"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had serv...  more"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had served in the Canadian forces, in one of the most dangerous roles, as a runner in northwestern France. This song honours his memory and the love that he showed me as a boy and a young man growing up. Shortly after starting this piece, I then learned that my dear cousin Jamie Shaw (1959-2019) was gravely ill and with his permission, I have dedicated this piece to him as well. Jamie's courage, good spirit and humour throughout his illness was an inspiration to all of us who knew him. "Da pacem Domine" is a musical search for peace: both external peace, between individuals, groups, societies, nations; and internal peace, to find a restful spot within the soul, amidst the serious tensions and conflicts seemingly inherent in the human stream of existence. It explor...    less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

I have dedicated this song to health care workers and other courageous COVID-19 workers around the world. THANK YOU! "Where then could pain find a hold?" is a musical plea for reconciliation addressed to those (individuals, groups, nations) who find t...  moreI have dedicated this song to health care workers and other courageous COVID-19 workers around the world. THANK YOU! "Where then could pain find a hold?" is a musical plea for reconciliation addressed to those (individuals, groups, nations) who find themselves in conflict. I would like to acknowledge pianist Fred Hersch whose magical playing of Billy Joel's "And so it goes" in the middle of an Ottawa winter inspired me to start working on this piece. I would like to thank my Ottawa singing friends in the "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. I would also like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 27 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey. NB: choirs interested in obtaining copies of the score can conta...    less

This song is a wedding present for my daughter Salima and my son-in-law Tarik Talundzic. As a boy chorister I can remember singing Healey Willan's setting of "Rise up, my love", a true gem. The beautiful imagery of this text drew me to write my own s...  moreThis song is a wedding present for my daughter Salima and my son-in-law Tarik Talundzic. As a boy chorister I can remember singing Healey Willan's setting of "Rise up, my love", a true gem. The beautiful imagery of this text drew me to write my own setting. Sincere thanks to Matthew Curtis (ChoralTracks.com) for recording "Rise up, my love, my fair one." If you would like to obtain the sheet music for this song, please contact: info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

"Demain, dès l'aube" is dedicated to my dear friend Lillian Holowka and her partner Donald Bergen, who died less than a year apart in 2013 and 2014. Victor Hugo's heart-wrenching 1847 poem describes a walk he plans to take tomorrow morning ("Demain, dè...  more"Demain, dès l'aube" is dedicated to my dear friend Lillian Holowka and her partner Donald Bergen, who died less than a year apart in 2013 and 2014. Victor Hugo's heart-wrenching 1847 poem describes a walk he plans to take tomorrow morning ("Demain, dès l'aube") through the countryside to his daughter Léopoldine's grave four years after her tragic death in a boating accident, which also took the life of her husband Charles who had tried to save her. Sincere thanks to Matthew Curtis (ChoralTracks.com) for recording "Demain, dès l'aube." To purchase the sheet music for this song, please contact: info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and m...    less

STOKE FLEMING for unaccompanied mixed choir (SATB) by Greg Bartholomew Recording by Matthew Curtis (Choral Tracks). Sheet Music is available from J.W.Pepper: https://www.jwpepper.com/10503196.item Stoke Fleming is a small hamlet on the English...  moreSTOKE FLEMING for unaccompanied mixed choir (SATB) by Greg Bartholomew Recording by Matthew Curtis (Choral Tracks). Sheet Music is available from J.W.Pepper: https://www.jwpepper.com/10503196.item Stoke Fleming is a small hamlet on the English Channel. The text for this work is a secular meditation on the rocks and the waves written by the composer during a weekend stay there in 1978. The music was completed in January 2000 and received a reading by the Gregg Smith Singers at the Adirondack Festival of American Music in July 2000. For more information visit www.gregbartholomew.com #ComposersOfChoralMusic #ChoralMusic #AmericanMusic  less

I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional F...  moreI dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional French Christmas carol, "Quelle est cette odeur agréable", which John Gay also set as a boisterous drinking song in the Beggar's Opera, "Fill every glass, for wine inspires us!" In addition, the song draws inspiration from Josquin's Missa Pange Lingua. In early 2018, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "How heavy lies the heart" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. I would also like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre M...    less

PRAIRIE SPRING by Greg Bartholomew A setting for SAB choir of the poem by Willa Cather. With optional piano accompaniment. Recording by Matthew Curtis (Choral Tracks). Willa Cather (1873-1947) was an American writer best known for her novels of fron...  morePRAIRIE SPRING by Greg Bartholomew A setting for SAB choir of the poem by Willa Cather. With optional piano accompaniment. Recording by Matthew Curtis (Choral Tracks). Willa Cather (1873-1947) was an American writer best known for her novels of frontier life on the Great Plains. Prairie Spring was first published in 1913 as the prologue to the novel O Pioneers! Sheet music is available from J. W. Pepper: https://www.jwpepper.com/11208222.item PRAIRIE SPRING Evening and the flat land, Rich and sombre and always silent; The miles of fresh-plowed soil, Heavy and black, full of strength and harshness; The growing wheat, the growing weeds, The toiling horses, the tired men; The long empty roads, Sullen fires of sunset, fading, The eternal, unresponsive sky. Against all this, Youth, Flaming like the wild roses, Singing like the larks over the plowed fields, Flashing like a star out of the twilight; Youth with its insupportable sweetness, Its fierce necessity, Its shar...    less

Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella Choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a Choral adaptation of a piano piece ha...  moreErik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella Choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a Choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "As dawn breaks" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four Choral works, each of which had evoked a different season, and so it seemed natural to group ...    less

O nata lux de lumine, Jesu redemptor saeculi, Dignare clemens supplicum Laudes precesque sumere. Qui carne quondam contegi Dignatus es pro perditis, Nos membra confer effici Tui beati corporis. (O Light born of Light, Jesus, redeemer of the w...  moreO nata lux de lumine, Jesu redemptor saeculi, Dignare clemens supplicum Laudes precesque sumere. Qui carne quondam contegi Dignatus es pro perditis, Nos membra confer effici Tui beati corporis. (O Light born of Light, Jesus, redeemer of the world, with loving-kindness deign to receive suppliant praise and prayer. Thou who once deigned to be clothed in flesh for the sake of the lost, grant us to be members of thy blessed body.) http://www.cpdl.org/wiki/index.php/Scott_Villard