"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16...  more"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century Ancor che col partire io mi senta morire, partir vorrei ogn'hor, ogni momento: tant'e il piacer ch'io sento de la vita ch'acquisto nel ritorno: et cosi mill'e mille volt'il giorno partir da voi vorrei: tanto son dolci gli ritorni miei. Although when I leave you it is as if I were dying, I would wish to leave you every hour, every moment, I am so very happy when life comes back to me when I return: and so I wish I could leave you many thousand times a day because my heart leaps with joy when I return.  less

Academic choir ''Ivan Goran Kovačić'' was founded in 1948. The choir was directed by highly regarded Croatian musicians Mladen Jagušt, Duško Prašelj, Lovro Županović, Adalbert Marković, Dinko Fio, Vladimir Kranjčević, and Saša Britvić. Since the beginning...  moreAcademic choir ''Ivan Goran Kovačić'' was founded in 1948. The choir was directed by highly regarded Croatian musicians Mladen Jagušt, Duško Prašelj, Lovro Županović, Adalbert Marković, Dinko Fio, Vladimir Kranjčević, and Saša Britvić. Since the beginning of 2003 the choir's artistic director is Luka Vukšić. The director's assistant is Veton Marevci. The choir's performances have been conducted by Croatia's and world's most eminent musicians, such as Lovro von Matačić, Milan Horvat, Zubin Mehta, Sir Yehudi Menuhin, Krzysztof Penderecki, Lorin Maazel, Ennio Morricone, Noam Sheriff, Gerd Albrecht, Kazushi Ono, Alun Francis, Hans Graf, Kurt Masur, Dmitrij Kitajenko, Valerij Gergijev, and Sir Neville Marriner. The members of the choir, also referred to as 'Goranovci', have performed with many opera singers, the most prominent among them being Vladimir Ruždjak, Ruža Pospiš - Baldani, Ruggiero Raimondi, Jose Carreras, Andrea Bocelli, Inva Mula, and many others. Numerous guest performances of the choir have taken pla...    less

Europäischer Kammerchor Köln e.V. Die Ursprünge des Europäischen Kammerchores liegen beim internationalen Chorleitungskurs in St. Moritz (Schweiz) im Jahre 2003. Seitdem treffen sich die engagierten Chorsängerinnen und -sänger aus Deutschland und den eu...  moreEuropäischer Kammerchor Köln e.V. Die Ursprünge des Europäischen Kammerchores liegen beim internationalen Chorleitungskurs in St. Moritz (Schweiz) im Jahre 2003. Seitdem treffen sich die engagierten Chorsängerinnen und -sänger aus Deutschland und den europäischen Nachbarstaaten mehrmals im Jahr in Köln zu konzentrierten Probenphasen, in denen anspruchsvolle Chorprogramme erarbeitet und dem Publikum vorgestellt werden. Dabei widmet sich der Chor immer wieder gern jenen Kleinodien des unbegleiteten Gesanges, die in Kirche und Konzertsaal seltener zu hören sind, ohne dabei die großen Werke vergangener Epochen außer Acht zu lassen. Entsprechend umfasst das Portfolio der Sängergemeinschaft beispielsweise neben nahezu vergessenen Perlen der romantischen A-cappella-Literatur auch mehrere Aufführungen der Bach‘schen Johannes-Passion, Uraufführungen von Michael Ostrzyga und Harald Weiß sowie zahlreiche Werke der neueren und neuesten Chormusik. Nicht zuletzt die Freude am Auskosten des Spannungsfeldes zwischen alter und...    less

Frauenchor ex-semble, Leitung: Christoph Haßler Nachtzauber, Gustav Jenner CD: Nachtzauber (2013) Order CD: exsemble@googlemail.com www.ex-semble.com

Live recording - International Choral Festival "Voci d'Europa" - Porto Torres (Sardegna) Chiesa della B. V. Assunta - Mamoiada (NU), 21/08/2014 LA ROSA DEI VENTI ensemble vocale Martina Tardi - soprano Petra Grassi - contralto Marco Barbon - te...  moreLive recording - International Choral Festival "Voci d'Europa" - Porto Torres (Sardegna) Chiesa della B. V. Assunta - Mamoiada (NU), 21/08/2014 LA ROSA DEI VENTI ensemble vocale Martina Tardi - soprano Petra Grassi - contralto Marco Barbon - tenore Luca Scaccabarozzi - basso http://larosadeiventiensemble.weebly.com/  

NotePerformer 3 audio and scrolling score video in search of live performances. Words: Isaiah 12, S. M. H., tr. Music: © Copyright 2002 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Used by pe...  moreNotePerformer 3 audio and scrolling score video in search of live performances. Words: Isaiah 12, S. M. H., tr. Music: © Copyright 2002 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Used by permission ECS Publishing Catalog No. 7597.  

Singing Radujte se narodi, a beautiful Croatian folksong arranged for SATB with piano accompaniment by Alen Mancic, a member of the choir...

Concierto de Zenobia Consort, director Rupert Damerell, en la Catedral de Alcalá de Henares el 14 de enero 2012. El primer concierto del grupo recien formado.

Please contact the composer if you are interested in performing this. scottbvillard at gmail dot com. All vocal parts sung my Matthew Curtis of choraltracks.com

Академический Хор Уральского Федерального Университета. Художественный руководитель и дирижер - Светлана Долниковская МЕТЕЛЬНЫЙ ХРАМ Храм — воздвигаемый белою бездной зимней метели, скрипучей, железной — что ты вращаешься вихрем в но...  moreАкадемический Хор Уральского Федерального Университета. Художественный руководитель и дирижер - Светлана Долниковская МЕТЕЛЬНЫЙ ХРАМ Храм — воздвигаемый белою бездной зимней метели, скрипучей, железной — что ты вращаешься вихрем в ночи? Что ты бредёшь по равнинной трясине? Или молитву несешь по России? Или, отчаявшись, хрипло кричишь? Вот окружил меня белой стеною. Был бы я рад подойти к аналою — свечку затеплить, молитву сложить. Пусто. Лишь слёзы на веках густели то ли от вздохов прощальной метели, то ли от счастья, что надобно жить. Русское поле, давно мог понять я: жизнь — испытание, но — не распятье. Вот и сегодня: и темень, и снег. Но почему, когда вьюга восстала храмом из поля — душа заблистала? Божий огрех? Или божий успех? Сколько я помню — иду через поле: в боли телесной, в провидческой боли. Надо бы плакать, а хочется жить. Нету для смертного в радо...    less