less

Score (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  moreScore (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.