Israelis are known for having chutzpah, and nobody has more chutzpah than Chutzpah! With more than 80 years experience performing a cappella (unaccompanied) Music and a repertoire that ranges from vocal jazz to barbershop, Chutzpah! is &qu...  moreIsraelis are known for having chutzpah, and nobody has more chutzpah than Chutzpah! With more than 80 years experience performing a cappella (unaccompanied) Music and a repertoire that ranges from vocal jazz to barbershop, Chutzpah! is "in your face" right from the start and with every chord. Our day jobs of (from top voice down) a lawyer, a voice teacher, a computer programmer, and an army officer don't exactly bring to mind outrageous laughter and tremendous harmonies, but that's just what Chutzpah! brings to every performance.  less

1)      Changing role of public schools- 2)      From teaching information to parental role               In recent years, the role of schools...

Originally by: ‘Enya’ Lyrics: Karl Jenkins Music: Peter Starfinger Sound: Johan De Cock Performed by the women of 'Universitair Koor Antwerpen' at their Spring Concert "Game of Tones" on May 13, 2014.

Music: American folk melody Lyrics: John Newton Arr.: Steven Milloy Performed by Universitair Koor Antwerpen at their Christmas Concert "Praise The Chord" on December 15, 2015.

Sweeney Todd - Music and Lyrics by Stephen Sondheim, Arranged by andy Beck Caitlin Hayes on Piano, Colin Parker on Drums, JC Thompson on Bass

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The Music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The Music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

A group of teachers with exceptional talents, with 28 members that can bring you to a experience where classical and show presentations is present. We believe that Music touches us emotionally where, words alone cant.

Performed by Universitair Koor Antwerpen at their Spring Concert "Evolution of Music" on May 10, 2016. Piano: Peter Jeurissen Percussion: Stijn Dierckx Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen, Jordan De Deken Sound: Johan De Cock

Title: いのちの名前 Inochi no Namae Arranged By: Gabriel Cheow Original Music and Lyrics By: Joe Hisaishi Performed By: The Graduate Singers Conducted By: Adyll Hardy Camera: Samsung S7 Edge with DJI Osmo Mobile Location: Yokohama, Japan

http://www.theaustralianvoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of Music flowing, through a logical seque...  morehttp://www.theaustralianvoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of Music flowing, through a logical sequence of harmony, melody and tempo, he (and other composers, including Stravinsky, Messiaen and my own teacher Butterley) created tiny fragments of Music -- totally contrasting in character -- which cascade into each other: an aural mosaic. Tra$h Ma$h is a piece made up entirely of Musical quotes lifted directly from modern pop songs and mashed together using the Tippet technique (perfect for our 21st century attention spans!) Deep down, I love trashy pop, and the singers in The Australian Voices are mostly under 21. We had a whole lot of parties to find the best (and worst) songs of 2011 to mash together in a kind of 60's disjunct treatment of pop, chopping it up and sticking it back together in a way that was never intended. I think it can be ridiculous an...    less