Composed by Andrew Cusworth Text: Isaiah 45.8 Crepusculum directed by Alexandra Schwinn Soprano: Anna Custodio, Melissa-Grace Habeggar, Abigail Hickman, Madison Miller, Sian Wittke Alto: Madelyn Casserly, Leah Dennis, Jessica Disraeli, Nikole Lu...  moreComposed by Andrew Cusworth Text: Isaiah 45.8 Crepusculum directed by Alexandra Schwinn Soprano: Anna Custodio, Melissa-Grace Habeggar, Abigail Hickman, Madison Miller, Sian Wittke Alto: Madelyn Casserly, Leah Dennis, Jessica Disraeli, Nikole Luebbe, Julia Seeholzer Tenor: Jonathan Downing, Kevin Flood, Joseph Lee, Ethan Thompson Bass: Terrell James, Jordan King, Luke McGinnis, Patrick Rawlings  

Named after the latin name of the city of Lisbon, Grupo Vocal Olisipo began its activity in 1987. The group’s repertory is quite wide and eclectic and ranges from sacred and secular early music to contemporary works. Besides singing some of the most impor...  moreNamed after the latin name of the city of Lisbon, Grupo Vocal Olisipo began its activity in 1987. The group’s repertory is quite wide and eclectic and ranges from sacred and secular early music to contemporary works. Besides singing some of the most important Renaissance and Baroque masterpieces, by composers such as Victoria, Palestrina, Byrd, Monteverdi, Purcell, Handel and Bach, the group has also premiered several contemporary pieces and made first modern auditions of many Portuguese Renaissance and Baroque works. Christopher Bochmann, Ivan Moody, Bob Chilcott, Luis Tinoco, Eurico Carrapatoso and Vasco Mendonça are some of the composers who dedicated works to Grupo Vocal Olisipo. Grupo Vocal Olisipo attended several masterclasses led by some of the world leading vocal ensembles, such as The King's Singers and the Hilliard Ensemble and was coached in the performance of Baroque music by Jill Feldman. In 1995, the group won an honorary mention in the Portuguese Musical Youth Contest and was a finalist ...    less

In this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written speciall...  moreIn this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written specially for Sale Festival 2001 and follows the antique antics of the fabulous dog of Old Mother Hubbard. The children's chorus echoes the barking of the dog whilst the adult choir takes us through the story. Then the children -- one by one tell us the story behind the poem itself. The forces are: Children's choir (in 2 parts) Adult choir (SATB) Flute Clarinet String quartet Chorus part http://www.sheetmusicplus.com/title/8121318?aff_id=175705 Full score http://www.sheetmusicplus.com/title/8121304?aff_id=175705 parts also available for rental at http://www.Classicalmusicnow.com/rentalcat.htm  less

Four friends, all members of several choirs, found themselves united in the wish of making music together. Founded at Christmas 2012, the ensemble "Unerhört" gained experience singing Christmas concerts and participating in radio productions. For all four...  moreFour friends, all members of several choirs, found themselves united in the wish of making music together. Founded at Christmas 2012, the ensemble "Unerhört" gained experience singing Christmas concerts and participating in radio productions. For all four vocalists this much is certain: singing is addictive! https://www.facebook.com/Vocalensembleunerhoert  

Choral Chameleon's chorus premiered this colorful piece of Choral Storytelling by our composer-in-residence at our concert 'The Telephone Hour' on November 18 (and 19) 2016. The concert theme focused on the damaging nature of gossip and the larger mea...  moreChoral Chameleon's chorus premiered this colorful piece of Choral Storytelling by our composer-in-residence at our concert 'The Telephone Hour' on November 18 (and 19) 2016. The concert theme focused on the damaging nature of gossip and the larger meaning of how words are powerful and have greater impact than we realize. Based on a well-known Jewish folk tale, the piece is largely sung in Yiddish, featuring narrated passages in English, with the moral resolution in Hebrew. Performed: November 19 2016 Location: Studios of the Paul Taylor Dance Company, LES, NYC. Piano: Sam Shull Double Bass: Genevieve Chapin  less

Ave Maria - Franz Biebl Performed by the Abbeydale Singers on their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

A part of the choir's winning performance at 45th Croatian Choral Assembly held in October 2012 in Novigrad.

The published version is for SATBB a cappella - (with occasional splits) The performance for this video is by the composer multitracking as the dwsChorale arranged for male voices and instruments. A performance by a live choir (a cappella and at the co...  moreThe published version is for SATBB a cappella - (with occasional splits) The performance for this video is by the composer multitracking as the dwsChorale arranged for male voices and instruments. A performance by a live choir (a cappella and at the correct pitch) can be heard on the score page. The words are my own and tell of children playing in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to where the angels are singing.  

The University of Texas of the Permian Basin University Choir performs under the direction of Dr. Frank Eychaner, Director of Choral Studies. Wagner Nöel Performing Arts Center, Oct. 2017

The Claremont Chamber Choir performs Greg Bartholomew's The Tree on Sunday, April 27, 2008, at the Claremont Colleges' Garrison Theatre of the Scripps College Performing Arts Center.