Being a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging t...  moreBeing a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging them in an area of music they were not used to! In this case, the areas we wanted to expose our members to were the ins and outs of recording in the studio, learning a technical piece using the written score and learning how to be aware of our presence while on video. We hope to provide more experiences like this to our members on NGGC. Enjoy!  less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

See this performed live at Naya's upcoming concert Songs of Spring. Book now at www.nayachorale.com/concerts Sound recorded with the generous help of David Fletcher Filming and editing by Jeremy de Vries-Turnell and Christy Leitch Facebook: www.fac...  moreSee this performed live at Naya's upcoming concert Songs of Spring. Book now at www.nayachorale.com/concerts Sound recorded with the generous help of David Fletcher Filming and editing by Jeremy de Vries-Turnell and Christy Leitch Facebook: www.facebook.com/nayachorale Twitter: www.twitter.com/nayachorale Instagram: www.instagram.com/nayachorale Soundcloud: Soundcloud.com/nayachorale  

Originally from: computer game ‘Civilization IV’ Lyrics: Chris Kiagiri Music: Christopher Tin Sound: Johan De Cock Performed by Universitair Koor Antwerpen at their Spring Concert "Game of Tones" on May 13, 2014. Solo by Michael Limpens

A Christmas Carol composed by Nathaniel J. S. Barnes using adapted text from a Robert Fuller Murray poem for mixed (SATB) choir with piano or harp accompaniment. This is a prototype using music software with wind and harp settings.

Originally by: Muse Lyrics and Music: Matthew Bellamy Arrangement: Lars Drables Sound: Johan De Cock Performed by 'Universitair Koor Antwerpen' at their Spring concert "Game Of Tones" on May 13, 2014. Solo by Jelle Smedts

PLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placeb...  morePLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placebo' is a brilliant prelude to the year of culture" "A highly stylised and aestheticized inscenation" (Večernji list) "An outstanding scenic Project in fourteen tableaux" "Karmina Šilec presented her latest and successful multimedia Project Placebo." "Karmina Šilec with her girls and excellent guests certainly knows what she is doing, what she wants, what they all know, what they can do and offer to a full Union Hall which rewarded the performers on Thursday night with long, warm and spontaneous applauses and ovations, suited to the days when the eyes of the whole of cultural Europe are focused on Maribor." "... the girls' choir Carmina Slovenica extremely well prepared, as always." (Delo) "A magnificent closing performance of the third Choregie festiv...    less

Chios Choir is presenting Manos Hadjidakis' song "Perimpanou". (Quarantine Cover) Conductor: Faidra Giannelou Sound / video editor: Elias Kourtparasidis

A small description of the World Youth Choir Project

Performed by Universitair Koor Antwerpen at their Spring Concert "Evolution Of Music" on May 10, 2016. Piano: Peter Jeurissen Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen, Jordan De Deken Sound: Johan De Cock