The fifth movement of my Requiem as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. "Do not stand at my grave and weep, I am not there; I do not sleep. . ." Lacrimosa

Julie Mathieu Miniconi (Soprano), sing Giusto Ciel, extract from Maometto II - Rossini, at the Opera of Marseille (France) Facebook : https://www.facebook.com/pages/Julie-Mathieu-Miniconi-Official/350021601683216

"Ljubezen (Charitas)" - R.Brisotto Ensemble In Contrà - dir. R.Brisotto 2/9/2018 Pieve di Santa Maria Oltrebut, Tolmezzo (Ud). "Love is always patient; love is always kind; love is never envious or arrogant with pride. (Where charity and love are, G...  more"Ljubezen (Charitas)" - R.Brisotto Ensemble In Contrà - dir. R.Brisotto 2/9/2018 Pieve di Santa Maria Oltrebut, Tolmezzo (Ud). "Love is always patient; love is always kind; love is never envious or arrogant with pride. (Where charity and love are, God is there) Nor is she conceited and she is never rude; she never thinks just of hersel or ever get annoyed. She never is resentful; is never glad with sin, but always glad to side with truth, whene'er the truth should win. (Christ's love has gathered us into one) She bears up under everything, believes the best in all, there is no limit to her hope, and she will never fall. (Where charity and love are, God is there)"  less

http://chor.helbling-verlag.de/?pagename=product&product=C7241 Die Magie der Weihnacht und der Menschwerdung Gottes ist in diesem bewegenden O magnum mysterium von Chris Artley direkt in die Musik übergegangen. Mit dem sich ruhig aufbauenden Stimmen, ...  morehttp://chor.helbling-verlag.de/?pagename=product&product=C7241 Die Magie der Weihnacht und der Menschwerdung Gottes ist in diesem bewegenden O magnum mysterium von Chris Artley direkt in die Musik übergegangen. Mit dem sich ruhig aufbauenden Stimmen, während die Worte "O magnum" wiederholt werden, beginnt dieses Chorstück, das Artley für den Nelson Summer School Choir komponierte. Fast balladenhaft setzt der Sopran mit der eingängigen Melodie ein, ruhig begleitet vom restlichen Chor, um das wunderbare Ereignis der Geburt Jesu im mehrfach wieder erklingenden, gemeinsamen Alleluia zu feiern. The magic of Christmas and the incarnation of Jesus have been directly blended in the music of this moving O magnum mysterium by Chris Artley. This choral piece, which Artley composed for the Nelson Summer School Choir, begins with the voices arranged calmly arising while the words "O magnum" are reiterated. The soprano enters with an unostentatious melody in an almost ballad-like manner quietly accompanied by the res...    less

Chant of 13th century from the Kiev-Pechersk Lavra, performed by Revutsky Academic Male Choir. Fragment of the Art program devoted to Day of the Baptism of Rus-Ukraine and 1000th anniversary of the Assumption of Prince Vladimir. (2015) St. Michael's Squar...  moreChant of 13th century from the Kiev-Pechersk Lavra, performed by Revutsky Academic Male Choir. Fragment of the Art program devoted to Day of the Baptism of Rus-Ukraine and 1000th anniversary of the Assumption of Prince Vladimir. (2015) St. Michael's Square, Kyiv, UKRAINE. SoundCLOUD: https://soundcloud.com/revutsky-male-capella YouTUBE: https://www.youtube.com/user/revutsky Slide Share: http://www.slideshare.net/Revutsky-Male-Choir Facebook: https://www.facebook.com/revutsky.choir E-mail: revutsky-choir@online.ua  less

Vasari Singers broke out of the mould to make this recording using GoPro technology, performing A Spotless Rose by Paul Mealor in the beautiful church of St Luke's, Battersea @VasariSingers @JeremyBackhouse www.vasarisingers.org

Interpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cues...  moreInterpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cuesta, Samuel Medina Piano: Nauzet Mederos Escena y dramaturgia: Alicia Ramos y Tania Rodríguez Directora: Nikoleta S. Popova  

Precious Ewoo Chorale (PEC) Groups are community-based groups with the mission to sing the Gospel, provide a high standard of musical performance to nurture, and inspire young people from the Seventh Day Adventist (SDA) churches and Christian denomination...  morePrecious Ewoo Chorale (PEC) Groups are community-based groups with the mission to sing the Gospel, provide a high standard of musical performance to nurture, and inspire young people from the Seventh Day Adventist (SDA) churches and Christian denominations through music appreciation.  

Das Ensemble quartonal wurde 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet und zählt zu den vielversprechendsten Nachwuchsensembles der deutschen A-cappella-Landschaft. 2010 sorgte das Ensemble erstmals für Aufmerksamkeit, als e...  moreDas Ensemble quartonal wurde 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet und zählt zu den vielversprechendsten Nachwuchsensembles der deutschen A-cappella-Landschaft. 2010 sorgte das Ensemble erstmals für Aufmerksamkeit, als es beim Deutschen Chorwettbewerb in Dortmund in der Kategorie „Vokalenensembles" mit einen 1. Preis und dem Prädikat „mit hervorragendem Erfolg teilgenommen" ausgezeichnet wurde. www.quartonal.de www.facebook.com/Ensemble.quartonal  

Holten's magnificent a cappella work, base on a text by Danish Hans Christian Andersen. Performed by voces boreales under Michael Zaugg. Solo: Gwen Bergman Solo Trio: Kristal Calvert, Meagan Zantingh, Marcel de Hêtre live at Redpath Hall, Montreal, Can...  moreHolten's magnificent a cappella work, base on a text by Danish Hans Christian Andersen. Performed by voces boreales under Michael Zaugg. Solo: Gwen Bergman Solo Trio: Kristal Calvert, Meagan Zantingh, Marcel de Hêtre live at Redpath Hall, Montreal, Canada May 6, 2012