We are an inclusive, accessible, non-audition choir in NYC that sings a wide variety of songs from the 60s to today. Our strength is our focus on community and making that bond stronger through music. We believe that our many voices Make us all very di...  moreWe are an inclusive, accessible, non-audition choir in NYC that sings a wide variety of songs from the 60s to today. Our strength is our focus on community and making that bond stronger through music. We believe that our many voices Make us all very different people, but together, through song, we have one heartbeat.  

Aiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all Make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten...  moreAiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all Make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten, Howells, RVW, Elgar, Poulenc etc, Need enthusiasm, music reading and some sight singing, or a good ear and quick learning. We dont audition, but invite you to try us and we to try you for a couple of sessions and see. Perform about 2 or 3 times a year.  

Chantage, in the BBC Radio 3 Choir of the Year 2006 competition, conducted by James Davey, in the Wales Millennium Centre, Cardiff, on 10 December 2006. Performing Christ's Love Song, by Richard Allain. Part 2

A setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, And now three friarly ghosts we be. Around our shadowy table placed, The spe...  moreA setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, And now three friarly ghosts we be. Around our shadowy table placed, The spectral bowl before us floats: With wine that none but ghosts can taste, We wash our unsubstantial throats. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea. With songs that jovial spectres chaunt, Our old refectory still we haunt. The traveller hears our midnight mirth: "O list!" he cries, "the haunted choir!" The merriest ghost that walks the earth, Is sure the ghost of a ghostly friar. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea.  less

As one of the main goals of present activity the youth choir Mūza sets the discover of new, interesting ways of expression in the music for itself and persons who feel the same way. In new season the choir continues to Make up steps towards new artistic a...  moreAs one of the main goals of present activity the youth choir Mūza sets the discover of new, interesting ways of expression in the music for itself and persons who feel the same way. In new season the choir continues to Make up steps towards new artistic activities. The main activities of the choir are finding the new ways to music, its expresion and presenting new ideas, cooperation with composers and many professional musicians. Now, the choir Mūza is making a new image and wants to show multiplicity of the choir music. In its programs the choir performes modern music and a big part is left of Latvian classical music as well as traditional Latvian folk-music. The choir Mūza was established in 1947. Its founder and leader through out many years has been maestro Leonids Vigners (1906-2001). In 1999 the choir transferred into new direction and it became a youth choir. From 2006 the artistic director and the main conductor is Guntis Cimiņš.  less

[A version of this article first appeared as a post on my blog From the Front of the Choir]As we saw last week, many singers struggle with finding (and keeping) their starting notes. photo by Albin Olsson What can Make it even harder is if a man ...

Cantores Celestes Women's Choir Kelly Galbraith: Director The Trillium Brass Quintet recorded on Dec 6, 2014 'An Appalachian Christmas' recorded by Patric McGroarty www.cantorescelestes.com http://www.facebook.com/CantoresCelestes http://www.yout...  moreCantores Celestes Women's Choir Kelly Galbraith: Director The Trillium Brass Quintet recorded on Dec 6, 2014 'An Appalachian Christmas' recorded by Patric McGroarty www.cantorescelestes.com http://www.facebook.com/CantoresCelestes http://www.youtube.com/user/cantorescelestes http://twitter.com/Cantores_Choir  

Artistry in the Choir Loft Frank F. Eychaner- Colorado Christian University   One of our many goals as music ministers is to Make our musical and worship offering to the Lord the best we are able to produce.  Artistic performances begin with ...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I’ve written before about how hard it is to get a cross-section of ages and genders in your choir (How to recruit singers to truly reflect your...

Please excuse the shameless self-promotion, but a piece I wrote about the science of singing came out in Slate today. I worked very hard to convey a lot—the joy, the science—in the most succinct way possible, and okay, I'm proud of the result!...