Cor CF1 yn canu Baba Yetu gan Christopher Tin yng Nghystadleuaeth Cor Cymru 2013 Arweinydd: Eilir Owen Griffiths Cyfeilydd: Rhiannon Pritchard Offer Taro: Dave Danford CF1 Choir singing Baba Yetu in Cor Cymru (Choir of Wales) competition 2013 Conduct...  moreCor CF1 yn canu Baba Yetu gan Christopher Tin yng Nghystadleuaeth Cor Cymru 2013 Arweinydd: Eilir Owen Griffiths Cyfeilydd: Rhiannon Pritchard Offer Taro: Dave Danford CF1 Choir singing Baba Yetu in Cor Cymru (Choir of Wales) competition 2013 Conductor: Eilir Owen Griffiths Accompanist: Rhiannon Pritchard Percussion: Dave Danford  

Ave Maria - Marcos Vinicius (Mezzosoprani Contralti's Guide) Composed by: Marcos Vinicius (Legnano - 2013) Revision by: Fabio D' Orazio More information, contact us: guide4score@gmail.com

Throughout its existence the chamber Choir Schola Cantorum has had high ambitions. The Choir has built an international reputation and has made it a trademark to include newly written Music in its programmes. This is thanks to the work of Knut Nystedt (b....  moreThroughout its existence the chamber Choir Schola Cantorum has had high ambitions. The Choir has built an international reputation and has made it a trademark to include newly written Music in its programmes. This is thanks to the work of Knut Nystedt (b. 1915), organist, composer and conductor, who returned to Norway in 1964 after studying in the USA and started a Choir at the Music department of the University of Oslo. The Choir continues to recruit members from the department of Music, as well as from the Norwegian Academy of Music in more recent years. The American choral tradition in which Nystedt was trained emphasises the importance of new Music – a practice Nystedt brought back with him to Oslo. Knut Nystedt’s Music became a vital element of Schola Cantorum’s repertoire. Tone Bianca Sparre Dahl became conductor in 2002, and has further established the Choir’s firm position in Norway’s Musical life. She has continued Nystedt’s tradition of performing modern Music. Schola Cantorum has a varied repert...    less

Conductor: Olga Yanum Video: Denis Jigunoff (Instagram DM @den_jigunoff), Yauheni Fiodarav, Vadim Terekh. Line producer: Olga Moiseeva, Julia Savostyanova, Julia Dalidchyk. SMM and Media: Kseniya Damkouskaya, Julia Savostyanova, Julia Dalidchyk. Chore...  moreConductor: Olga Yanum Video: Denis Jigunoff (Instagram DM @den_jigunoff), Yauheni Fiodarav, Vadim Terekh. Line producer: Olga Moiseeva, Julia Savostyanova, Julia Dalidchyk. SMM and Media: Kseniya Damkouskaya, Julia Savostyanova, Julia Dalidchyk. Choreography: Tatsiana Trofimova Arranged: Dmitry Kosov Sound: Uladzimir Ivanou, Andrey Zhukau. Solo: Denis Jigunoff Need sheet version for your Choir? DM Instagram @salutarisChoir  

"The Joiku" from "Primitive Music" by Jukka Linkola. Recorded live on December 9, 2011, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Pe...  more"The Joiku" from "Primitive Music" by Jukka Linkola. Recorded live on December 9, 2011, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. The joik is a unique form of cultural expression for the Sami people in northern Scandinavia. Each joik is meant to reflect a person or place. This does not mean that it is a song about the person or place, but that the joiker is attempting to transfer "the essence" of that person or place into song—one joiks their friend, not about their friend. This joik is the essence of a young boy's dream of riding through the snow on the back of a reindeer.  less

I think I speak for everyone when I say that one of the greatest attractions of choral Music is the feeling of union and of fraternity that we can create. After all, the Choir is the only instrument that is alive and sounds better the livelier and the mor...

We are one of London's leading community Choirs, performing regularly in South East and Central London.

The ROYAL COLLEGE Choir, which traces its origins back to St. Paul’s Church, Wolvendhal where Royal College itself was formed in 1835 It was made part of the Western Music Society of Royal College with its formation in the year 1919. During the tenure...  moreThe ROYAL COLLEGE Choir, which traces its origins back to St. Paul’s Church, Wolvendhal where Royal College itself was formed in 1835 It was made part of the Western Music Society of Royal College with its formation in the year 1919. During the tenure of Principal Major Harry L. Reed the Choir won the prestigious R. Meaden Shield(Senior) for Singing for 10 successive years from 1920 to 1931, once with a perfect score of 200/200. The College Anthem ‘School of our Fathers’, composed by Principal Reed made its debut at this competition on the 13th day of July, 1928 and to this day takes responsibility of preserving the College Anthem. The Choir was trained by Mrs. Reed with the support of Robert C. Edwards, Esq. The Choir today continues to sing at many major events in and out of College, the most significant out of which being the Annual Carol Service. It is currently trained by the eminent Ms. Sureka Amerasinghe.  less

The Marion Consort performs "Iste Sanctus" by Leone Leoni at Resurrection Lutheran Church in Chicago, Illinois. The Marion Consort, under the artistic direction of Amy Bearden, is an a cappella ensemble specializing in the choral Music of the Middle Ag...  moreThe Marion Consort performs "Iste Sanctus" by Leone Leoni at Resurrection Lutheran Church in Chicago, Illinois. The Marion Consort, under the artistic direction of Amy Bearden, is an a cappella ensemble specializing in the choral Music of the Middle Ages, Renaissance, and Baroque periods. Their mission is to mount performances for various audiences with Music by well known composers, while exploring the works of lesser known composers. The Marion Consort can divide into duos, trios, octets, etc. for a well-rounded and blended performance. visit us at www.facebook.com/themarionconsort for more live recordings!  less

[this is a version of a post which first appeared on my blog From the Front of the Choir]   To make singing as accessible as possible, I don’t use sheet Music when I teach. This often freaks out people who are used to having a score in their...