Compositor: Josu Elberdin Concierto celebrado el 23 de octubre de 2010 en el Palacio Euskalduna de Bilbao. Con la colaboración de Kepa Junkera

Barlow Bradford's Utah Chamber Artists sing "Magnificat" by Arvo Part for their 2009 Spring Collage Concert at the Cathedral of the Madeleine in Salt Lake City. Photography by Dallas Graham from UCA's 2008 European Tour.

Magnificat was formed in 1991 by its conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th cent...  moreMagnificat was formed in 1991 by its conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th centuries. Magnificat ranges in size from four to forty voices and performs a wide range of music, both a capella and with ensembles of period instruments. In association with Linn Records, Magnificat.aspx" target="_blank" rel="nofollow">http://www.linnrecords.com/artist-Magnificat.aspx Magnificat has undertaken many recording projects of music from ‘The Golden Age'. The first of these comprises motets by Gesualdo, Guerrero, Josquin, Rebelo and Victoria together with Allegri's Miserere and Palestrina's Stabat mater. A highly acclaimed recording of Victoria's Officium Defunctorum of 1605, named a 1997 Critics' Choice by Gramophone Magazine and chosen by The Rough Guide as one of its ‘100 Essential Classical CDs', was...    less

Magnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote a...  moreMagnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote an "Oratorio" based on Winnie the Pooh (The Expotition to the North Pole) and gave each character little melodic leitmotifs, such as "Sing ho for the life of a bear" (which becomes "to be a light to lighten the Gentiles" in the Nunc Dimittis), "They all went off to discover the pole" (which is the initial theme of the Magnificat) and "What I say, said Eeyore, is that it's unsettling" (which becomes the "Glory be to the Father" section at the end of each canticle) The original and much simpler "oratorio" work, called Poohratorio of course, may be published once AA Milne goes into public domain (2031).  less

SSAATTBB, soprano, 3 choir soloists

CHANT D'ACCLAMATION LE Magnificat

John Rutter (*1945): Magnificat (1990) 2. Of a Rose, a lovely Rose Monteverdichor Würzburg Thüringer Symphoniker Saalfeld-Rudolstadt Matthias Beckert (cond.) Live recording from december 4th, 2011 in the Neubaukirche, Würzburg, Germany. Of ...  moreJohn Rutter (*1945): Magnificat (1990) 2. Of a Rose, a lovely Rose Monteverdichor Würzburg Thüringer Symphoniker Saalfeld-Rudolstadt Matthias Beckert (cond.) Live recording from december 4th, 2011 in the Neubaukirche, Würzburg, Germany. Of a Rose, a lovely Rose, Of a Rose is all my song. Hearken to me, both old and young, How this Rose began to spring; A fairer rose to mine liking In all this world ne know I none. Five branches of that rose there been, The which be both fair and sheen; The rose is called Mary, heaven's queen. Out of her bosom a blossom sprang. The first branch was of great honour: That blest Marie should bear the flow'r; There came an angel from heaven's tower To break the devil's bond. The second branch was great of might, That sprang upon Christmas night; The star shone over Bethlem bright, That man should see it both day and night. The third branch did spring and spread; Three kinges then the branch gan led Unto Our Lady in her child-bed; Into Bet...    less

Antonio Vivaldi Magnificat RV 610 Resonare Fibris Vocal Ensemble & Consort Susana Cortés, soprano Elena Rodríguez, soprano Tone Larsen, mezzo-soprano José Miñarro, tenor Gevorg Vardanyan, violín Sergio Martínez, violín Melina Enamorado, ...  moreAntonio Vivaldi Magnificat RV 610 Resonare Fibris Vocal Ensemble & Consort Susana Cortés, soprano Elena Rodríguez, soprano Tone Larsen, mezzo-soprano José Miñarro, tenor Gevorg Vardanyan, violín Sergio Martínez, violín Melina Enamorado, viola Alejandro Martínez, violoncello Guillermo Alba, bajo Cecilia Martín, bajo continuo Directora: Luisa D. Camacho Concert: MYSTERIUM Live recording 14th June 2014 Iglesia S. Agustín, Málaga (Spain) Síguenos en Facebook, Google + y Twitter Si te gustaría cantar con nosotros, envía tus datos y un teléfono a resonarefibrisve@gmail.com Nos pondremos en contacto contigo. Requisitos: - Voz sana. - Experiencia vocal y coral (no excluyente). - Lectura musical (no excluyente). - Estudio de las partes que se entregan en midi. - Alto compromiso con los ensayos, conciertos y con el grupo. Lugar de ensayo: C/ Navarro Ledesma, 168 (Málaga) Sábados de 11:00 h a 14:00 h.  less

10.11.2013, Franziskanerkirche Luzern www.moltocantabile.ch Orchester Camerata Musica Luzern Leitung: Andreas Felber