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video:
Sancte Angele Dei by Klaudia Pasternak
Sancte Angele Dei by Klaudia Pasternak, performed by Vocal Art Ensemble of Sweden
Conductor: Jan Yngwe
Recorded in Annedalskyrkan, Göteborg, November 15th, 2014
group:
Ensemble Laude Women's Choir
For close to two decades, Ensemble Laude women’s choir has enchanted audiences on Vancouver Island with its creative blend of medieval repertoire and contemporary choral works from around the world. Ensemble Laude is a community of women united by a passi... moreFor close to two decades, Ensemble Laude women’s choir has enchanted audiences on Vancouver Island with its creative blend of medieval repertoire and contemporary choral works from around the world. Ensemble Laude is a community of women united by a passion for choral music and the vision of our Artistic Director, Elizabeth MacIsaac. We celebrate the beauty and resilience of women’s Vocal traditions through the ages and seek to share this art form through joyful, soulful, and life-enhancing performances that gladden the heart, lift the spirit, and expand the mind.
Ensemble Laude began in 1998 with a group of 12 singers focused solely on medieval music. It has since expanded into a vibrant community choir of over 50 Vocalists. Today, our concerts offer an eclectic repertoire, mostly unaccompanied, encompassing early music, sacred and secular works, and folk and world music. We are committed to expanding choral repertoire for women’s voices and regularly commission new Canadian works that preserve and revitaliz... less
group:
Barbershop Istanbul
Barbershop Istanbul was founded in 2014 to perform classical and modern Barbershop style acapella music. As Turkiye's first Barbershop style Vocal Ensemble, the qartet became the first Turkish member of the Barbershop Harmony Society.
The quartet has ... moreBarbershop Istanbul was founded in 2014 to perform classical and modern Barbershop style acapella music. As Turkiye's first Barbershop style Vocal Ensemble, the qartet became the first Turkish member of the Barbershop Harmony Society.
The quartet has performed at various prestigious venues including Casa Botter, Akbank Sanat, BKM Mutfak, Pera Museum, Borusan Music House, Santa Maria Draperis Church, St. Pierre and St. Paul's Church. In 2017, they received an invitation from Harmony University - Quartet College in Nashville, USA, and became the first Turkish quartet to attend this annual Barbershop convention and performed to international audience. Barbershop Istanbul was greatly appreciated by the audience in Nashville, the birthplace of the genre, as well as in Turkiye.
The quartet's repertoire includes not only classical Barbershop arrangements and Barbershop arrangements of popular music, but also Kaan Bayır's works of popular, traditional and classical turkish music arranged in Barbershop style. less
group:
VoxInFabula
We are a Vocal Ensemble based in Perugia (Italy) and have been singing together since 2013.
We enjoy singing a wide and varied repertoire of a cappella pieces.
Please stay in touch with us by visiting our FB page: moreWe are a Vocal Ensemble based in Perugia (Italy) and have been singing together since 2013.
We enjoy singing a wide and varied repertoire of a cappella pieces.
Please stay in touch with us by visiting our FB page: https://www.facebook.com/Vox-In-Fabula-1509783932653272/
video:
Francis Poulenc - Tristis est anima mea
Francis Poulenc - Tristis est anima mea (from Quatre Motets pour un temps de pénitence, FP 97/4).
Swara Vocal Ensemble (www.swaraVocalEnsemble.com)
Ivan Yohan, conductor
Hélène Richardeau, soprano solo
Concert in Iglesia San José de Astillero - XXII... moreFrancis Poulenc - Tristis est anima mea (from Quatre Motets pour un temps de pénitence, FP 97/4).
Swara Vocal Ensemble (www.swaraVocalEnsemble.com)
Ivan Yohan, conductor
Hélène Richardeau, soprano solo
Concert in Iglesia San José de Astillero - XXII Jornadas Internacionales Música Coral, Astillero, Cantabria, Spain
video:
Everybody Wants To Rule The World
Everybody Wants To Rule The World...Tears for Fears (arr. Kerry Marsh)
The Standard Vocal Jazz Ensemble
John Stafford II
Jazz Cabaret
April 23rd, 2015
Kansas City Kansas Community College
blog:
The King's Singers Come to SubCulture 1/29
The internationally renowned, Grammy® Award-winning A Cappella Vocal Ensemble, The King’s Singers, have not only traveled the world, but they’ve won its heart. Their incredible intonation, Vocal blend, perfect articulation, and entert...
video:
Gloria Patri - Thomas Tallis (1505 - 1585)
IN PARADISUM
Musica Vocal Ensemble
Union Hall Maribor
Season 2010
Urška Forštnarič - soprano
Sanja Muzek - soprano
Eva Barbara Vilčnik - alto
Lučka Kovačec - alto
Marko Horvat - baritone
Žiga Arbeiter - bass
Jože Arbeiter - bass
Kristijan Šmi... moreIN PARADISUM
Musica Vocal Ensemble
Union Hall Maribor
Season 2010
Urška Forštnarič - soprano
Sanja Muzek - soprano
Eva Barbara Vilčnik - alto
Lučka Kovačec - alto
Marko Horvat - baritone
Žiga Arbeiter - bass
Jože Arbeiter - bass
Kristijan Šmid - tenor
Robert Feguš - tenor, conductor
https://www.youtube.com/user/musicaEnsemble
http://www.musicaEnsemble.org
video:
"Szymborska" for Women's Ensemble (Score)
Music by composer Gilad Hochman. Score available at www.giladhochman.com/Vocal-scores
Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org)
Performed at the 3rd International Chorbiennale - Aachen (Germany) ... moreMusic by composer Gilad Hochman. Score available at www.giladhochman.com/Vocal-scores
Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org)
Performed at the 3rd International Chorbiennale - Aachen (Germany) | Citykirche St. Nikolaus | 20. June 2013
(www.chorbiennale.com)
Recorded and edited by Andreas Harrenberg.
Score available over: www.giladhochman.com/Vocal-scores
Vermeer / Wisława Szymborska
As long as that woman from the Rijksmuseum
in painted silence and concentration
keeps pouring milk day after day
from the jug to the bowl,
the world does not deserve
the end of the world.
(in Hebrew, from Polish)
- Commissioned by Sirenot Ensemble and supported by the Ursula Lachnit-Fixson Stiftung.
© 2013 Gilad Hochman less