www.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents God DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and...  morewww.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents God DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and permission granted: David Hamilton - 2004 written for the National Male Choir of New Zealand Te Ropu Waiata Tira Tane o Aotearoa live recording: 5th February 2015, Leipzig/Germany © Ensemble Nobiles 2015 We are looking forward to our NZ tour: 18th-26th March 2015 sponsored by: Goethe Institut + City of Leipzig Nationalhymne Neuseelands zum Nationalfeiertag 'Waitangi Day' 2015.  less

Chant of 13th century from the Kiev-Pechersk Lavra, performed by Revutsky Academic Male Choir. Fragment of the Art program devoted to Day of the Baptism of Rus-Ukraine and 1000th anniversary of the Assumption of Prince Vladimir. (2015) St. Michael's Squar...  moreChant of 13th century from the Kiev-Pechersk Lavra, performed by Revutsky Academic Male Choir. Fragment of the Art program devoted to Day of the Baptism of Rus-Ukraine and 1000th anniversary of the Assumption of Prince Vladimir. (2015) St. Michael's Square, Kyiv, UKRAINE. SoundCLOUD: https://soundcloud.com/revutsky-male-capella YouTUBE: https://www.youtube.com/user/revutsky Slide Share: http://www.slideshare.net/Revutsky-Male-Choir Facebook: https://www.facebook.com/revutsky.choir E-mail: revutsky-choir@online.ua  less

Sung by Viva, Sandnes kulturskolekor Soloists: Hanne Wilford and Bodil Boe. Recorded 1995 on the CD "Feel Good" med SMUK, the name of the choir at that time: Sandnes Musikkskoles UngdomsKor, today VIVA, Sandnes kulturskolekor

El Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra WHO BUT THE Lord de C. COURTNEY el día 23 de diciembre de 2018 durante la celebración del XIX Concierto de Navidad, celebrado en la Parroquia de San José (Coria del Río) acompañados al pi...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra WHO BUT THE Lord de C. COURTNEY el día 23 de diciembre de 2018 durante la celebración del XIX Concierto de Navidad, celebrado en la Parroquia de San José (Coria del Río) acompañados al piano por Óscar Vicente bajo la dirección de Sergio Asián. Toda la información en: www.corosantamaria.org  

Writtle Singers dressed for the wedding of Miss Dracula and the Son of Frankenstein...

This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan Song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with...  moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan Song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with added percussion) by David W Solomons  

That Choir Remembers - November 8, 2015 (conducted by Craig Pike) Metropolitan United Church, Toronto ON Recorded by Kris O'Reilley All Night Vigil, Op 37 ('Vespers') - Sergei Rachmaninoff VII. Glory to God in the Highest www.thatchoir.com

Exultate Singers performs 'Mother of God, here I stand' by the great British composer Sir John Tavener who died on 12 November 2013. The recording is taken from Exultate Singers' new album, A Sense of the Divine, to be released in December 2013 and was re...  moreExultate Singers performs 'Mother of God, here I stand' by the great British composer Sir John Tavener who died on 12 November 2013. The recording is taken from Exultate Singers' new album, A Sense of the Divine, to be released in December 2013 and was recorded in St George's Bristol Mother of God, here I stand now praying before this ikon of your radiant brightness, not praying to be saved from a battlefield; not giving thanks nor seeking forgiveness for the sings of my soul, nor for all the souls. Numb, joyless and desolate on earth; but for her alone, whom I wholly give you.  less

Oostkerk Middelburg 2013 Andantino (Vilvoorde België olv Peter De Waele) Thou knowest Lord (Henry Purcell) Actually, these words are prescribed for funerals in the Prayer Book of 1662. This was first used at Queen Mary (of William and Mary), but were...  moreOostkerk Middelburg 2013 Andantino (Vilvoorde België olv Peter De Waele) Thou knowest Lord (Henry Purcell) Actually, these words are prescribed for funerals in the Prayer Book of 1662. This was first used at Queen Mary (of William and Mary), but were also used at Purcell's own funeral and were incorporated, tune and all, inro Croft's setting of the funeral sentences. One of the opening sequences of all Royal Families as the Casket enters the Abbey, including as of late, that of Princess Diana, Princess of Wales and HM, Queen Elizabeth The Queen Mother.  less

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less