Voices of Concinnity vocal Chamber ensemble.

for mixed vocal ensemble & guitar quartet author: Luís de Camões (soneto) composer: Jean-Christophe Rosaz conductor: Gonçalo Lourenço Doctor of Musical Arts in Choral Music Conducting Jacobs School of Music Indiana University Conductor of Coro A...  morefor mixed vocal ensemble & guitar quartet author: Luís de Camões (soneto) composer: Jean-Christophe Rosaz conductor: Gonçalo Lourenço Doctor of Musical Arts in Choral Music Conducting Jacobs School of Music Indiana University Conductor of Coro Autêntico and ESART Singers Director and Founder of the Studio Conducere Choral Conducting Studio interprets: Coro Autêntico ESART Guitar Quartet Pedro Ferreira João Tiago Hélder Silva Daniel Infante --- Tanto de meu estado me acho incerto, Que em vivo ardor tremendo estou de frio; Sem causa, juntamente choro e rio, O mundo todo abarco e nada aperto. É tudo quanto sinto um desconcerto; Da alma um fogo me sai, da vista um rio; Agora espero, agora desconfio, Agora desvario, agora acerto. Estando em terra, chego ao Céu voando, Nua hora acho mil anos, e é de jeito Que em mil anos nao posso achar ua hora. Se me pergunta alguém porque assi ando, Respondo que nao sei; porém suspeito Que so porque vos vi, minha Senhora. --- I'm so uncer...    less

Chamber Choir VOCALE NEUBURG conducted by Oskar Egle. Live recording during the International Competition in Bratislava - May 2010. Vocale Neuburg was the winner of the Grand Prix!

The Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of...  moreThe Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of its members through programs stressing musical aptitude, teamwork, discipline, self-confidence and personal growth. Music camps, social outings, concert tours and an annual, child-involved fundraiser are combined with weekly rehearsals and live performances to create the type of nurturing environment that enables members to mature musically and socially. The SCCC and its musical directors serve as mentors, coaches and friends to students in a variety of socioeconomic levels.  less

2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Gjendines bådnlåt：Gunnar Eriksson 嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森 艾瑞克森（Gunnar Eriksson, 1936─）為瑞典著名指揮家、作曲家及編曲家，師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典，並任教於哥德堡大學，並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段，相同...  more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Gjendines bådnlåt：Gunnar Eriksson 嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森 艾瑞克森（Gunnar Eriksson, 1936─）為瑞典著名指揮家、作曲家及編曲家，師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典，並任教於哥德堡大學，並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段，相同的主旋律分別由女生兩部演唱，其他聲部巧妙地以分散和弦演唱著嫣汀之名，呈現出輕巧恬靜的曲趣。 Barnet legges i vuggen ned stundom greder(gråter) og stundom ler Sove nu i Jesu navn Jesus bevare barnet Min mor hun tok meg på sitt fang Danse med meg frem og tilbake Danse så med de små danse Danse så skal barnet danse 放在搖籃裡的寶寶 有時哭泣有時笑 此刻他正在耶穌的懷裡睡著 是受耶穌所保護的小孩 我的母親抱我放在她的腳上 帶著我來來回回的跳舞 跳著小巧的舞蹈 跳著屬於寶寶的舞蹈  less

Who are we? Well, we are the Kórus Spontánusz! That was our answer, unexpected even for us, since we hadn’t thought of a name yet. It happened on a December night in 2001 in Sopron in front of the Dömötöri Patisserie where we sang Christmas carols for ...  moreWho are we? Well, we are the Kórus Spontánusz! That was our answer, unexpected even for us, since we hadn’t thought of a name yet. It happened on a December night in 2001 in Sopron in front of the Dömötöri Patisserie where we sang Christmas carols for the passersby. We didn’t notice being founded, only the joy of polyphonic singing. It was, and still is our experience that making music together strengthens existing friendships and facilitates the development of new ones. We started out with 13 people and our numbers have only been growing ever since, we count 25-35 members on average. We gladly sing anything may that be it religious or secular, Hungarian or from abroad regardless of its period or language if it fits our skills and numbers. We sing in churches, restaurants, museums, the Academy of Music, small villages in Hungary or Austria, at international competitions, libraries – anyplace where we are welcome. Singing in a Choir is a demanding activity; it takes a lot of time, energy, discipline a...    less

12th International Chamber Choir Competition Marktoberdorf, Germany, www.modfestivals.org; June 10-15, 2011; Live recording; This is a service of Choral Festival Network www.choralfestivalnetwork.org; Competition Round 2, June 12

Salvacosta perform Will Todd's 'My Lord Has Come'... Will Todd Copyright 2011 Oxford University Press Performed by Salvacosta DMB Music www.dmbmusic.co.uk www.darrenbartlett.co.uk Copyright DMB MUSIC 2016

The Lassus Scholars, named after the great Renaissance composer Orlande de Lassus, seek to achieve excellence in expression and interpretation in all musical styles from the 16th century to the present day.

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of Choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less