The Song Dúlamán - written by Michael McGlynn and performed by Anúna as part of "Celtic Origins" - www.anuna.ie - soloist is Ian Curran.

Weaving a spell - Incantation for Pamela - magic for a while... This Song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This Song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a Song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the Song at face value if you wish.  less

This jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware tha...  moreThis jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing. The performance here is by the Composer's Choir conducted by Daniel Shaw.  

First in a series of videos for choral conductors shedding light on Elektra Women's Choir's (http://www.elektra.ca) approach to making music. Morna Edmundson, Artistic Director, takes us through two of her warmups, 1) using Folk Song melodies to encourage...  moreFirst in a series of videos for choral conductors shedding light on Elektra Women's Choir's (http://www.elektra.ca) approach to making music. Morna Edmundson, Artistic Director, takes us through two of her warmups, 1) using Folk Song melodies to encourage legato singing and natural phrasing and 2) "Umbrellas" to ease the top of a woman's range. Elektra's mandate is "to inspire and lead in the choral art form through excellence in performance and the creation, exploration, and celebration of women's repertoire." Your thoughts on the video? Let's start a conversation! Repertoire referenced in Episode One: Un Canadien errant, Quebec Folk Song, arr. Mark Sirett ( http://www.marksirett.ca ); Sheet music: Kelman Hall 04/20MMP29 (Music Plus) (http://musicpluscorp.com/KELMAN%20HALL/88/0); Audio recording available on iTunes and on "Pure Elektra" CD (http://elektra.ca/store/products/pure-elektra/ and http://www.cdbaby.com/cd/elektrawomenschoir2)  less

The Performance Choir is a select ensemble of vibrant 8- to 12-year-olds eager to share the gift of Song. These singers have already demonstrated their enthusiasm for exploring various genres and styles, and their performances are infused with infectious ...  moreThe Performance Choir is a select ensemble of vibrant 8- to 12-year-olds eager to share the gift of Song. These singers have already demonstrated their enthusiasm for exploring various genres and styles, and their performances are infused with infectious joy and youthful enthusiasm. They act as ambassadors for the Community School of Music and Arts to reach the broader community through performance and share their love of music.  

No Hebrew knowledge required, no singing experience needed! Every tuesday 20:15-21:45 we sing in Hebrew at the LJG Amsterdam. Each 3 weeks we learn a new Song together and perform 4-5 times per year. Texts are available in Hebrew and in Phonetics, we tra...  moreNo Hebrew knowledge required, no singing experience needed! Every tuesday 20:15-21:45 we sing in Hebrew at the LJG Amsterdam. Each 3 weeks we learn a new Song together and perform 4-5 times per year. Texts are available in Hebrew and in Phonetics, we translate and learn to pronounce and sing together, and have an archive of all the Songs and the various harmonies recorded separately to make it easier to learn and join. It's a lot of fun. Hebrew Groove is a young, contemporary, Hebrew vocal group based in Amsterdam. The repertoire consists of Hebrew pop Songs from all periods, retouched with the groovy piano and close harmony vocal arrangements of conductor Noam Vazana. Hebrew Groove has performed at: Amsterdam MuseumNacht, Paradiso Choir Festival, Salaam-Shalom solidarity event for Charlie Hebdo, Namen en Nummers, Koor en More Festival and more.  less

DID YOU KNOW THAT SINGING CHANGES YOUR BRAIN? You’re invited to experience the joy, freedom and inspiration of Song at your local With One Voice choir! Neuroscience proves singing makes people happier, healthier, smarter and more creative. Creat...  moreDID YOU KNOW THAT SINGING CHANGES YOUR BRAIN? You’re invited to experience the joy, freedom and inspiration of Song at your local With One Voice choir! Neuroscience proves singing makes people happier, healthier, smarter and more creative. Creativity Australia (www.creativityaustralia.org.au) is building a happier, healthier, more inclusive nation through the life-changing With One Voice program. We bridge the gap between people experiencing disadvantage and those more fortunate through the neuro-scientific benefits of community singing. We build supportive networks that help people connect to brighter futures. Creativity Australia is delighted to offer a suite of With One Voice “how to” guide videos, resources and mentoring for individuals, groups and communities looking to start new, inclusive With One Voice choirs using our innovative social franchise model. Together, we can change the world… one voice at a time. With One Voice choirs are led by professional conductors and meet weekly, fo...    less

Italian Folk Song Edited, and provided with accompaniment by Giovanni Sgambati Arranged for SATB Chorus and Piano by Stanley M. Hoffman

Vitaly Filippov (tenor, a member of the choir) Recorded May 24, 2005 in the State Historical Museum (Moscow, Red Square) -------------------------------------------------------- The lyrics of the Song is Thomas Moor's (1779—1852) "Those Evening B...  moreVitaly Filippov (tenor, a member of the choir) Recorded May 24, 2005 in the State Historical Museum (Moscow, Red Square) -------------------------------------------------------- The lyrics of the Song is Thomas Moor's (1779—1852) "Those Evening Bells" translated by Russian poet Ivan Kozlov (1779—1840). Those evening bells! Those evening bells! How many a tale their music tells of youth, and home and that sweet time, When last I heard their soothing chime. Those joyous hours are past away, And many a heart that then was gay Within the tomb now darkly dwells And hears no more these evening bells. And so 'twill be when I am gone; That tuneful peal will still ring on while other bards will walk these dells, and sing your praise, sweet evening bells.  less

Italian Folk Song Edited, and provided with accompaniment by Giovanni Sgambati (1841–1914) Arranged for SATB chorus and chamber Orchestra by Stanley M. Hoffman