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Weep, O Mine Eyes - John Bennet (Bass' Guide)
Weep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internatio... moreWeep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internationally famous songs of The period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, These lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were Themes used by Elizabethan songwriters to prefigure The stark inevitability of death, and it remained a prominent feature of English literature and music in The time of Elizabeth I and Shakespeare.
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John Saw Duh Numbuh 3 13 2016
#Aliceis90
Alice Parker's arrangement of "John Saw duh Numbah."
Congregational Church of Batavia, IL.
Sunday, 3/13/16.
video:
BENEDICTION - John Conahan (SATB - a cappella)
BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view The complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)
video:
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most interna... moreWeep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internationally famous songs of The period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, These lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were Themes used by Elizabethan songwriters to prefigure The stark inevitability of death, and it remained a prominent feature of English literature and music in The time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Alto's Guide)
Weep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internati... moreWeep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internationally famous songs of The period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, These lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were Themes used by Elizabethan songwriters to prefigure The stark inevitability of death, and it remained a prominent feature of English literature and music in The time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Francis Poulenc: Sept répons des ténèbres
Francis Poulenc (1899 - 1963):
Sept répons des ténèbres (1962)
Jeudi Saint / Holy Thursday / Gründonnerstag
I. Una hora 0:09
II. Judas mercator 3:18
Vendredi Saint / Good Friday / Karfreitag
III. Jesum tradidit 5:56
IV. Caligaverunt oculi mei 9:... moreFrancis Poulenc (1899 - 1963):
Sept répons des ténèbres (1962)
Jeudi Saint / Holy Thursday / Gründonnerstag
I. Una hora 0:09
II. Judas mercator 3:18
Vendredi Saint / Good Friday / Karfreitag
III. Jesum tradidit 5:56
IV. Caligaverunt oculi mei 9:54
V. Tenebrae factae sunt 12:20
Samedi Saint / Holy saturday / Karsamstag
VI. Sepulto Domino 16:09
VII. Ecce quomodo moritur 18:50
Monteverdichor Würzburg
Matthias Beckert (cond.)
26. 02. 2012
Neubaukirche, Würzburg, Germany
1. Una hora non potuistis vigilare
mecum, qui exhortabamini
mori pro me?
Vel ludam non videtis,
quomodo non dormit,
sed festinat tradere me ludaeis?
Quid dormitis? Surgite, et orate,
ne intretis in tentationem.
Mk 14,37-38, Lk 22,46 ; Joh 18,2-5
2. Judas mercator pessimus
osculo petiit Dominum:
ille ut agnus innocens
non negavit Judae osculum:
Denariorum numero
Christum Judaeis tradidit.
Melius illi erat si natus non fuisset.
Mt 26,14-16.48-50 und Mk 14,21
3. Jesum tradidit impius summis
principibus sa... less
video:
LOVE OF FIRE - John Conahan (SATB divisi - a cappella)
LOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view The complete score in tandem with a performance. More information and additional scores, visit www.John... moreLOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view The complete score in tandem with a performance. More information and additional scores, visit www.Johnconahan.com. (© John Conahan)