A setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, and now three friarly ghosts we be. Around our shadowy table placed, The spe...  moreA setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, and now three friarly ghosts we be. Around our shadowy table placed, The spectral bowl before us floats: With wine that none but ghosts can taste, We wash our unsubstantial throats. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea. With songs that jovial spectres chaunt, Our old refectory still we haunt. The traveller hears our midnight mirth: "O list!" he cries, "the haunted choir!" The merriest ghost that walks the earth, Is sure the ghost of a ghostly friar. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea.  less

Free sheet music. Please get in touch! ● Facebook: David.basden.9 ● Email: deebee123 [at] bigpond [dot] com

The Choir of Somerville College, Oxford David Crown Winchester Cathedral, 18 May 2011 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

Cat.No. TKM707. David Barton's arrangement SAB setting of this spiritual which is useful as a concert piece, warm-up exercise or festival piece. This is a consistent best-seller and has become a big favourite with choirs. Find out more about the piece: h...  moreCat.No. TKM707. David Barton's arrangement SAB setting of this spiritual which is useful as a concert piece, warm-up exercise or festival piece. This is a consistent best-seller and has become a big favourite with choirs. Find out more about the piece: https://www.Timknightmusic.com/product-page/my-lord-what-a-morning ABOUT THE ACCESSIBLE CHORAL LIBRARY The Accessible Choral Library series aims to provide a range of affordable, accessible and appealing sacred, secular, folk, traditional and Christmas music for the smaller choir with arrangements for SAB and Unison, with accompaniments within the scope of the pianist of moderate ability. Please follow us on Facebook for news of new releases: https://www.facebook.com/Accessible-choral-library  less

Scores in various keys are available at the link below "He makes men pure from their sins..." A simple duet for two equal voices with guitar chords, suitable for evangelical meetings. Taking words from St Paul's letter to the Hebrews. The recording (in...  moreScores in various keys are available at the link below "He makes men pure from their sins..." A simple duet for two equal voices with guitar chords, suitable for evangelical meetings. Taking words from St Paul's letter to the Hebrews. The recording (in D) was performed by the composer (in those far off religious days!).  

Classic Choral Society   Johannes BrahmsEIN DEUTSCHES REQUIEM Op. 45(Sung in English)Janiece Kohler - Artistic Director  With guest artistsJody Weatherstone, SopranoJeremy J. Moore, BaritoneRuthanne Schempf & Sylvia Buccelli, Pianis...

David/Night: You Are The New Day - Live concert recoding of the Waldorf Students Choir, conductor: László Bencze. Recorded on 22. 08. 2012. in the BTM Castle Museum, Budapest, Hungary

To see a world, Sven-David Sandström Vocal Art Ensemble of Sweden (Pro Musica) Conductor: Jan Yngwe Recorded in S:t Jacobs kyrka Stockholm 31 januari 2015 Camera, sound and editing David Böling

Psalm 136:1-5 (Vulgate) A four-part canon, with each entry a modal 4th above the preceding part. Free sheet music. Please get in touch! • Facebook: David.basden.9 • Email: deebee123 [at] bigpond.com

I want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece ha...  moreI want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece had to be purposeful and meaningful. The inspiration for this score comes from the first Time I was able to hear my son's heartbeat during an ultrasound. It was a magical and exciting moment that I will never forget; however, leading up to that specific moment there was an element of tension. Six months prior to hearing my son's heartbeat, my wife and I found ourselves in a very different situation with the outcome of an ultrasound. We arrived at the hospital excited to meet our child, only to discover we had silently miscarried. I had never felt so deflated and aimless in one sudden moment. It was as if I was a boat, drifting, with no direction in my life. Fast forward to this ultrasound with our soon-to-be son. You can imagine the excitement and fear we bo...    less