Emmanuel College, Cambridge has a choir of around 24 choral scholars, which sings at the choral services in the Wren Chapel during term. The choir is conducted by the Director of Chapel Music, assisted by two organ scholars. The choir makes occasional vis...  moreEmmanuel College, Cambridge has a choir of around 24 choral scholars, which sings at the choral services in the Wren Chapel during term. The choir is conducted by the Director of Chapel Music, assisted by two organ scholars. The choir makes occasional visits to other British churches and cathedrals, as well as an annual foreign tour, recent destinations have included USA, Mexico, Sweden, Thailand, Rome and Prague. Emmanuel College Choir has released a number of recordings, most recently a CD of works by the Edwardian composer E W Naylor, a former organist and Honorary Fellow of the College. Twitter: EmmanuelChoir Facebook: The Chapel Choir of Emmanuel College, Cambridge  less

Music and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "The Redemption"...  moreMusic and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "The Redemption" 5. Dealing with Disappointment (Spoken Word) 6. Who Will Buy? from "Oliver!" 7. Thou Lovely Source of True Delight Dealing with Disappointment Every life needs aspirations—along with goals to help us achieve them. Our goals can be like the banks of a river, guiding the flow of our ambitions. Making plans and striving to accomplish them helps channel our efforts and energies toward the things that matter most to us. But what about when we fail? How do we respond when, despite our earnest efforts, we don’t quite reach those high aspirations? In short, how do we deal with disappointment? The natural response is to feel discouraged, disheartened. It might seem that all our planning and work were wasted. We may even question our aspirations—were our ...    less

Arranged for Soprano Solo, SATB Chorus, and piano by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Music and Words: Public Domain Arrangements and Translations: © Copyright 2021 by Stanley M. Hoffman. ...  moreArranged for Soprano Solo, SATB Chorus, and piano by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Music and Words: Public Domain Arrangements and Translations: © Copyright 2021 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The three missing songs are composed to texts by Langston Hughes and Claude McKay; alphabetically they are titled African Dance (LH), Harlem Dancer (CM), and Misery (LH). Although the texts are in the Public Domain, the German translations by Anna Siemsen that Zemlinsky used are protected in the EU until 2037. Videos including the translations that would be broadcast to the world on a service such as YouTube are forbidden until then. However, those three songs may be performed in the USA until 2037 and worldwide thereafter. The sheet music is available from the arranger. stanley(at)stanleymhoffman.com AVAILABLE EDITIONS • piano/Vocal Score (soprano solo and piano; each song is also available separately) • piano/...    less

Music: Jean-Christophe Rosaz by Maîtrise de Caen cond. Olivier Opdebeeck Editions JC Rosaz

Music and the Spoken Word broadcast with The Tabernacle Choir and Orchestra at Temple Square. 1. When In Our Music God Is Glorified 2. for the Beauty of the Earth 3. Prelude on Pisgah (organ Solo) 4. “Happy and Blest Are They,” from St. Paul 5. T...  moreMusic and the Spoken Word broadcast with The Tabernacle Choir and Orchestra at Temple Square. 1. When In Our Music God Is Glorified 2. for the Beauty of the Earth 3. Prelude on Pisgah (organ Solo) 4. “Happy and Blest Are They,” from St. Paul 5. The Greatest Battle of Life (Spoken Word) 6. Oh, Peter, Go Ring Them Bells 7. May the Good Lord Bless and Keep  

The first part of my setting of Psalm 42 for choir, soloists, organ and string orchestra (Ps 42, 2-5). It was recently performed in Lucerne, Switzerland.

'Be Thou My Vision' (trad. Irish, arr. Dan forrest). Performed at the 2019 National Finale of the NZCF Big Sing Festival in Dunedin Town Hall. Choir: Voicemale (Westlake Boys High School) Conductor: David Squire piano: Sheryl Clarke Cello: Max Chen

Coro las Veredas, director: Enrique Martín. piano: Paula Mercedes Lozano. Cristina Marín, Flauta. David Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.

Tomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magare...  moreTomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magarelli, direttore Registrazione live durante una prova tenuta presso la Chiesa di San Pietro in Molfetta (ottobre 2019).  

Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. for a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece ha...  moreErik Satie's Sarabande No. 1 is one of my favourite piano pieces. for a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "As dawn breaks" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group ...    less