Concierto del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria el pasado 4 de junio de 2016. Coro DEL CSMC Directora: Nikoleta Stefanova Popova Solistas: Cristina Ramos y Daniel Miranda Piano...  moreConcierto del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria el pasado 4 de junio de 2016. Coro DEL CSMC Directora: Nikoleta Stefanova Popova Solistas: Cristina Ramos y Daniel Miranda Piano: Nauzet Mederos Martín Flauta: Juan José Cerpa Trompeta: Yeray González Percusión: Samuel González Obra: Hans Zimmer Tribute. - Sirenas de Piratas del Caribe (Hans Zimmer - Eric Whitacre) - El ciclo de la vida (circle of life) de "El rey León" (Hans Zimmer - Lebo M.) Arreglo: Yónatan Sánchez Santianes  less

L’attuale Coro della Polifonica Materana “Pierluigi da Palestrina” trae origine dal Coro a voci bianche-voci virili costituito nel 1944 per iniziativa del Prof. Lucio Marconi e del canonico don Luigi Paternoster. Esercita per molti anni la funzione di Cap...  moreL’attuale Coro della Polifonica Materana “Pierluigi da Palestrina” trae origine dal Coro a voci bianche-voci virili costituito nel 1944 per iniziativa del Prof. Lucio Marconi e del canonico don Luigi Paternoster. Esercita per molti anni la funzione di Cappella Musicale, dapprima presso la chiesa di San Francesco da Paola, poi presso il Duomo cittadino, conseguendo contemporaneamente numerosi successi in campo concertistico. Nel 1965 il Coro vince a Napoli il Primo Premio al Concorso Corale Nazionale indetto dal Ministero della Pubblica Istruzione. Nello stesso anno, incide per la Fonit Cetra un LP di canti popolari materani armonizzati per Coro virile. Negli anni ’70 l’attività corale viene sospesa per carenza di voci bianche, ma l’Associazione continua ad organizzare prestigiose Stagioni Musicali. Nel 1990 il M° Carmine Antonio Catenazzo ricostituisce il Coro nella formazione a voci miste, affiancando successivamente all’organico corale un’Orchestra da Camera, una Schola Gregoriana ed un Ensemble Vocale. Ha e...    less

March 14, 2011 "You Raise Me Up" Performed by Coro RS during the graduation recital of Father Mervyn Marcelino at the Tan Yan Kee Auditorium UST. "You Raise Me Up" popularized by Josh Groban Accompaniment by: Anthony Go Villanueva (Piano) Fathe...  moreMarch 14, 2011 "You Raise Me Up" Performed by Coro RS during the graduation recital of Father Mervyn Marcelino at the Tan Yan Kee Auditorium UST. "You Raise Me Up" popularized by Josh Groban Accompaniment by: Anthony Go Villanueva (Piano) Father Mervyn's student, Luke (Violin)  

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com  

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

"Viva la vida", Coldplay, arr. Mark Brymer Coro Encanto, de Casarrubuelos (Madrid) Director: Mariano García Pianista: Marcelino López Percusión: Beatriz Sánchez, Visi Fernández Interpretado en la ceremonia de clausura del Congreso Europeo de Ps...  more"Viva la vida", Coldplay, arr. Mark Brymer Coro Encanto, de Casarrubuelos (Madrid) Director: Mariano García Pianista: Marcelino López Percusión: Beatriz Sánchez, Visi Fernández Interpretado en la ceremonia de clausura del Congreso Europeo de Psiquiatría Infantil ESCAP 2015 Palacio Municipal de Congresos de Madrid 24 de junio de 2015 ----- Coro ENCANTO de Casarrubuelos (Madrid) www.Coroencanto.com www.facebook.com/Coroencantocasarrubuelos twitter: @Coro_Encanto info@Coroencanto.com Teléfono: (+34) 656161440 CORAL SANTIAGO APOSTOL de Casarrubuelos (Madrid) www.coralsantiagoapostol.com www.facebook.com/coralsantiagoapostol twitter: @CSApostol coral@coralsantiagoapostol.com Teléfono: (+34) 656161440  less

This is based on the anonymous English poem (with added 2nd verse by David Dunning) about a centipede who loses her concentration: Verse 1 A Centipede was happy quite Until a frog in fun said "Pray tell which leg comes after which?" (with a left r...  moreThis is based on the anonymous English poem (with added 2nd verse by David Dunning) about a centipede who loses her concentration: Verse 1 A Centipede was happy quite Until a frog in fun said "Pray tell which leg comes after which?" (with a left right right left right) This raised her mind to such a pitch she lay distracted in a ditch Considering how to run. Verse 2 She stopped and thought and, mystified, Soliloquized on this; Put right foot first and found it left Her left leg wrong right side This raised her mind to such a pitch she lay distracted in a ditch Considering how to run.  less

Danzante. Del Ecuador. Letra de escritores y pintores ecuatorianos. Música de Gonzalo Benítez Gómez. Arreglo: Guy Fourcaud, y Coro de Filosofía y Letras. Coro de Filosofía y Letras de la UBA. Dir: Andrés Aciar. Grabado entre mayo y Junio de 2020. ...  moreDanzante. Del Ecuador. Letra de escritores y pintores ecuatorianos. Música de Gonzalo Benítez Gómez. Arreglo: Guy Fourcaud, y Coro de Filosofía y Letras. Coro de Filosofía y Letras de la UBA. Dir: Andrés Aciar. Grabado entre mayo y Junio de 2020. Recitante: Oriana Cosso Solista: Leonardo Rivadeneira. Quenacho: Andrés Aciar. Realización del video: Julián Barsky. Coro: Cecilia Taminelli Oriana Marchan Maru Peralta Oriana Cosso Julián Barsky Carlos Carmona Juan Ignacio Nichols Leonardo Rivadeneira Agustín Mendoza Augusto Ferraro Sofía Vilas Angélica Santamaría Ciudad de Buenos Aires, Argentina  less

Concierto ofrecido por el Coro Angel Émbil y la Orquesta Clásica de Asturias bajo la dirección de Daniel Sánchez Velasco el 23 de diciembre del 2011 en el Auditorio de Pola de Siero.

- Invocation by Michael McGlynn sung by Coro de Cámara Patagonia (CCP) / Conductor: Eduardo Andrés Malachevsky / Tenor Soloist: Luciano Lobo - September's 7th, 2013 live recording on Junín de los Andes -- Argentina