O Concerto de Natal “A Little Jazz Mass” de Bob Chilcott tem como protagonistas o Coro Pactis e os Wave Jazz Ensemble que subiram ao palco do Centro Cultural e de Congressos de Angra do Heroísmo, no Dia 20 de dezembro, para mostrar a articulação de dois p...  moreO Concerto de Natal “A Little Jazz Mass” de Bob Chilcott tem como protagonistas o Coro Pactis e os Wave Jazz Ensemble que subiram ao palco do Centro Cultural e de Congressos de Angra do Heroísmo, no Dia 20 de dezembro, para mostrar a articulação de dois projetos distintos numa toada jazz em ambiente natalício. Trata-se de uma peça com cinco andamentos, escrita para o coro infantil New Orleans Children, aquando da participação no Crescent City Festival de New Orleans, em 2009. Fazem ainda parte da peça alguns clássicos de Natal como "Zat You Santa Claus", popularizado por Louis Armstrong; "Little Drummer Boy" ou "Silent Night" com arranjos próprios do quinteto. Enquanto o Coro Pactis tem Fátima Gonçalves na direção musical, o Wave Jazz Ensemble integra os músicos Rui Melo, Paulo Cunha, Paulo Borges, Nuno Pinheiro e Antonella Barletta. Clique para subscrever este canal com produção na terceira, açores: http://www.youtube.com/subscription_center?add_user=vitecazorestv Siga-nos também em www.azorestv.c...    less

Ensemble vocal PARA L'ELLES Direction Agnès BLIN Enregistrement studio QRMV Montmagny (Val d'Oise)

42ND INTERNATIONAL CHOIR FESTIVAL CZECH REPUBLIC FESTA MUSICALE Olomouc https://www.facebook.com/GloriaBrunensis diriguje Natalia Chirilenco klavír Jelena Kapitula

"Hodie Christus Natus Est" Coro de Cámara Reyes Bartlet Grupo instrumental José Híjar Polo, Director Ricardo Rodríguez, Textos y escena Javier Ruiz y Juan Carlos Martín, Creación visual Victor Lentini, Iluminación Iglesia de San Francisco, 13 de ...  more"Hodie Christus Natus Est" Coro de Cámara Reyes Bartlet Grupo instrumental José Híjar Polo, Director Ricardo Rodríguez, Textos y escena Javier Ruiz y Juan Carlos Martín, Creación visual Victor Lentini, Iluminación Iglesia de San Francisco, 13 de diciembre de 2003, Puerto de la Cruz (Tenerife). www.reyesbartlet.com  

Purdue Varsity Glee Club and The Cornell University Glee Club in concert at St. Thomas Aquinas Church - West Lafayette InDiana Thursday, January 12, 2012

25 декабря 2010 года. ЮБИЛЕЙНЫЙ КОНЦЕРТ, посвященный 60-летию хора. Композитор Andreas Gassner.

Update: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ ...  moreUpdate: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ minutes. No divisi. No extreme ranges. One page. Suitable for both church and concert hall. I wrote this with the aim of presenting the prayer with as much clarity as possible. To that end, I've set the text phrase by phrase rather than as deconstructed fragments. The score may be downloaded and used for church or concert performances free of charge. Please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social meDia pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

Cantores Celestes first performance of 'Ave Maria' by Guy Forbes excerpted from a LIVE concert for Monica Parfitt. Please SHARE! Help us get the word out how important it is to sign up to be a donor. 50 Cantores Celestes members sang on Sat Nov 23rd for t...  moreCantores Celestes first performance of 'Ave Maria' by Guy Forbes excerpted from a LIVE concert for Monica Parfitt. Please SHARE! Help us get the word out how important it is to sign up to be a donor. 50 Cantores Celestes members sang on Sat Nov 23rd for their friend and chorister sister, Monica Parfitt who has been at the Toronto General Hospital for 6 months awaiting for a heart donation. We sang for her and her family on Sat morning so she could be surrounded by our love and the music she loves. This audio was taken from a simple iphone but the message comes through none the less. Thank you from the bottom of my heart. Monica is very special.  less

Thomas Aquinas writes in the Summa Theologica: "Music is the exaltation of the mind derived from things eternal, bursting forth in sound." The quotation most aptly describes the repertoire on the Norwegian chamber choir Schola Cantorum's recording of hymn...  moreThomas Aquinas writes in the Summa Theologica: "Music is the exaltation of the mind derived from things eternal, bursting forth in sound." The quotation most aptly describes the repertoire on the Norwegian chamber choir Schola Cantorum's recording of hymns to Mary, the Mother of God, in which tranquillity, eternity and 'bursting forth into sound' are encountered in many different guises. The composers represented here have often chosen to allow their music to evolve in stable structures and remain within static harmonic spaces even when the music becomes expressive and dramatic: Benjamin Britten, Francis Poulenc, Maurice Duruflé, Eric Whitacre, Morten Lauridsen, Martin Ødegaard, Kjell Mørk Karlsen, Anton Bruckner, Sergei Rachmaninoff, Arvo Pärt, Ola Gjeilo, Andrew Smith and Trond Kverno. https://shop.klicktrack.com/2l/420085/ Throughout its existence the chamber choir Schola Cantorum has had high ambitions. The choir has built up an international reputation and has made it a trademark to include newly wri...    less

www.facebook.com/emacadiz www.emacadiz.es The "plena" is an early 20th century Afro-Puerto Rican rhythm from the southern part of the island. The "plena" became very popular among sugar-cane workers at plantations in the coastal regions. Th...  morewww.facebook.com/emacadiz www.emacadiz.es The "plena" is an early 20th century Afro-Puerto Rican rhythm from the southern part of the island. The "plena" became very popular among sugar-cane workers at plantations in the coastal regions. This arrangement reflects a more modern interpretation of the plena with the use of the piano as accompaniment, taking rhythmic motives from salsa rythm, and the voices in the interlude imitating the trumpets and double bass from a salsa band.