Si Cien Sierras, David Azurza. Coro las Veredas, Colmenarejo. Enrique Martin, director. Paula Mercedes Lozano, piano. I Certamen Coral Agrupacoros, abril 2012. Auditorio Joaquín Rodrigo de las Rozas.

Book a date to come and sing music by Felix Mendelssohn - arguably the second most popular choral composer for choirs to sing. Music will include choruses from Elijah, Hymn of Praise and other choral works. The day will be led by Tim Knight, th...

Words by Thomas Carlyle (1795 – 1881). Uneasy dissonances set a sombre mood. No divisi. Free sheet music. Please get in touch! • facebook: David [dot] basden.9 • New email: deebee123 [at] bigpond.com

A new setting. Straightforward, text-driven, concise. No divisi – would suit a quartet. Free sheet music. Please get in touch! • facebook: David [dot] basden.9 • New email: deebee123 [at] bigpond.com

The Choir of Somerville College, Oxford David Crown (conductor) Basilica di San Marco, Milan 27 June 2010 Website: http://www.somervillemusicsociety.com Facebook: http://www.facebook.com/somervillechoir Conductor's Website: http://www.David-crown.com

http://keystoneacappella.com http://facebook.com/KeyStoneVocals We filmed this tune as a possible inclusion in our VCN 2012 Opener Submission video. Still a few spots that are not quite "off book", but it sounds good anyway, so we wanted to share. ...  morehttp://keystoneacappella.com http://facebook.com/KeyStoneVocals We filmed this tune as a possible inclusion in our VCN 2012 Opener Submission video. Still a few spots that are not quite "off book", but it sounds good anyway, so we wanted to share. Written by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager KeyStone purchases the mechanical rights for all covers they distribute in any format. http://keystoneacappella.com http://twitter.com/KeyStoneVocals http://www.facebook.com/KeyStoneVocals http://reverbnation.com/keystoneacappella Demand us! http://eventful.com/performers/keystone-a-cappella-/P0-001-000249430-9/demand  less

Free sheet music. Please get in touch! • facebook: David [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: David [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com  

Tim KNIGHT MUSIC SINGING HOLIDAY ‘DALES ESCAPE’ Friday 12th – Sunday 14th July 2019 NEWFIELD HALL, AIRTON, NR MALHAM, BD23 4AA We are delighted to invite experienced singers to take part in our next singing holiday encomp...

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less