The women of The Vocal Art Ensemble perform Ro Agura's "Hotaru Koi" (Ho, Firefly) as part of their May 2011 concert "Cloudburst--Sounds of Nature". To set the mood, the men behind the women are providing 'firefly' effects using laser keychains.

This is us singing our version of The Beatles' "Blackbird". Our soloist in this one - Inbal Ceder. This video was shot in our conccert in the Felicia Blumenthal Music Center in 21.01.12. Arrangement: Doron Ben-Ami זה הביצוע שלנו ל"Blackbird" של החיפושיו...  moreThis is us singing our version of The Beatles' "Blackbird". Our soloist in this one - Inbal Ceder. This video was shot in our conccert in the Felicia Blumenthal Music Center in 21.01.12. Arrangement: Doron Ben-Ami זה הביצוע שלנו ל"Blackbird" של החיפושיות. הסולנית בשיר הזה - ענבל צדר. הקליפ צולם בהופעתנו במרכז פליציה בלומנטל, 21.01.12. עיבוד: דורון בן-עמי  

Emmanuel College, Cambridge has a choir of around 24 choral scholars, which sings at the choral services in the Wren Chapel during term. The choir is conducted by the Director of Chapel Music, assisted by two organ scholars. The choir makes occasional vis...  moreEmmanuel College, Cambridge has a choir of around 24 choral scholars, which sings at the choral services in the Wren Chapel during term. The choir is conducted by the Director of Chapel Music, assisted by two organ scholars. The choir makes occasional visIts to other BrItish churches and cathedrals, as well as an annual foreign tour, recent destinations have included USA, Mexico, Sweden, Thailand, Rome and Prague. Emmanuel College Choir has released a number of recordings, most recently a CD of works by the Edwardian composer E W Naylor, a former Organist and Honorary Fellow of the College. TwItter: EmmanuelChoir Facebook: The Chapel Choir of Emmanuel College, Cambridge  less

In the Stillness by Sally Beamish http://oneequalmusic.org.uk/ a Christmas Carol for SATB choir text by Katrina Shepherd. recorded St Peter's Singers of Leeds in Pfarrkirche St. Vincentius, Haselünne during the choir tour of Germany and the Netherlands.

Hari Bouriquet (Gee up lIttle Donkey) Second version - wIth tentative translation in the video Itself This is a satirical madrigal mocking the Catholics of the timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this ...  moreHari Bouriquet (Gee up lIttle Donkey) Second version - wIth tentative translation in the video Itself This is a satirical madrigal mocking the Catholics of the timebased on a madrigal allegedly composed by Claudin de Sermisy.... (actually I find this hard to believe since he was a good Catholic, but maybe someone has further information?)... The original is partly in Renaissance French of the court and partly in a dialect of that period. Performed by the dwsChorale (a one-man choir)  

La Magia del Río is a piece dedicated and commissioned for the Choral Camp "Choral Ethno Crossroads 2019" in Cyprus. We are brothers of the same species and maybe we Do not realize but our differences- ideological, behavioral, religious, gender, etc. ...  moreLa Magia del Río is a piece dedicated and commissioned for the Choral Camp "Choral Ethno Crossroads 2019" in Cyprus. We are brothers of the same species and maybe we Do not realize but our differences- ideological, behavioral, religious, gender, etc. - In truth are skills to complement us and if we unIte them, we will have access to all the knowledge of all the truths existing in humanIty. We must be tolerant and learn from one another because we are in the same boat traveling together and to live a wonderful life, we must listen to each other and unIte to awaken our kindness and create synergistic relationships. So we will always remember that we are the same species and we will find peace. To acquire copies of the scores wrIte an email to contact@santiagoveros.sIte  less

Mañana, 11-03-2013, se cumplirán Dos años de la tragedia de Fukushima, Japón. Casualidades trágicas que tiene el destino, justo por esas mismas fechas hacíamos nuestro primer acercamiento a esta obra y su autor, el japonés Kentaro Sato; que desde su Hama...  moreMañana, 11-03-2013, se cumplirán Dos años de la tragedia de Fukushima, Japón. Casualidades trágicas que tiene el destino, justo por esas mismas fechas hacíamos nuestro primer acercamiento a esta obra y su autor, el japonés Kentaro Sato; que desde su Hamahatsu natal, la tierra de mis padres, la llamaba, comenzó a narrar su día a día tras la tragedia con unas comunicaciones cargadas de pena y resignación pero nunca exentas de esperanza. Y en eso se convirtió esta obra para nosotros, en un canto a la esperanza añadienDo, a su belleza intrísiseca, un plus emocional y epidérmico que surge inevItablemente en cada presentación. Ha siDo tremendamente evocaDor y motivante que el propio Maestro Kentaro Sato, reprodujera nuestra interpretación en toDos sus sItios web y la calificarara de "Splended". Las piruetas trágicas del destino de las que hablamos al principio, han queriDo que también mañana se conmemore el 9º Aniversario del atentaDo en el metro de Madrid. Para que toDos superemos los "Fukushimas" que día...    less

Taneyev - Serenade С. Танеев, А.Фет "Серенада" Kamerkoor EnDora uIt Heemskerk. Dirigent Chris Jobse. Concert registratie 17 december 2011. Chamber Choir EnDora, Heemskerk. Conductor Chris Jobse.

Kantorei performing Eric William Barnum's "Sweetheart of the Sun" during a concert in Arles, France in June 2007

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens wIth a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens wIth a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes wIth a recapItulation of the music from the opening, but wIth new words assigned to It, and wIth the soprano soloist providing a descant for It. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less