Highlife Medley Praise Jam |Danceables| - Ghana’s Favourite Hymns Vol. 3 Let’s give thanks to the Lord for a successful end of a wonderful Season of Ghana’s Favourite Hymns. May His Name be Praised - Musikteers Ensemble Gh #trending #hymns #pop...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Highlife Medley Praise Jam |Danceables| - Ghana’s Favourite Hymns Vol. 3 Let’s give thanks to the Lord for a successful end of a wonderful Season of Ghana’s Favourite Hymns. May His Name be Praised - Musikteers Ensemble Gh #trending #hymns #popular #viral #music #art #dance #danceable #jam #choralmusic #choreography #bestmusic2022 #vogue @HARMONIOUSCHORALEGHANA @joycerosalindaryee7484 @TheSymphonialsGhana @VOCES8 @thetabernaclechoir @16choir  

Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

Thomas Rossin conducts excerpts from oratorio. Azure Anderson, Alto, Andrew Barrett, Tenor and Robert Sunderlin, Baritone

Bless the Lord O my Soul - Pavel Chesnokov Christina Morphova female choir at the House of Culture Dr.Peter Beron-Sofia,Bulgaria Conductor-Tanya Nikleva-Vladeva

Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah Hallelu...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah HallelujAh, Hallelujah HallelujAh, Hallelujah  

London choir Vasari Singers perform's Gabriel Jackson's anthem Let us all rejoice in the Lord. This was filmed in a live concert performance at St Sepulchre's Church, London, in October 2012. http://www.vasarisingers.org Video production by Lee Devine 2012

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

#Aliceis90 Alice Parker's arrangement of "John Saw duh Numbah." Congregational Church of Batavia, IL. Sunday, 3/13/16.

Concierto didáctico del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria. Interpretan la obra "Didn't my Lord Deliver Daniel?" del compositor Moses Hogan. Solistas: Daniel Miranda, Cristina Ram...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Concierto didáctico del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria. Interpretan la obra "Didn't my Lord Deliver Daniel?" del compositor Moses Hogan. Solistas: Daniel Miranda, Cristina Ramos, Alicia Ramos, Luna Mihalic, Dafne Oramas Dirige: Nikoleta Stefanova Popova