Warwickshire Young Voices was established in 2008, with a passion to provide all youngsters access to quality music education. To date they have given over 1500 local youngsters vocal coaching and experience of professional-standard live performance. W...  moreWarwickshire Young Voices was established in 2008, with a passion to provide all youngsters access to quality music education. To date they have given over 1500 local youngsters vocal coaching and experience of professional-standard live performance. WYV is run by a team of experienced volunteers who give their time freely to be able to pass this experience on - the team consists of two primary school teachers, two doctors and a critical care nurse! Warwickshire Young Voices provide high quality musical activities for children from age 2 to age 16 through a range of classes, choirs and workshops. In all activities, Warwickshire Young Voices prides itself on professionalism - with performances reaching the highest standards. Their Musical Director, and resident composer, often writes music specifically for the children. Warwickshire Young Voices are a busy group. In addition to the weekly classes and rehearsals, WYV has around 20 public performances a year – just within term time. These engagements i...    less

Arrangement for: Unison Upper Voices with Piano or Organ Written by Tim Knight for the Accessible Choral Library Series (for smaller choirs) this is a useful piece for memorial or remembrance services for Unison Upper Voices with Piano or Organ acc...

Everyone knows that going to Rome once in a lifetime is a must. With us it’s mixed with all day Long choral music… We are very happy to announce the 14th Musica Eterna Roma – International Choir Festival and Competition, July 16-20...

Innismara, meaning "island in the Sea" in Irish Gaelic, is an autonomous vocal chamber ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to th...  moreInnismara, meaning "island in the Sea" in Irish Gaelic, is an autonomous vocal chamber ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to the performance of the intimate and hidden treasures of the vocal ensemble repertoire. Well-known for specializing in sacred and secular music of the Renaissance and Baroque eras, Innismara also enjoys experimenting with contemporary, pop, jazz and spiritual arrangements as well as exploring the rich folk music of Newfoundland and Labrador.  less

Voices of Aloha, guest artists - Mark Yasuhara, conductor E Maliu Mai, by Irmgard Farden Aluli, America The Beautiful, by S. Ward / Arr. C. Dragon, Richard Lum. conductor

Carol

www.latvianVoices.lv https://www.facebook.com/Search/top/?q=latvian%20Voices video: Ritvars Bluka skaņa: Gustavs Ērenpreiss aranžējums: Laura Jēkabsone

Performed and Recorded Live by Voices of Concinnity December 3, 2022 “In the Bleak Midwinter” Composed by Harold Darke / arr. by Sarah Kaufold Soloists: Liz Bologna and Bruce Barger Voices of CONCINNITY Sarah Kaufold, Artistic Director Singe...  morePerformed and Recorded Live by Voices of Concinnity December 3, 2022 “In the Bleak Midwinter” Composed by Harold Darke / arr. by Sarah Kaufold Soloists: Liz Bologna and Bruce Barger Voices of CONCINNITY Sarah Kaufold, Artistic Director Singers: Bruce Barger, Erin Bartram, Sam Beckwith, Liz Bologna, Chris Hartel, Kara Hart, Brian Jones, Sarah Kaufold, Michael McAvaney, Dan Pavone, Alex Walker, Miles WilsonToliver Recorded Live on Saturday, December 3, 2022 at Trinity Episcopal Church in Hartford, Connecticut for our annual "Concinnity by Candlelight". Film/audio by Michelle Horsley, Richard Cooper, and Sarah Kaufold. For more information please visit our website: ConcinnityCT.org [or https://www.consonare-sing.org/Voices-of-concinnity] Also available on Facebook: https://www.facebook.com/ConcinnityCT/ Voices of Concinnity is sponsored by Consonare Choral Community who holds all rights to this recording - http://consonare-sing.org Support has been provided to Consonare Choral Commu...    less

Veljo Tormis: Laulu algus (The Beginning of Song) Hando Runnel Downtown Voices http://DowntownVoices.net Stephen Sands, Conductor http://StephenSands.net TRANSLATION: Listen! Faraway centuries, on the shores of Estonia there once began a ...  moreVeljo Tormis: Laulu algus (The Beginning of Song) Hando Runnel Downtown Voices http://DowntownVoices.net Stephen Sands, Conductor http://StephenSands.net TRANSLATION: Listen! Faraway centuries, on the shores of Estonia there once began a song. In the language of mothers, the spirit of fathers it was carried across to us. In sonorous language, in the spirit of a million it lives on. This song began in a dusky time and was born from the work of voiceless ones. This song was born in a lowly house and it rose as an oath in the night. . A powerless clan began listening, the song was good for the soul, for it spoke a heavenly story, that freedom must come to them. And the powerless clan awoke, and felt the heads on their shoulders. This song will not die, nor this story, this song for us is good. I stepped out to start my voice, ringing on the rocky hillside, lifting up the celebration, cheering up the ring of friends. I know my friend...    less

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The Long-term experience of scenic choreographic work with different choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The Long-term experience of scenic choreographic work with different choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less